My television-viewing habits permanently changed four years ago when I stumbled upon a deeply silly little show called Taskmaster. Chock full of ludicrous challenges, unexpected solutions, and many a debate about the intricacies of the English language, it seemed tailor-made for my extremely specific tastes. So you can imagine my surprise when the series became massively popular (by panel show standards), to the point where I can discuss it with "normal" folks, even here in America! Perhaps those surreal early days of the pandemic were the ideal time for something like Taskmaster to break through; it couldn't have worked out better even if Alex Horne had engineered the virus himself*. Of course, if he had attempted such a dastardly tactic to achieve his goals in Wordwatching, then perhaps it would be more than just sporadically interesting/entertaining. (Interestaining? There, I made a word! Do I get to be in the dictionary now?)
For my taste, the book is at its most compelling when Alex simply gushes about his love for wordplay and the peculiarities of language. Sadly, this means I was never more charmed than during the prologue, all about Alex's sickeningly precocious childhood obsession with anagrams, palindromes, and the like. Though a bit pretentious (he even admits as much), his enthusiasm is contagious, as long as you're also the nerdy, wordy sort. And if you're not, why would you consider reading this? Why are you even on this site??? It also provides a fascinating insight into Alex's peculiar sense of humo(u)r, which is naturally on full display here. In fact, one of the old stand-up gags he tosses in is the best/worst pun I've heard in some time. ("I've been very lonely ever since someone told me I was about as tall as a large flightless bird. I just felt very ostrich-sized!")
Unfortunately, books have to actually be about something, and that's where Wordwatching flounders a bit. On one hand paddle, his quest to get words into the dictionary is a very Alex Horne thing to do, and it would make for a perfectly fine anecdote if he just focused on the highlights. Alex's infamous stint on Countdown (the proper one, not the Jimmy Carr one) is obviously the climax of the story, but there are plenty of other delights to be found, including a "very nice but vigorous" exchange with none other than Victoria Coren. (No Mitchell yet.) However, the story gains nothing from being stretched out to fill an entire book, forcing Alex to focus on all the lowlights as well. How many times can he pat himself on the back simply for slipping a surreptitious honk and/or bollo into yet another interview before the entire project starts to seem properly games? (Am I using that right, Alex?)
While I wouldn't say Wordwatching is a bad book by any means, I'd only recommend it to folks who are already fans, who have already gorged themselves on his other projects and could use a Little (more) Alex Horne in their lives. He's as funny and charming as ever, his love of words is infectious, and it's interesting to get a glimpse of the sorts of oddball projects he used to get up to, when he still had free time. With that being said, this would be far less compelling if you didn't already have a pre-existing fascination with the man and his work. From that perspective, the actual project is rather poorly thought out, with a thoroughly disappointing non-conclusion, and it's padded out with a bunch of asides about etymologies that even Alex himself admits are highly dubious at best. To be completely honest (and I am in fact honest to a fault, though just barely), there are many better books about words out there. But are they written by Alex Horne? I don't think so!
*Viewers of the also enjoyable New Zealand version of Taskmaster already know the pandemic was started by Madeleine Sami, but as this is an international adaptation of Alex Horne's own show, perhaps he can still be regarded as the true mastermind.