Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from The Virgin Suicides (1999), through Lost in Translation (2003) and Marie Antoinette (2006), to The Beguiled (2017) and her upcoming feature Priscilla (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century. An art book personally edited and annotated throughout by Coppola, Archive offers an intimate encounter with her methods, references, and collaborators and an unprecedented insight into her working processes. Accompanying the highly personal images and texts from Coppola’s archive is an extended interview with renowned film journalist Lynn Hirschberg discussing the remarkable oeuvre they reflect. Designed by Joseph Logan and Anamaria Morris
Sofia Carmina Coppola is an American film director, actress, producer and Academy Award-winning screenwriter. She is the first American woman and third woman in history to be nominated for an Academy Award for Directing, the other two women being Lina Wertmüller and Jane Campion.
A visual diary of filmmaker Sofia Coppola, going chronologically through her filmography creating a soft and heartfelt kind of narrative.
Archive apparently came into life when Sofia Coppola cleared her drawers: daughter of legendary filmmaker Francis Ford Coppola made a name for herself when she adapted The Virgin Suicides for the big screen, proving that she had a knack for portraying women in metaphorical cages. With the release of Priscilla this year, she not only continues to develop her style, but also looks back on eight feature films in this collection of photos from sets, letters, mood boards and notes.
It's pretty beautiful. So this definitely is a sort of coffee table book type of release more than a memoir – while there is an introductory text to each film that is covered in chronological order and a couple of notes on specific photos, this mainly consists of images. If you're a fan or admirer of Coppola's work, though, this will feel grand: the book is pretty big, pretty thick and pretty colourful. It's a great feeling holding this in your hands.
Despite the sparse text, this tells you a lot about what kind of filmmaker Coppola is. I really took time with this, looking at each chapter as I was re-watching the according films. Consuming this like that opened up an understanding of these films I haven't had before, as a narrative can be found. So The Virgin Suicides was Coppola's debut where she wanted to prove herself to the world and make sure no one else mistold the story she cared so much about. After that went well, Marie Antoinette was this big budget movie the studio had trusted her with that wasn't well received, so what followed was a quiet and minimalistic approach to filmmaking in the form of Somewhere that can now be understood as cathartic to Coppola.
I enjoyed the miscellaneous mix of things portrayed. There are a lot of photos that were taken on the sets of the shoots, which allow a peak backstage and make the movies more palpable. There are also a couple of pages included that show organisational emails that were sent as part of the planning or research process, as well as a couple of inspirational images that Coppola apparently puts together before and during every idea gathering stage of making a film. As someone who enjoys the world of films and their making in general, this was also great to see, as it just makes for a richer viewing of these specific movies as well.
If you're a fan of Sofia Coppola, getting your hands on this should be a no-brainer. And even if you're not, definitely pick it up and have a quick look at it if you see it in a bookshop or at a friend's, simply because it's that aesthetic and satisfying!
got this for myself as a christmas present and have spent the last two hours looking through it from cover to cover…… if no one got me i know sofia coppola got me
an absolute masterpiece. sofia coppola is a true artist, and i get a thrill every time i catch a glimpse of or go back through the pages of her archive. girlhood is sacred and safe between these pink covers — such a beautiful book that i’m incredibly lucky to own.
brb starting my sofia coppola marathon. gifted this to sister but also to me for Christmas and its beautiful obvi. would watch marie antoinette over godfather any day.
Soy fan de Sofía Coppola desde que vi María Antonieta, siempre he tenido de salvapantallas alguna imagen del film, por lo que leer este libro con todo el proceso creativo de las películas de Coppola estaba claro que me iba a encantar. ¡Una obra de arte para las girls!
no sé quién tuvo la idea de poner todas las cosas de las películas de sofia coppola en un archivo pero buenísima idea adoré 10/10 sé que es un libro al que volveré constantemente para ver los fotogramas y los fragmentos de los guiones