Margaret Cohen's encounter with Walter Benjamin, one of the twentieth century's most influential cultural and literary critics, has produced a radically new reading of surrealist thought and practice. Cohen analyzes the links between Breton's surrealist fusion of psychoanalysis and Marxism and Benjamin's post-Enlightenment challenge to Marxist theory. She argues that Breton's surrealist Marxism played a formative role in shaping postwar French intellectual life and is of continued relevance to the contemporary intellectual scene.
I thought this was going to be an in-depth analysis of Walter Benjamin's messianic psychogeography ┬─┬ノ( º _ ºノ) but it's actually an in-depth review of Andre Breton's Paris trilogy ┬──┬ ︵(╯。□。)╯
A found poem (pp. 134) of my sadness over this betrayal: