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Burning Babylon
In his first two collections - Soft Keys and Raising Sparks - Michael Symmons Roberts established himself as a lyric and dramatic poet with metaphysical concerns. In this new collection, those concerns are as strong as ever, but rooted in a specific place and time.
These poems describe the personal and public rise and fall of Greenham Common. The public story, as one of the most contentious missile bases of the cold war, ended with fences removed, buildings demolished, the base returned to common land. The private history emerges from the poet's own experience, as an adolescent living a mile away from Greenham Common at the height of its powers. That third community of locals - not the USAF or the peace camps - is finally given a voice in Burning Babylon.
This is war poetry, but from an undeclared war in which battle lines were unclear, secrecy was an obsession, and threat was the chief weapon. At the heart of it all was that real and mythic gated city - the base - which was both a key part of the poet's childhood landscape, and the prime nuclear target in Britain. This image of a huge, occult and lethal power latent behind wire in the middle of England has haunted the minds of a generation - just as the poems in this book will resonate long after it is laid aside.
These poems describe the personal and public rise and fall of Greenham Common. The public story, as one of the most contentious missile bases of the cold war, ended with fences removed, buildings demolished, the base returned to common land. The private history emerges from the poet's own experience, as an adolescent living a mile away from Greenham Common at the height of its powers. That third community of locals - not the USAF or the peace camps - is finally given a voice in Burning Babylon.
This is war poetry, but from an undeclared war in which battle lines were unclear, secrecy was an obsession, and threat was the chief weapon. At the heart of it all was that real and mythic gated city - the base - which was both a key part of the poet's childhood landscape, and the prime nuclear target in Britain. This image of a huge, occult and lethal power latent behind wire in the middle of England has haunted the minds of a generation - just as the poems in this book will resonate long after it is laid aside.
- GenresPoetry
80 pages, Kindle Edition
First published August 23, 2001
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About the author
Michael Symmons Roberts
27 books22 followersMichael was born in 1963 and spent his childhood in Lancashire, England before moving south with his family to Newbury in Berkshire in the early ‘70’s. He went to comprehensive school in Newbury, then to Oxford University to read Philosophy & Theology.
After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff as a radio producer in 1989. He moved with the BBC to London, then to Manchester, initially in radio, then as a documentary filmmaker. His last job at the corporation was as Executive Producer and Head of Development for BBC Religion & Ethics, before he left the BBC to focus on writing.
His 4th book of poetry – Corpus – was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T.S. Eliot Prize, the Forward Prize for best collection, and the Griffin International Prize. His 6th collection - Drysalter - was the winner of the 2013 Forward Prize and was shortlisted for the T.S. Eliot Prize.
He has previously received the Society of Authors’ Gregory Award for British poets under 30, the K Blundell Trust Award, and was shortlisted for the T.S. Eliot Prize for his 2001 collection Burning Babylon. In 2007 he received a major Arts Council Writers Award.
His continuing collaboration with composer James MacMillan has led to two BBC Proms choral commissions, song cycles, music theatre works and operas for the Royal Opera House, Scottish Opera, Boston Lyric Opera and Welsh National Opera. Their WNO commission - The Sacrifice - won the RPS Award for Opera in 2008, and their Royal Opera House / Scottish Opera commission - Clemency - was nominated for an Olivier Award.
His work for radio includes A Fearful Symmetry - for Radio 4 - which won the Sandford St Martin Prize, and Last Words commissioned by Radio 4 to mark the first anniversary of 9/11. His first novel – Patrick’s Alphabet – was published by Jonathan Cape in 2006, and his second – Breath – in 2008. He is a trustee of the Arvon Foundation, and Professor of Poetry at Manchester Metropolitan University. In 2012 he was made a Fellow of the English Association, for services to the language arts.
He is married with three sons, and lives near Manchester. (source: http://www.symmonsroberts.com/about_l...)
After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff as a radio producer in 1989. He moved with the BBC to London, then to Manchester, initially in radio, then as a documentary filmmaker. His last job at the corporation was as Executive Producer and Head of Development for BBC Religion & Ethics, before he left the BBC to focus on writing.
His 4th book of poetry – Corpus – was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T.S. Eliot Prize, the Forward Prize for best collection, and the Griffin International Prize. His 6th collection - Drysalter - was the winner of the 2013 Forward Prize and was shortlisted for the T.S. Eliot Prize.
He has previously received the Society of Authors’ Gregory Award for British poets under 30, the K Blundell Trust Award, and was shortlisted for the T.S. Eliot Prize for his 2001 collection Burning Babylon. In 2007 he received a major Arts Council Writers Award.
His continuing collaboration with composer James MacMillan has led to two BBC Proms choral commissions, song cycles, music theatre works and operas for the Royal Opera House, Scottish Opera, Boston Lyric Opera and Welsh National Opera. Their WNO commission - The Sacrifice - won the RPS Award for Opera in 2008, and their Royal Opera House / Scottish Opera commission - Clemency - was nominated for an Olivier Award.
His work for radio includes A Fearful Symmetry - for Radio 4 - which won the Sandford St Martin Prize, and Last Words commissioned by Radio 4 to mark the first anniversary of 9/11. His first novel – Patrick’s Alphabet – was published by Jonathan Cape in 2006, and his second – Breath – in 2008. He is a trustee of the Arvon Foundation, and Professor of Poetry at Manchester Metropolitan University. In 2012 he was made a Fellow of the English Association, for services to the language arts.
He is married with three sons, and lives near Manchester. (source: http://www.symmonsroberts.com/about_l...)
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February 17, 2013
This is one of the best collections of poems I've read in a long time, especially as collections go. Roberts Cold-War-haunted hometown is the subject of the whole book, and each new poem adds one more perspective, one more anxiety about war and death and Russia and Britain and youth and the slim possibility of hope. While Roberts flirts with the formal constraints of pentameter and tetrameter, as well as rhyme, he always keeps these constraints just off-camera, his lines like choppy river-stretches that flicker bent reflections of pure form. This is a good introduction to one of the finer poets writing in the UK today, which reads, at times, like a novel.
Displaying 1 of 1 review