This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.
Thomas William Robertson (9 January 1829 – 3 February 1871), usually known professionally as T. W. Robertson, was an English dramatist and innovative stage director best known for a series of realistic or naturalistic plays produced in London in the 1860s that broke new ground and inspired playwrights such as W.S. Gilbert and George Bernard Shaw.
I wouldn't necessarily call this a comedy, although there were some funny parts in it. This had to do with classism more than anything else. I was delighted to see that the George didn't let his standings come in the way of true love, and Esther did not succumb to his mother's demands. In the end true love conquers all.
2.5 stars. Another 19th century play, this time a comedy that's not really that funny (with the exception of Sam, he cracked me up), but does have a happy ending. Caste engages, as you might expect, with issues of class/caste, and the plot centers on a cross-caste love story. Though it's not exactly transgressive, this play challenged some pretty static social codes. However, the ending disappointingly establishes the couple as the exception, rather than a new rule.