Well, this was pretty disappointing, given the names that are tossed around in Denby's company (O'Hara, William Carlos Williams, Whitman, Hart Crane), all of whom I prefer. It's not even that I grew weary of Denby's devotion to the sonnet, really -- I just found these poems very difficult, and frankly not worth the trouble.
It wasn't a total waste of time, though, as there's a decent cat poem early on (and a whole bunch of cats in the later poems), and a poem that reminded me of Ginsberg's "A Supermarket in California," of which it may or may not have been derivative. (I'm too lazy to check.)
I agree with Tom's review. Denby's a difficult poet to read...there is something of the William Carlos Williams approach to how his poems have to be read several times before one gets the sense of them and can read them aloud, but after having grappled with the oblique comments, the nuanced moods and their mercurial and swift changes, I didn't find I'd gained anything from the process. There's nothing that sticks or stays with you, in my opinion. I understand his reviews of dance performances were considered excellent and were well received; it seems his poems were liked by a small group of writers who thought highly of his work. For that reason I'm hesitant to say: Don't bother. There's probably more to them than I've given time to discover and with a return at some point I might come to appreciate them more. Here's one I rather like and not as complicated as most of his:
Held The bright young bones growing turn like green tendrils but bright in the dark, but turning in slow young years or like the bright flight of birds curving stilly still almost and held by the mind's variable speed
In the mind's variable speed the young light body and the green light hovering on fair sleeping hair and the birdlike curve of too long limbs, wholly held, turn in their slow darkness of yearning years.