"Authoritative and brilliantly illustrated. . . . The book recommends itself not only for its synthesis of existing knowledge, but also for its original ideas." ― The Daily Telegraph For most people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from conceptual conventions for representing men and animals, and to explore consciously how art might imitate or even improve upon it. The first stages of this discovery, from the semi-abstract beginnings in the eighth century BC to the more representational art of the early fifth century, are explored and illustrated in this handbook.
Good descriptions of the arts displayed but one thing that Boardman never explains is why the Greeks moved to displaying human figures and located them at the expense of earlier more imaginative art and theological representations.
Unfortunetly I had an old (1978) edition of this book which had text in one part and plates in another. So while reading I needed to flip back and forth and it made it very difficult to stay focused on the text. If this wasn't the case I would have given it another star.
Goes in depth into archaic sculpture, all styles and periods. Better than any other text for beyond the archaic smile and surface observations like that.