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Holzer-isms: Artist's Edition
A boxed collection of Jenny Holzer’s renowned Truisms
Jenny Holzer’s Truisms (1977–79), comprising over 250 single-sentence declarations, were written to resemble existing aphorisms, maxims, and clichés. Each sentence distills difficult and contentious ideas into a seemingly straightforward statement of fact. Privileging no single viewpoint, the Truisms examine the social construction of beliefs, mores, and truths. Arranged in alphabetical order, Truisms were first shown on anonymous street posters pasted throughout downtown Manhattan, and they have since appeared on T-shirts, hats, electronic signs, stone floors, and benches.
Holzer-isms presents a collection of these iconic phrases in a special a cloth-covered, foil-stamped box containing six folded posters designed by Holzer, each featuring a selection of Truisms , accompanied by a booklet with an introduction, biography, and chronology. The result is a beautifully designed object that offers a new way to experience Holzer’s powerful and provocative text-based art.
Jenny Holzer’s Truisms (1977–79), comprising over 250 single-sentence declarations, were written to resemble existing aphorisms, maxims, and clichés. Each sentence distills difficult and contentious ideas into a seemingly straightforward statement of fact. Privileging no single viewpoint, the Truisms examine the social construction of beliefs, mores, and truths. Arranged in alphabetical order, Truisms were first shown on anonymous street posters pasted throughout downtown Manhattan, and they have since appeared on T-shirts, hats, electronic signs, stone floors, and benches.
Holzer-isms presents a collection of these iconic phrases in a special a cloth-covered, foil-stamped box containing six folded posters designed by Holzer, each featuring a selection of Truisms , accompanied by a booklet with an introduction, biography, and chronology. The result is a beautifully designed object that offers a new way to experience Holzer’s powerful and provocative text-based art.
32 pages, Hardcover
Published February 6, 2024
1 person want to read
About the author
Jenny Holzer
53 books119 followersJenny Holzer (born July 29, 1950) is an American conceptual artist. Holzer lives and works in Hoosick Falls, New York.
Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, looking for new ways to make narrative or commentary an implicit part of visual objects. Her contemporaries include Barbara Kruger, Cindy Sherman, Sarah Charlesworth, and Louise Lawler.
Holzer is mostly known for her large-scale public displays that include billboard advertisements, projections on buildings and other architectural structures, as well as illuminated electronic displays. The main focus of her work is the use of words and ideas in public space. Originally utilizing street posters, LED signs became her most visible medium, though her diverse practice incorporates a wide array of media including bronze plaques, painted signs, stone benches and footstools, stickers, T-shirts, paintings, photographs, sound, video, light projection, the Internet, and a Le Mans race car.
Holzer wrote texts herself for a long time between 1977 and 2001. However since 1993, she has been mainly working with texts written by others. Some of these are literary texts by great authors such as the Polish Nobel laureate Wislawa Szymborska, Henri Cole (USA), Elfriede Jelinek (Austria), Fadhil Al-Azawi (Iraq), Yehuda Amichai (Israel) and Mahmoud Darwish (Palestine). She also uses texts from different contexts, such as passages from de-classified US Army documents from the war in Iraq. For example, a large LED work presents excerpts from the minutes of interrogations of American soldiers who had committed human rights violations and war crimes in Abu Ghraib, making what was once secret public. Holzer's works often speak of violence, oppression, sexuality, feminism, power, war and death. Her main concern is to enlighten, bringing to light something thought in silence and meant to remain hidden.
Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, looking for new ways to make narrative or commentary an implicit part of visual objects. Her contemporaries include Barbara Kruger, Cindy Sherman, Sarah Charlesworth, and Louise Lawler.
Holzer is mostly known for her large-scale public displays that include billboard advertisements, projections on buildings and other architectural structures, as well as illuminated electronic displays. The main focus of her work is the use of words and ideas in public space. Originally utilizing street posters, LED signs became her most visible medium, though her diverse practice incorporates a wide array of media including bronze plaques, painted signs, stone benches and footstools, stickers, T-shirts, paintings, photographs, sound, video, light projection, the Internet, and a Le Mans race car.
Holzer wrote texts herself for a long time between 1977 and 2001. However since 1993, she has been mainly working with texts written by others. Some of these are literary texts by great authors such as the Polish Nobel laureate Wislawa Szymborska, Henri Cole (USA), Elfriede Jelinek (Austria), Fadhil Al-Azawi (Iraq), Yehuda Amichai (Israel) and Mahmoud Darwish (Palestine). She also uses texts from different contexts, such as passages from de-classified US Army documents from the war in Iraq. For example, a large LED work presents excerpts from the minutes of interrogations of American soldiers who had committed human rights violations and war crimes in Abu Ghraib, making what was once secret public. Holzer's works often speak of violence, oppression, sexuality, feminism, power, war and death. Her main concern is to enlighten, bringing to light something thought in silence and meant to remain hidden.
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