A crew of young correspondents is sent to cover an obscure war in an obscure country and then feel the earth shift as their own country becomes increasingly engaged in the war -- and find themselves uncomfortably in the middle of one of the greatest stories of the 20th century when it becomes inescapable that the government is steadily, implacably, lying to the American peoplw.
It's Vietnam, of course, and the reporters grew up to be David Halberstam, Neil Sheehan, Peter Arnett, and some others of equal stature if not equal fame. This being a war, some of them didn't grow up at all -- for example, Sean Flynn, the suicidally courageous son of Errol Flynn, who was everything his father pretended to be -- but also had a death wish that was granted as he rode out of this world on a motorbike, heading for a battle he'd been warned about.
As the reporters filed their stories, the White House called their papers to complain. The Armed Forces threatened them. More experienced correspondents, including Marguerite Higgins and Joseph Alsop, flew in, took the Army tour, and wrote stories attacking the correspondents. The Diem government shadowed them and might have put contracts out on them.
But they kept writing, and they were right. It was a journalistic triumph on the level of Watergate, and it's difficult in reading the book not to feel that today it wouldn't have happened - that today these reporters would have been "embedded," managed, censored, and not given the support of their journalistic and corporate bosses.
I would have given this five stars but feared my enthusiasm as a former reporter given the chance to wallow in that old machismo world with its in jokes, apocryphal tales, stupid daring and balls out reporting and writing was leading me to give the book more credit than it deserved. It's often said reporters of my generation (the one following Halberstam, Sheehan, Arnett et al) were inspired by Watergate. Well, yes, but also by the men whose Vietnam stories we read in the paper and whom we watched on TV and who were held up as exemplary in our j-school classes. The righteousness of journalism in the 60s and 70s was at the heart of that golden time. Glad I was there, in my very tiny way.
4.5 stars. the chapters were pretty decent length with lots of information, and that made them hard to get through at times. however, the last half of this book is outstanding, especially the coup. trying to read more nonfiction in 2025 and this was a great place to start
This book had me hooked from the beginning and kept me hooked to the end. I had heard of all these names, of course, but had no idea what they had gone through during those two years. I had bought the accepted wisdom that the government and the military had had a policy of free access during the Vietnam War that was changed later because of all the trouble it caused. I had no conception of how deeply the lying permeated the policy from the beginning. Prochnau's writing style, although certainly idiosyncratic, enhanced his material, keeping pace with the rapid and tumultuous unfolding of events. Unlike other reviewers I did not find that Prochnau hero-worshiped his subjects. Quite the opposite. He showed the very human effects of constant work and anxiety, as well as the debilitating cost of calling out the lies and fear of an entire power structure. I found it especially interesting that none of the reporters questioned the war, only how it was being waged. Prochnau's extensive research tells a story from before the hawk/dove divisions for which that conflict came to be known. It isn't an easy story to read, but Prochnau makes it compelling.
One of the few books I've ever abandoned due to boredom. I still gave it two stars as it starts well and is very interesting for about the first half. Paints exoticism of VietNam vividly in early chapters during build up to war. Folly of US policies is evident and the fact that they are repeating many of the same mistakes over and over in Iraq and elsewhere is depressing. Prochnau descends into hero worship of the journalists as the book progresses and it starts to read like a fanzine. You've got to acknowledge that they worked harder than the "embedded" dispersers of propaganda that masquerade as war reporters today but the gushing praise from Prochnau is over the top.
I had such a love/hate relationship with this book. It taught me so many things I didn't know before reading, and I was absolutely enamored with the author's writing style. I'm a journalist, and it reminded me a lot of how I wish I wrote, definitely a style to be admired. But I often found it difficult to be invested in the story, and stayed attentive to reading. It became a chore at times to dig through lengthy chapters loaded with information. I really wish I could've fully appreciated this book for what it's worth because the writing is phenomenal.
A great historical read describing events before America’s involvement
The author has written a historical and pain staking book detailing events that occurred in Vietnam before America’s full involvement. If we had known then, what we know now, perhaps many of names inscribed on the Vietnam War memorial would be alive today. I am truly saddened by the deception of all the governments involved and now feel that the early correspondents were heroes. I highly recommend this book.
