This is the kind of writing about a complex topic that I enjoy best. He gets right down on the ground, with only occasional lifts up into the clouds. Always he uses straightforward language. There is less ideology than I thought I might encounter, and just a lot of pain, anguish and outrage over the devastation of war and violence and settler colonialism. I'm grateful for Raja Shehadeh's thoughts, his weariness and cynicism and also love for other humans.
At one point he comments on the TV news coverage of the Intifada while he is living inside it. It's like he took the camera away from the cameraman acting on behalf of the voyeur/consumer (here I think about Sontag's Regarding the Pain of Others) and started filming from inside his own house.
"The outside is doing its best to portray my life, to interpret my experience and existence. The Palestinian is to be both pitied and admired, to be helped and to help other Arabs by providing the inspiration and rhetoric to those who feel so impotent in their restricted world. He both accentuates their feeling of helplessness and relieves it. His life is a drama, a soap opera and yet reality, a television reality program to be watched and followed in real time. Not on his own terms but on the terms of the viewer, who brings to the film, to the experience, what suits, comforts, and satisfies him. The enemy, the bad guy, is Israel and the devil is Sharon, who is hated without reservation. The way he speaks is despised, the way he looks, his smile that reveals the split between his front teeth, his being alive and victorious. ... The Palestinian is to under his mercy and yet is also a match for him and stands up to him and therefore wins the admiration of the viewer.
I have always insisted on interpreting myself and now find all eyes of commiseration and pity turned on me and words of condolences directed at me, determining what it must be like for me without waiting to hear from me and allowing me to say my bit."