In social work there is seldom an uncontroversial `right way′ of doing things. So how will you deal with the value questions and ethical dilemmas that you will be faced with as a professional social worker? This lively and readable introductory text is designed to equip students with a sound understanding of the principles of values and ethics which no social worker should be without. Bridging the gap between theory and practice, this book successfully explores the complexities of ethical issues, while recognising the real-world context in which social workers operate. Key features of the text - Full of hands-on advice and tips for professional practice. - Engaging and student-friendly. Each chapter is packed with case studies, reader exercises, key definitions and useful summaries. - Comprehensive content. The book explores core issues such as moral philosophy; professionalism; religion; power; oppression; difference and diversity; and ethical codes of practice. - Satisfies all the curriculum and training requirements for the new social work degree. Mapping directly on to first year courses, this text is essential reading for all social work undergraduates. It is an ideal refresher text for upper-level undergraduates, postgraduate and post-qualifying students, and for professionals. `This introductory text succeeds in providing an accessible introduction to the subject area. The book is consistently structured, well planned and uniformly written in a conversational and immediate style…. The discussion manages to combine a sense of engagement with a balanced treatment of the issues. Readers who apply themselves will be well sensitised to the matters under discussion and should be able to take their understanding into the practical arena′ - Chris Clark, University of Edinburgh
Chris Beckett is a British social worker, university lecturer, and science fiction author.
Beckett was educated at the Dragon School in Oxford and Bryanston School in Dorset, England. He holds a BSc (Honours) in Psychology from the University of Bristol (1977), a CQSW from the University of Wales (1981), a Diploma in Advanced Social Work from Goldsmiths College, University of London (1977), and an MA in English Studies from Anglia Ruskin University, Cambridge (2005).
He has been a senior lecturer in social work at APU since 2000. He was a social worker for eight years and the manager of a children and families social work team for ten years. Beckett has authored or co-authored several textbooks and scholarly articles on social work.
Beckett began writing SF short stories in 2005. His first SF novel, The Holy Machine, was published in 2007. He published his second novel in 2009, Marcher, based on a short story of the same name.
Paul Di Filippo reviewed The Holy Machine for Asimov's, calling it "One of the most accomplished novel debuts to attract my attention in some time..." Michael Levy of Strange Horizons called it "a beautifully written and deeply thoughtful tale about a would-be scientific utopia that has been bent sadly out of shape by both external and internal pressures." Tony Ballantyne wrote in Interzone: "Let’s waste no time: this book is incredible."
His latest novel, Dark Eden, was hailed by Stuart Kelly of The Guardian as "a superior piece of the theologically nuanced science fiction".
Dark Eden was shortlisted for the 2012 BSFA Award for Best Novel.
On 27 March 2013 it was announced that Julian Pavia at Broadway Books, part of the Crown Publishing Group, had acquired the US rights to Dark Eden and Gela's Ring from Michael Carlisle at Inkwell Management and Vanessa Kerr, Rights Director at Grove Atlantic in London, for a high five-figure sum (in US dollars).
Beckett comments on his official website: "Although I always wanted to be a writer, I did not deliberately set out to be a science fiction writer in particular. My stories are usually about my own life, things I see happening around me and things I struggle to make sense of. But, for some reason, they always end up being science fiction. I like the freedom it gives me to invent things and play with ideas. (If you going to make up the characters, why not make up the world as well?) It’s what works for me."
I expected this book woudl be like a nice buzzfeed test, like "if you would pull the brakes on that train, you're that type of social worker". Instead, it asked all kinds of confronting questions. Now I don't have a clue why I want to be a social anymore and I'm terrified to do my job. Thank you very much. Also, every social worker should read this. Anually.