This is an interesting look at the pre-Tonkin Resolution Vietnam War between 1961 and 1963. The lies told to the American people by President Kennedy about Vietnam are displayed openly and without prejudice. The book is ponderous in some spots--do we really need to read a multi-page assessment of journalist Marguerite Higgins?-which detracts from it. Overall, I'm glad I read it.
Great read for finding a different perspective of the Vietnam War (something that's not from a military, policymaker, or cable news perspective), but it does have a weird pace. The author spends a lot of time on 1963, but rushes through most of the prior foreign interventions.
I thoroughly enjoyed this book on the journalists who covered the early years of American involvement in Vietnam. It does an excellent job of covering the backgrounds of the newsmen involved, and documenting their exploits during a critical time.
An exceptional look at how war correspondents covered the early days of the Vietnam War and how they dealt with both the Vietnamese and American governments.
If you liked David Halberstam's The Best and The Brightest or if you want to know more about what happended to the US in Viet Nam, this is worth reading. It is the history of the American press correspondents who reported from south Viet Nam in 1961. In addition to Halberstam, you meet a young Peter Arnett, Neil Sheehan, and many others. Bottom line: they all supported the idea of what the Americans were trying to accomplish in Veit Nam, but they accurately foresaw that the military, embassy, and CIA leaders were not facing up to the reality or the nature of this war, and that the government in Washington didn;t want to really know what was going on. They were given a very hard time, even by their own newspapers, for reporting what they saw.
An interesting book, well written. This would have a really fun book to write, if the ultimate outcome of what happened in the end weren't so tragic.
I was a teenager in Canada when the war in Vietnam was first in the news and had a very vague idea what was going on beyond a undefined idea that the war was BAD. This book tells the story of the early years of the "war" through the stories of a group of young journalists.
I read David Halberstam's THE COLDEST WINTER (his history of the Korean War) but I had no idea of his role in this story (and his place in the history of American journalism).
I am pretty sure I sought out his book after reading about it in a laudatory mention in one of Mary McGrory's columns. I say "pretty sure" because McGrory was a big JFK fan and picture that we get in this book the superstar president and his advisors is far from flattering.
A very big cast of characters in a very complicated story, but well told and compelling.
I pretty much read this in one sitting - which took the better part of a weekend. Good history/journalism grips me and it doesn't matter a whit that I know the outcome at the outset. Lots of details on characters I had little familiarity with. Of particular note was JFK's nixonian response to the work of a small group of intrepid youngsters working under very difficult conditions. I didn't think the lies began until LBJ. Vietnam was a war doomed from the start and it is remarkable how similar the Bush wars were to this. Prochnau doesn't present anyone as wholly blameless, particularly Halberstam, and it is startling to be reminded that most of the press working in Vietnam at that time did not question the war itself, only the way it was being waged.
As a youngster in the Vietnam era(b.1961), I remember watching nightly reviews from Vietnam courtesy of Walter Cronkite. As I became a teen, I followed as much as I could from my small Midwestern town newspaper and have continued to learn as much as I could in regards to the start, middle and "finish" of this war. I thoroughly enjoyed Mr. Prochnau's description of the relationships between each journalist as well as their standing up to the American government in revealing the ugly truths to their readers. I would have enjoyed more descriptions of the reporters experiences in the field where they were embedded, however. Still, a very good book and I rank it up there with John Laurence's "The Cat from Hue".
Wow. The young war correspondents fought their newspaper editors and owners just as much as they fought the South Vietnamese military and political leaders between 1961-63. Their stories tell a comical yet tragic story with the backdrop to a growing war. Reveals how out of sync the entire war effort was being sold to the American people. The book culminates in their news reporting between the buddhist immolations and the assassinations of Diem and Nhu.
a really fascinating topic. Viewing the years leading up to the war through the leans of the young war reporters was a interesting & fascinating study. It did feel unfinished.. but it was not intended to be about reporters throughout the entire war.
An absolute fave of nonfiction, it's essentially Neil Sheehan's Bright Shining Lie reduced to a manageable size and accelerated to a much brisker pace.