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Painting, Power, and Patronage: The Rise of the Professional Artist in the Italian Renaissance

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This work traces the professionalization of the artist in the Renaissance through the successive patronage of the mendicant orders, merchant families, princely and ducal rulers, to the great papal patrons, Julius II, Pius II and Sixtus IV. The book takes the reader from Siena to Florence, to the court of Federigo da Montefeltro in Urbino and finally, to the papal court of Rome.

416 pages, Paperback

First published January 1, 1987

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Bram Kempers

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Profile Image for David Samuels.
Author 8 books41 followers
March 11, 2020
A little scattered, but worthwhile resource overall
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