Edinburgh Days, or Doing What I Want to Do

by Samuel F. Pickering Jr.

Part travelogue, part psychological self-study, Sam Pickering's Edinburgh Days, or Doing What I Want to Do is an open invitation to be led on a walking tour of Scotland's capital as well as through the labyrinth of the guide's swerving moods and memories. Along the way readers discern as much from Pickering's sensual observations of Scottish lives and landmarks as they do about what befalls the curious mind of an intellectual removed from the relations and responsibilities that otherwise delineate his days.Pickering spent the winter and spring of 2004 on a fellowship at the Institute for Advanced Studies in the Humanities at the University of Edinburgh, making his return to the city after a forty-year absence. Edinburgh Days maps the transition from his life in Connecticut, defined by family, academic appointments, and the recognition of neighbors and avid acolytes, to a temporary existence on foreign soil that is at once unsettlingly isolating and curiously liberating.Torn between labeling himself a tourist or a sojourner, Pickering opts to define himself as an "urban spelunker" and embarks on daily explorations of the city's museums, bookshops, pubs, antique stores, monuments, neighborhoods, and graveyards. His ambling tours include such recognizable sites as Edinburgh Castle, the Palace of Holyroodhouse, Castle Rock, the Museum of Childhood, the National Gallery, the Writers' Museum, the Museum of the People, the Huntly House, the John Knox House, the Royal Botanic Garden, and the Edinburgh Zoo.The holdings of city and university libraries present Pickering with the opportunity to revisit the works of a host of writers, both renowned and obscure, including Robert Louis Stevenson, Samuel Smiles, John Buchan, Tobias Wolfe, Russell Hoban, Patrick White, Hilaire Belloc, and Van Wyck Brooks. "I have long been a traveler in little things," he muses, and it is his fascination with minutiae that infuses this collection of essays with the dynamic descriptions, quirky observations, and jesting interludes that bring the historic city to life on the page and simultaneously recall the very best of Pickering's idiosyncratic style.

Genres: Nonfiction, Travel

208 pages, Kindle Edition

First published April 15, 2007

About the author

Sam Pickering is Professor Emeritus of English at the University of Conneticut.

Samuel F. Pickering Jr. (also known as Sam) was born in Nashville, attended Montgomery Bell Academy and the University of the South, and took advanced degrees at Cambridge and Princeton on his way to becoming a scholar of children's literature. In addition to scholarly books and articles, his writing life has been built on the familiar essay, where his wit, crusty affability, and sense of wonder often tinged with mischief shine through what he calls "forthright, workaday sentences." His topics range from wildflowers in Nova Scotia to small town gossip in Tennessee to the fusty pretensions of university life. As exercises in "gilding the mundane," Pickering's essays discover subtle ironies, juxtapose delight and melancholy, and wander afield but always return home.

Pickering's allegiance is always to the essays themselves, which are often based in fact but are not slaves to it. In "Composing a Life" from his first collection, A Continuing Education (1985), he writes, "The trouble is that I'm not sure if the things I remember actually happened." His blend of the madcap and mundane, as he says in another piece, can "thrust him against the actual." Pickering sees truth as composite, to be picked apart by language. His books include May Days (1987), Still Life (1990), and Walkabout Year: Twelve Months in Australia (1995). His life, he says, is like his writing: "slow, relaxed, punctuated by fits of pique and occasionally lust, but all in all meandering and gently contemplative."

Reviews

[Nancy · Rating 2 out of 5]

A collection of essays written during the author's 4-month stay in Scotland, the book's entries are 85% descriptions of cemeteries, epitaphs, antiques stores' and museums' offerings, and foods the author ate. Another 10% is devoted to quotes of other essayists. 2.5% relates the activities of fictional characters in a Tennesse town, leaving another 2.5% for thoughtful reflection, which was just not enough.