I guess this is one of the only reviews of this 1983 anthology edited by stalwarts of the strange writers of SF, Michael Bishop and Ian Watson. While the theme is about transformations, the various tales transcend their own mutability and become odd entries that are not quite horror nor SF, but skewered visions of both. Perhaps post new-wave speculative body horror? Really, this collection left me with some type of odd residue, an obtuse lacquering of the uncanny where science is little more than a 'catch', a gizmo of sorts, to help excel the transmutation and the horrible evolution outside of the lab.
Sporting with the Chid / Barrington J. Bayley -- Bayley is a purveyor the mouth-dropping 'weird'. Here two astronauts hang out with the Chid, humanoid aliens who despite being adept at surgery, seem despondent and lazy at first, but soon show how far advanced their skills are. As they grow a native forest to remind themselves of 'home', we witness brains and other organs live their own lives free of any physical body. A nasty tale of symbiosis, and slime.
Wife's story / Ursula K. Le Guin -- reverse Lycanthropy. A short tale that Ursula seems to have been banged out on a cocktail napkin. Not her finest moment.
Rouge tomato / Michael Bishop -- a planet is formed to feed the invaders... yes, not of rock or stardust, but a sentient giant tomato guided by one mortal Earthly mind. The delivery is where Bishop excels as the insanity of creation is gloriously toyed with. Monty Python takes of Genesis.
New me / Thomas M. Disch -- Disch can do better. We know he dislikes the church but this parable has the subtleties of getting randomly punched on the subway. Read his novel, The Priest, to get his full scathing wit in action.
Legacy / Charles Sheffield -- three giant humans are found in the ocean anchored by behemoth chains. The government gets on the case trying to figure out where they came from. In a world rapidly advancing in biomorphic engineering, where does the secret lie, and which scientist will put all on the line trying to figure it out? Clunky smartass prose, but fascinating in its raw constructions of giants being drowned and murdered. Perhaps the same place where J.G. Ballard's giant in superior The Drowning Giant came from. Sheffield is now on my radar.
Sisohpromatem / Kit Reed -- solid tale of Kafka in reverse that originally appeared in Moorcock's New Worlds.
Byrds / Michael G. Coney -- one by one, family members start believing they are becoming birds. With the aids of jet packs, the disillusioned drop their human wardrobes to become avian monks on the powerlines, roofs and trees. How birdshit transcends form. Coney is quite mad.
Desertion / Clifford D. Simak -- an astronaut and his dog weather a Martian landscape each with a lethal dose of immediate transfiguration drugs. As usual, the purity and earnest care in which Simak writes is a classic of the genre's tenderness. I can see why people don't admire him, but I'm one of his sentimental legion. City and Choice of Gods are fascinating works, classics of SF. BTW, did Simak hate cats?
First Christmas Tree / Tom Disch -- a haiku jack-off. Disch, one of my favorites, wastes a page with irony as memorable as gum on a shoe.
Dark of the June / Gene Wolfe -- Wolfe is so hit or miss with me, but Dark of the June is a fine ghost story blue around the edges with elemental melancholia. Slipstream spirit in the machine as a father tries to find his dissonant and deconstructed daughter.
Indian Rope Trick Explained / Rudy Rucker -- as with Sheffield, this tale made me intrigued by another author I've never read. In this case, Rudy Rucker. Hopeless dad and shitty husband figured out how to time skip (at least by ten seconds), but when he receives a gift of thorns from an African street performer, he figures out how transcend time even quicker. Ridiculously fun. Anything where a character is reduced to paper-thin dimensions is something to applaud.
Flies by night / Lisa Tuttle and Steven Utley -- how we can shed the skin at midnight. Perhaps the only empowering story of human turning into a fly.
Day of the Wolf / Ian Watson -- within a recreated fauna of an English forest, in the middle of Africa no less, a game warden seeks out the hirsute hunter who is killing all the genetically-modified wildlife. Great premise.
Between the Dark and the Daylight / Algis Budrys -- obtuse and strange, this tale is about the accelerated evolution of children. Who better else to battle the filthy hippo creatures on the muddy planet? Of course, the children are best seen and not heard. Budrys could have written this into EC Comics, the horror pulpy and the scientific elements even pulpier.
Once on Aranea / R.A. Lafferty -- who doesn't want to become a lord of spiders? I realize there's little in-between with Lafferty. He's definitely a comic but he sets up his madness with some dark threads. What happens when you cocoon a scientist and his dog in a sentient sack of star spew?
Master / Angela Carter --a misanthropic hunter goes deep in the Amazons trying to kill every panther in the jungle. His kidnapped lover is forced into the hunt, only to be her own gateway towards seeing God in utter, grim violence. Nuance is not Angela Carter's middle name, and I love her for that.
Apotheosis of Myra / Walter Tevis -- the planet is the star of this great tale from the author of The Man Who Fell to Earth. Like the planet in Solaris, a sentient planet feeds off the desires of its inhabitants. Here the hallucinatory grass sings, and the multiple moons give little serenade. Throw in a 'kill your rich wife' scenario, and The Apotheosis of Myra becomes a unique tale all its own. James Cain and Stanislaw Lem.
Itihonian Factor / Richard Cowper. A sixteen year old schoolgirl has a spiritual tryst with a woman's ghost. A strange future gothic is tender for all the right reasons.
Truly a unique collection, and sadly, one that slipped through the cracks. Don't pass this one up in the $1 racks.