雪隐鹭鸶:《金瓶梅》的声色与虚无

by Ge Fei

《金瓶梅》，除了当成“禁书”，还可以怎么读？潘金莲心爱的梳妆镜与《红楼梦》中的太虚幻境有何关联？西门庆手下的“伙计”是职业经理人的雏形吗？明代的运河经济如何体现于餐桌上的冰湃鲥鱼和生鲜枇杷果？中国的色情文学创作为什么会在明中期至明末这个特殊的时代里集中喷发？……格非新作《雪隐鹭鸶——〈金瓶梅〉的声色与虚无》首先将《金瓶梅》置于16世纪全球社会转型与文化变革的背景中详细【美国地址满$79.99其他国家满$99.99一律免运费, 让全球华人没有难买的中文书】

Hardcover

First published August 1, 2014

About the author

Ge Fei (Chinese: 格非; pinyin: Gé Fēi; Wade–Giles: Ke Fei, born 1964) is the pen name of novelist Liu Yong (刘勇), considered by many scholars and critics to be one of the most significant of the Chinese avant-garde writers that rose to prominence in the 1980s and 1990s.

Ge Fei was born in Dantu, Jiangsu, in 1964. He studied Chinese literature at East China Normal University and, after graduating in 1985, began to teach there and publish short stories and novellas. He read widely during his studies, but has since noted that he was particularly influenced by Borges, Faulkner and Robbe-Grillet. Some of his early, more experimental works were translated into English in the 1990s, such as "The Lost Boat", "Remembering Mr. Wu You" and "Green Yellow".

One of Ge Fei's most celebrated works is the "Jiangnan Trilogy", which explores the concept of utopia and contains many allusions to Cao Xueqin's Dream of the Red Chamber.

In 2016, The Invisibility Cloak (which had won both the Lu Xun Literary Prize and the Lao She Literary Award in 2014) was the first of his longer works to be translated into English.

(from Wikipedia)
https://en.wikipedia.org/wiki/Ge_Fei_...

Reviews

[Eressea · Rating 4 out of 5]

不如豆瓣上評的好
前半把小說放在晚明社會中分析
並和西方作品做比較挺不賴
後半隨機挑選小說內容做情節人物評價
就不如秋水堂論金瓶梅了
整體來說像隨筆集沒有嚴密的架構

倒是看完原著再看幾本分析之後
回去看卜正民的縱樂的困惑
應該會比之前囫圇吞棗看完更有所得吧

[Littlebasin · Rating 5 out of 5]

包括历史背景、哲学思想和文本分析三部分，条分缕析，丝丝入扣。可贵的是不散乱，有一股连贯的气。