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らんま½ [Ranma ½] #33
Ranma ½, #45
Edición argentina. Corresponde al tomo #33 japonés.
Un chico con una enfermedad desconocida odia los remedios pero si no los toma se va a morir. Su cara no lo aparenta pero es un pajero que pretende que Ranma mujer le de el remedio con la boca. También Ranma y Ryoga comen un hongo raro que los transforma en pendejitos. Ahora los dos buscan la manera de volver a su edad original. Eso y mucho más!!
Un chico con una enfermedad desconocida odia los remedios pero si no los toma se va a morir. Su cara no lo aparenta pero es un pajero que pretende que Ranma mujer le de el remedio con la boca. También Ranma y Ryoga comen un hongo raro que los transforma en pendejitos. Ahora los dos buscan la manera de volver a su edad original. Eso y mucho más!!
192 pages, Paperback
First published May 18, 1995
30 people want to read
About the author
Rumiko Takahashi
1,594 books2,171 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 12 of 12 reviews
November 27, 2019
Awww Ranma y Ryoga de pequeños son tan lindos, pero son igual o más competitivos entre sí.
Hasta cuándo podrá Ranma presentarse ante su madre, mientras tendrá que seguir siendo Ranko
Hasta cuándo podrá Ranma presentarse ante su madre, mientras tendrá que seguir siendo Ranko
February 26, 2021
Ranmita contra Ryoguita, una Shampoo trucha y una nueva cara de Ukyo que sale a la luz. De los tomos más divertidos de esta tanda, y con el plus de tener traducción de Nathalia Ferreyra.
January 29, 2021
Edición argentina, volumen 45 de 50.
Traduce el tomo 33 japonés:
Part.1-Part.11
Traduce el tomo 33 japonés:
Part.1-Part.11
June 29, 2019
kiddy ranma and kiddy ryoga are my life
This entire review has been hidden because of spoilers.
September 15, 2019
前巻には進歩あったんだけど。。。この巻に何もなかった！もう！希望あったんだから！！！
January 15, 2020
Varias historias cortas, todas divertidas, la mejor, la de los hongos, que convierten a Ranma y Rioga en niños. Y la del Jinzo que se convierte en Shampoo para salir con Mouse
November 6, 2020
Ranma y Ryoga de pequeños es lo más tierno 😍
Y Shampoo no me termina de gustar, menos en este capítulo 🤔
Y Shampoo no me termina de gustar, menos en este capítulo 🤔
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June 20, 2025RANMA ½, #45 (Tomo 33 Japonés)
Ranma 1/2 33 by Rumiko Takahashi
Ranma 1/2 33 by Rumiko Takahashi
April 14, 2026
Aquí llega el show de Ranma y Ryoga Kids.
July 27, 2025
Tapa con Ryoga y Ranma niños, como ocurre en una de las historias centrales del tomo, con un Genma panda superado por la situación. La edición argentina #45 a su vez se basa en la del tankoubon japonés #33.
En el lomo, se indica el tomo japonés con una ilustración de Ranma chica con pelo verde.
En contratapa, Ranma chica de pelo negro vestida con traje de sacerdotisa.
En el lomo, se indica el tomo japonés con una ilustración de Ranma chica con pelo verde.
En contratapa, Ranma chica de pelo negro vestida con traje de sacerdotisa.
May 25, 2018
Tomo 45 argentino que traduce el 33 japonés.
Traducción de Nathalia Ferreyra.
Traducción de Nathalia Ferreyra.
Displaying 1 - 12 of 12 reviews