With the death of George Lowe earlier this year (2013), the last of the 1953 Everest mountaineers has gone. Lowe, one of two New Zealanders on the expedition, played a crucial role as camerman, photographer, route forger and support team for Hillary and Tenzing’s final summit push. And it was also Lowe who revealed Hillary’s infamous “We knocked the bastard off’ quote. Hillary could not know that these words would echo around the world, and later rued them, and it says something for Lowe’s impish sense of humour that this quip between mates leaked out.
In the foreword to this book, Hillary wrote of Lowe ‘most of all I enjoyed his sense of humour – I don’t think I have ever laughed harder or louder than when I was with George in a mountain hut.’ There’s a great picture of Lowe and Hillary outside Malte Brun Hut, and another of them sharing a joke on the Everest expedition.
Despite his prominent role in the successful ascent, for which he was called ‘the hero of the Lhotse Face’, Lowe remained very much in the shadow of Hillary, and seemed to appreciate the shade. Finally, we have two books from Lowe to shine more light onto the man’s achievements. In Letters from Everest (see next review) we have Lowe’s words, fresh from the field. And in The Conquest of Everest we have his photographs. Lowe called himself a ‘good amatuer’ photographer but the quality of his work exceeds that modest statement, and soon got recogntion. Lowe: ‘It was our successful 1953 Everest Expedition that created a minor myth about my prowess, and within a couple of years I was assigned as official photographer to the grand Commonwealth Antarctic Expedition led by Vivian Fuchs.’
On Everest, Lowe used a Kodak Retina II camera, and kept it warm at night in his sleeping bag. Recording the ascent played an important role in the success, and leader John Hunt took no chances. Lowe’s work complemented that of official expedition photographer Alf Gregory, with Tom Stobart in charge of movie footage. However, when Stobart could not go high on the mountain, Lowe took over and did a commendable job.
Happily, this volume contains finely reproduced images not just from Everest in 1953, but from New Zealand, the Indian Garwhal expedition of 1951, and the Everest reconnaissance that followed it, as well as the 1952 Cho Oyo Expedition. Many, like those showing Earle Riddiford, Ed Hillary and Guy Cotter climbing the Maximilan Ridge of Elie de Beaumont, I’ve never seen published before.
Lowe used black and white film plus colour Kodachrome, and had a great eye for recording not just the big, dramatic moments, but the little ones too. There’s humour in one showing Eric Shipton and two others neck-deep in a river, with umbrellas over their heads in an attempt to cool off during a hot approach march. There’s a sherpa balanced precariously on a ladder spanning a gaping crevasse. And a famous one of Hillary and Tenzing high on their push to the final high camp.
Equally revealing are several stories told by Lowe. Harrassed by kea during the Maxamilian Ridge expedition, Hillary made a bow and arrow, much to everyone else’s amusement, but surprised them all by returning 30 minutes later with a skewered bird. Lowe recalls ‘We cooked the poor thing in our pressure cooker and had an inadequate, indigestible mouthful each.’
Lowe is equally candid about the bombshell created by Shipton’s famous cable inviting two of the four New Zealand climbers onto the 1951 Everest recconaissance. Content until then with their success in the Garwhal Himalaya, Cotter, Riddiford Hillary and Lowe were transformed into ‘four tense tigers, caged, self-seeking, eying each other with jealousy.’
Lowe also reveals that Hillary’s famous competitiveness extended to banana eating, and on one march, the gangly mountaineer managed 132 compared to Lowe’s 120.
As well as several autobiographical chapters written by Lowe, there are reflections from a plethora of high-profile mountaineers to mark the 60th anniversary of the expedition. These include Reinhold Messner, Peter Hillary, Doug Scott, Chris Bonington, Colin Monteath, Stephen Venables and Tom Hornbein. All have their own Everest stories to tell, which are interesting and sometimes enlightening, but Lowe’s fine images remain the book’s highlight.