Hailed as a creative genius (TLS) and a singular American visionary (New York Times), James Purdy may be best known for his remarkable novels, but he is also an astonishing playwright who has written nine full-length and twenty short plays. Purdy is one of the few contemporary American writers capable of writing tragedy-Tennessee Williams called him a uniquely gifted man of the theater. This collection presents four riveting and beautifully crafted works: Brice, The Paradise Circus, Where Quentin Goes, and Ruthanna Elder. Each explores a range of emotional and familial tangles, as fathers betray their sons and squander their inheritances, siblings compete for parental affection, and husbands and wives try to salvage meaning from their broken marriages. The plays are written in Purdy's authentic idiom, which Paul Bowles called the closest [we have] to a classical American colloquial.
James Otis Purdy was an American novelist, short-story writer, poet, and playwright who, from his debut in 1956, published over a dozen novels, and many collections of poetry, short stories, and plays. His work has been translated into more than 30 languages and in 2013 his short stories were collected in The Complete Short Stories of James Purdy. He has been praised by writers as diverse as Edward Albee, James M. Cain, Lillian Hellman, Francis King, Marianne Moore, Dorothy Parker, Dame Edith Sitwell, Terry Southern, Gore Vidal (who described Purdy as "an authentic American genius"), Jonathan Franzen (who called him, in Farther Away, "one of the most undervalued and underread writers in America"), A.N. Wilson, and both Jane Bowles and Paul Bowles. Purdy was the recipient of the Morton Dauwen Zabel Fiction Award from the American Academy of Arts and Letters (1993) and was nominated for the 1985 PEN/Faulkner Award for his novel On Glory's Course (1984). In addition, he won two Guggenheim Fellowships (1958 and 1962), and grants from the Ford Foundation (1961), and Rockefeller Foundation. He worked as an interpreter, and lectured in Europe with the United States Information Agency.
These are some wonderful plays, perhaps some of the best writing I’ve encountered of Purdy’s yet. I’d love to see any of them staged, but they stand just as well as dialogue-heavy stories. Love the emotion and the way people keep missing each other.