This fabulous biography of Metternich comprises twenty chapters:
1) Rococo
2) World in Ferment
3) Dresden and Berlin
4) Ambassador to Napoleon
5) Collaboration
6) Peace and War
7) Negotiating Valiantly
8) The Business of Victory
9) Vienna
10) Dabbling in the Shifting Sand
11) Aix and Carlsbad
12) ‘My Friends the Spiders’
13) Power’s Foremost Parasite
14) The Shadow of Eclipse
15) Challenge Resisted
16) Monarchy Without a Monarch
17) A Sense of Conflict
18) Challenge Triumphant
19) Exile
20) Eldest Statesman
It was Austria’s destiny that in its years of crisis it was guided a man who epitomised its very essence: it was its destiny and not its good fortune, for as in Greek tragedy, the accomplishment of Clemens Von Metternich made foreseeable the ultimate collapse of the State fought so long to preserve.
Like the State he represented, Metternich was a product of an age in the process of being transcended. He was born in the 18th century, of which Talleyrand was to say that nobody who lived after the French Revolution would ever know how sweet and gentle life could be. And the certitude of the time of his youth never left Metternich.
Contemporaries might scoff at his incantation of the maxims of sound reason, at his facile philosophizing and polished epigrams. They did not understand that it was an accident of history which projected Metternich into a revolutionary struggle so foreign to his temperament.
For like the century that formed him, his style adapted better to the manipulation of factors treated as given than to a contest of will better to achievement through proportion than through scale. He was a Rococo figure, complex, finely carved, all surface like an intricately cut prism.
His face was delicate but without depth, his conversation brilliant, but without ultimate seriousness. Equally at home in the saloon and in the Cabinet, graceful and facile, he was the beau ideal of the eighteenth century aristocracy which justified itself not by its truth, but by existence. And if he never came to terms with the new age it was not because he failed to understand its seriousness but because he disdained it.
Therein too his fate was the fate of Austria.
The author of this volume says, “Metternich was by no means indifferent to what future generations would think of him, though he had every confidence in their verdict. ‘My name is linked with so many great events that it will accompany them to posterity’, he declared in a private letter written when his life still had forty years to run; and he added, ‘A century hence, authors will judge me very differently’.
There is no doubt he had every intention of assisting them to think rightly about him. He drafted three autobiographical fragments and gave instructions to his son, Richard, that these reminiscences should be published twenty years after his death, together with selections from his archives.
The Collected Papers duly appeared in the early 1880s and the documents they included have proved a rich mine of information, even though they were pruned and edited. Unfortunately the autobiographical sections were less successful. They showed traits hardly endearing to his readers: a gift of invention; a tact of omission; and a claim of infallibility.
‘He dazzles himself with his brightness in the mirror which he holds perpetually before his eyes’, wrote Albert Sorel, master-craftsman among the French historians of diplomacy. The Memoirs did not improve Metternich’s reputation as much as he had assumed or his son anticipated…”
And we can conclude this discussion with the following observation:
Yet Metternich was not primarily a theorist nor even a constructive statesman. Though he prided himself on a logical scientific approach to political problems, his gifts were those of an artist. He practised the skills of diplomacy with greater fluency than any contemporary except Talleyrand, from whom he had learnt many of the refinements of the game.
But he possessed the opportunity, denied to Talleyrand, of shaping the very character of statecraft in an era of external peace. Metternich’s achievements are essentially transitory, victories of intrigue rather than of creative conviction, triumphs of expediency more than of principle; but the distinctive features of diplomacy during the Hundred Years Peace were perfected by the Austrian Chancellor and passed into general usage at a time when Europe’s fate was determined by its chancelleries to a greater extent than ever before or since…..