Posted on Les Romantiques - Le forum du site
Reveiwed by Rinou
Review Copy from the Publisher
For me, Elizabeth Lowell is first of all the author of the Only series, of which my favorite volume is Only His. Like other romance authors, she has now turned to the romantic suspense, but I had not tried one. This is done with Dangerous Refuge, which leads us a little further west than in the Only series, into the plains of Nevada and of course at the present time.
Shaye, our heroine, works for the Ranch Conservancy, a large group that allows landowners to keep their land instead of selling them at deflated prices for them to be then transformed into resort area for wealthy people. She believes in the benefit of this organization, and she has a good contact with smallholders, as well as with the wealthy benefactors of the group. She is upset when her boss Kimberly messes up an agreement with a gruff old man she was fond of, and she finds him dead, apparently the victim of a heart attack.
Tanner, this old rancher’s nephew, is a jaded cop who lives in Los Angeles. Gruff, cynical, he is the kind to shoot first and ask questions later. He also tends to say what he thinks even if it is not politically correct. He has the sense of details and observation, and above all he feels guilty for not having seen his uncle for years. So when he notices that his uncle’s collection coins have disappeared he decides to investigate.
The attraction between them is immediate, but both have reasons not to give in to it. Furthermore, Tanner’s pushy attitude annoys and baffles the young woman. The down-to-earth and cheerful side of one and the somber and disillusioned side of the other complement each other, and Shaye has the wit necessary to cope with Tanner’s not always veiled advances, resulting in biting and sometimes funny dialogs. They both are obstinate with strong personalities and they cause sparks to fly, but she knows what to say for him to give in and bring her in the enquiry’s peregrinations. Their relation evolves logically and gradually (even though in fact only a few days have passed in the entire book). The sex scenes, when they happen at last, are well-written, sensual, and there are not too many of them to risk taking precedence on the plot.
As for the secondary characters, there's something for everyone, and if Kimberly is perhaps a bit too exaggerated in her role as bimbo, all are solid and well-drawn. And even those who are not detailed are done so consistently with the story. Unfortunately a recurring detail in their descriptions made me realize the secret (at least a part of it) early on, while I greatly prefer to be surprised by the end.
I found this book full of a certain melancholy, with the evocation of the desertion of the ranches and rural areas by the young generations, further emphasized by a slow pace for most of the story. The three breaks by one page chapters giving the killer's point of view as well as some indications about his identity (without providing certainties) were well-done and welcomed ideas. I enjoyed that the pace quickens for the last few chapters towards the outcome, which unfortunately left me a bit frustrated by the lack of explanation of the involvement of certain characters.
For my discovery of romantic suspense made in Elizabeth Lowell, I was not totally convinced. There are some very good elements in this book, including some very beautiful descriptions of the Lake Tahoe area. But it lacked a little something for me to be really thrilled. So I will try again this subgenre by this author, just to check if I just wasn’t in the right mood for this book.