I really hate not being able to give it more stars.I LOVED the Study series. I cannot count how many times I have reread the Study series, and how many people I have told to read them. I LOVED Inside Out, though interestingly I can't really remember much of what happened in it.
But Outside In failed me. Or maybe I failed it, I'm not sure. I have spent the last four hours reading this book, and yet I don't know I could tell you what REALLY happened. I could perhaps mention a few names, and that some exiled Outsiders try to come back and take over the ship. But HOW it happened, WHY it happened, WHO the outsiders were and HOW Trella and co saved the ship, I couldn't tell you. I'm not even sure if Snyder knew, but more on that later.
I spent the first half of the novel really disappointed. Trella, after having SO much faith in the first book that a better world existed, has given up. She struggled and fought and recruited people and lost people because she believed there was a better way of living, a place where everyone could co-exist and be happy. And in this book, she's decided "hey man, I did all the hard work in the last book, how about I chillax poolside and you slackers get off your arses?"
And sure, Trella deserves a pat on a back and a nice long rest, BUT when she's the one who had the vision of change, who not only recognised things were bad, but recognised how to fix them, then she's gunna be the only one who can make it better. No one else had the vision of a better world, so no one else can be left in charge to figure out HOW to make it a better world. It just seemed very uncharacteristic of Trella. She went from being kickass Yelena in the Study series to weak little Opal in the Glass series.
By the time Trella gets her arse into gear, the shit's already hit the fan. This is where I have the biggest problem with this book. I don't really know what happened. I don't really think Snyder knew what happened. In the Study/Glass books, Snyder knew her world back to front, upside down, inside out and would still be able to recognise it if a demolition crew went to town in it. So whenever anything happened, you understood exactly how it could have happened and why it happened because Snyder understood why.
She explained this when I saw her at an author talk recently: She's a method author. She LEARNS how to do exactly what her characters do so she knows how to describe it. And I think it's FANTASTIC. I love the realism of Yelena learning to pick locks, of Opal making glass. (It's Opal at her most likeable, but that's another story.) Snyder obviously can't learn how to live on a spaceship, and perhaps that hindered her writing.
It felt like some episodes of Doctor Who feel. They have this really fantastic storyline, full of drama, full of bad Cybermen and evil Daleks and people in danger. But when it comes time for the Doctor to save the day, and the writers don't know how to resolve it, the storyline falls to pieces. So they distract you from the gaping holes in their logic. The Doctor prances around, presses lots of buttons, makes lots of excited noises and there's a few flashing lights and some slapstick comedy from the aliens. You're so caught up in focusing on why the Doctor is having a sudden Tourette's/ADHD moment that you forget that the storyline is completely implausible and falls apart under a small amount of scrutinty.
This is what happened in Outside In. The storyline didn't exist beyond the surface. There was no explanation of who the Outsiders where, we discover the entire history of the Insiders on a wall, but are never told what it is and the resolution is so vaguely written that it's basically useless. So to hide this we have Trella getting kidnapped several times. We have Trella being betrayed several times, we have suspects being the good guys and the good guys being the bad guys. All of Trella's supporting characters are kidnapped. There's more betrayals, there's bombs and explosions and bright lights. There's a character death to shock us.
The action and adventure side of it is fairly well written. But nothing actually HAPPENS. It was half a novel of whinging and then half a novel of pyrotechnics and dramatic music like in a really bad action movie. All of which were only there to distract me from the nothing that was being written. It was like the novel was all the surface interference on a radio frequency stopping me from getting to the inside of the novel.