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The Holy Bible Code: God's Finished & Perfected Word as Revealed in the King James Version, Volume 7
The Holy Bible Code is the Heavenly Architect's mathematical blueprint which He designed in a multi-layered fashion to accompany and accomplish the written construction of His Holy Word. To our amazement we discover that the King James Version Bible has been divinely set with mathematical attributes--numeric seals--which attest the Creator's perfect and finished work. Bible students and scholars alike will find this Bible commentary both helpful and hopeful. It sheds amazing light on a centuries-old Book, brings to the surface important things in a verse or passage that the reader is not usually looking for, presents a standard for Bible numbers and their corresponding meanings, and settles common disputes whether the Bible is mere men's random writings or the infinitely perfect work of an intelligent God!
1295 pages, Kindle Edition
Published May 25, 2023
About the author
William Sutton
31 books28 followersWilliam Sutton was born in Scotland in 1970 and appeared in pantomime at the age of nine.
He learned blues harmonica from his Latin teacher, drove to California in a VW beetle and studied classics at Oxford. Besides writing radio plays and short stories, he has acted in the longest play in the world, tutored the Sugababes and played cricket for Brazil.
After living in Brazil and Italy, teaching English and singing in ice cream shops, he has returned to the UK where he teaches Latin and plays accordion.
Lawless and the Devil of Euston Square is a literary mystery set beneath the smoggy cobblestones of Victorian London. The Scotsman newspaper said: William Sutton's first novel is a fine, extravagant and thoroughly enjoyable example of Victorian Crime fiction. It somewhat resembles Boris Akunin's Fandòrin international bestsellers, and there is no good reason why Sutton's Worms of Euston Square shouldn't also do very well.
One of the joys of the novel is the language employed by Worm and his friends, part authentic Victorian slang, part thieves' cant, and part - I rather think - invented ... The action moves with dizzying speed from the highest quarters in the land to the vilest slums and low dives of the teeming city. ... A tale of this sort requires fine villains, and Sutton obliges us with a couple ... This is a world enveloped in smoke and fog. The fun is fast and furious.
We are told that William Sutton is now at work on another Campbell Lawless mystery. If he can maintain this standard of invention, this mastery of linguistic tone, he is on to a winner. (Allan Massie, The Scotsman)
He learned blues harmonica from his Latin teacher, drove to California in a VW beetle and studied classics at Oxford. Besides writing radio plays and short stories, he has acted in the longest play in the world, tutored the Sugababes and played cricket for Brazil.
After living in Brazil and Italy, teaching English and singing in ice cream shops, he has returned to the UK where he teaches Latin and plays accordion.
Lawless and the Devil of Euston Square is a literary mystery set beneath the smoggy cobblestones of Victorian London. The Scotsman newspaper said: William Sutton's first novel is a fine, extravagant and thoroughly enjoyable example of Victorian Crime fiction. It somewhat resembles Boris Akunin's Fandòrin international bestsellers, and there is no good reason why Sutton's Worms of Euston Square shouldn't also do very well.
One of the joys of the novel is the language employed by Worm and his friends, part authentic Victorian slang, part thieves' cant, and part - I rather think - invented ... The action moves with dizzying speed from the highest quarters in the land to the vilest slums and low dives of the teeming city. ... A tale of this sort requires fine villains, and Sutton obliges us with a couple ... This is a world enveloped in smoke and fog. The fun is fast and furious.
We are told that William Sutton is now at work on another Campbell Lawless mystery. If he can maintain this standard of invention, this mastery of linguistic tone, he is on to a winner. (Allan Massie, The Scotsman)
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