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The Sign of Saturn: Poems 1980-1987

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The poems collected in this work deal with sexuality, power and the idea of they tell stories of first sexual memories, of birth and of death in its many forms. The poet's previous published collections include "Satan Says", "The Dead and the Living" and "The Gold Cell".

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Published January 1, 1991

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About the author

Sharon Olds

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Born in San Francisco on November 19, 1942, Sharon Olds earned a B.A. at Stanford University and a Ph.D. at Columbia University.

Her first collection of poems, Satan Says (1980), received the inaugural San Francisco Poetry Center Award. Olds's following collection, The Dead & the Living (1983), received the Lamont Poetry Selection in 1983 and the National Book Critics Circle Award.

Her other collections include Strike Sparks: Selected Poems (2004, Knopf), The Unswept Room (2002), Blood, Tin, Straw (1999), The Gold Cell (1997), The Wellspring (1995), and The Father (1992), which was shortlisted for the T. S. Eliot Prize and was a finalist for the National Book Critics Circle Award.

About Olds's poetry, one reviewer for the New York Times said, "Her work has a robust sensuality, a delight in the physical that is almost Whitmanesque. She has made the minutiae of a woman's everyday life as valid a subject for poetry as the grand abstract themes that have preoccupied other poets."

Olds's numerous honors include a National Endowment for the Arts grant and a Guggenheim Foundation Fellowship. Her poetry has appeared in The New Yorker, The Paris Review, and Ploughshares, and has been anthologized in more than a hundred collections.

Olds held the position of New York State Poet from 1998 to 2000. She currently teaches poetry workshops at New York University's Graduate Creative Writing Program as well as a workshop at Goldwater Hospital on Roosevelt Island in New York. She was elected an Academy Chancellor in 2006. She lives in New York City.

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33 reviews18 followers
September 3, 2012
Sharon Olds guides the reader back to the good and the bad animal roots within us, originating entirely in the necessity of interaction and reaction of the human being; from instinctual, loving protector to the weakness of human regret, Olds portrays raw humanity with realistic, candid language and physical metaphor and, above all, rich, fresh, living memory.
Her's is a most valuable recording of the human, immersing thinkers everywhere even further into the greatest of mysteries: Ourselves.
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