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Chief Inspector Harry Feiffer of the Hong Kong police seeks the common denominator in a string of gruesomely dismembered bodies that begin turning up--each with a different part missing--around Hong Kong. Another zany Yellowthread Street mystery sure to enthrall Marshall's many fans.

Paperback

First published January 1, 1986

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About the author

William Marshall

258 books29 followers
William Marshall (or William Leonard Marshall) (born 1944, Australia) is an Australian author, best known for his Hong Kong-based "Yellowthread Street" mystery novels, some of which were used as the basis for a British TV series.

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Displaying 1 - 3 of 3 reviews
Profile Image for Matthew Beck.
19 reviews
August 16, 2014
If there were any sort of justice in the world, Marshall would be a household name worldwide. He so thoroughly moves beyond what many mysteries confine themselves in terms of character and motivation that his books make so many others seem flat, dry, cardboard, fake. Genius.
Profile Image for Ralph.
Author 44 books75 followers
May 19, 2017
It’s a wonder that the detectives and constables of the Yellowthread Street Constabulary, Hong Bay District, Hong Kong, solve any cases at all. Especially when you consider that their cases are the stuff that nightmares are made of, at least nightmares of sleeping policemen – dismembered inhabitants of coffins used to transport…something out of China, incendiary mail bags investigated by undercover officers afflicted with delusions of Holmes and Watson, fem fatales from the Chinese Secret Service quoting Thoreau over the phone, endangered butterfly wings and dangerous postcards, stealthy killer soldiers stealing from the dead while confronting ghosts and demons, and all the history of Colonial Britain and Communist China intersecting each other on the constabulary’s doorstep. And yet they do solve their cases, gloriously, heroically, and in ways that saner folk would never attempt. Hong Bay has also about it a surreal and nightmarish quality, as if it exists in a dreamland just on the border of the real world Hong Kong. Adding to that feeling is Marshall’s lyrical narrative and idiosyncratic dialogue, almost as if he is pulling us, not through a novel, but an epic poem in narrative form. Yet another great tale from this sadly departed master of the genre.
Displaying 1 - 3 of 3 reviews

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