"I see two women struggling together by the lake. I see them fall into the water... The wind rustles the branches of the willows and it is the sound of gentle sobbing in the night... Someone screams..." Something dark and mysterious haunts the halls of stately Green Willows. Village gossip says it's the ghost of Jonathon Tremayne's wife, the beautiful and saintly Angela, who was treacherously murdered here. Pretty Mary Kirkpatrick, hired as governess to Jonathon's only child, Elizabeth, quickly finds herself falling in love with the handsome master of Green Willows, and discounts the gossip--until the night she finds herself confronted with a ghostly apparition! An absolutely riveting horror novel with a nineteenth-century gothic setting.
This was an exceptionally good read. I enjoyed it immensely, and gave me a sensation from Stephen King's IT, "They all float down here". Very above average gothic in writing quality & surprise factor, in my opinion. Recommended for creepshowyness. Even in the end, I felt as if there were unanswered questions, or perhaps more questions derived from the final conclusion.
Another excellently bizarre pulp from one of my favorite vintage authors. This one features the usual Young Governess trope, complete with brooding master of the house, gossipy town, & strange child; it also includes a strange family history & matched dichotomy of ghosts. The duality & symbolism is strong -- no paltry explained supernatural, but rather a Hill House/Poe confrontation with evil that has infused the walls encasing an already unhappy scenario.
Jan Alexander (aka Victor Banis) is fond of the bittersweet closure. He doesn't coddle the reader, & this particular story is no exception; it's one of the things I love about his books, particularly the gothics (though his lesser-known bodice rippers & historical fic are also great -- just FYI ;)).
4.5 stars, rounded up...because I feel like it.
NB: This one is something of a Banis rarity in that it's a historical-set pulp, whereas most of the others are contemporary.
A classic but rather conventional ghost story: an isolated, haunted mansion; shadowy figures that come and go; unexplained sounds and smells. The author’s style is highly readable and the story proved enjoyable, but the period in which the story is set could have been more clearly delineated. If this had been done, a far greater sense of time and place would have been evoked. The story unravels in rural England in a time when riding on horseback or in a horse and carriage, were the main modes of transport. Description of food, clothing and architecture were rather lacking. It is a pity as greater attention to bringing to life a particular period would have amplified an otherwise entertaining novel. I would be happy to read more books by this author.
This was a fairly okay read. I am not a huge fan of mid 20th century romance, but this one had a heavy helping of Jane Eyre vibes to it that warmed me to it. That being said, I liked the book up until the inevitable Jane Eyre TWIST~! It's the reason I really don't care for Jane Eyre itself.
If you like cheesy historical romance (that's barely there) and are a lover of 19th century suspense, you'll like this book a lot more than I did.
For the first half, maybe more, I was amazed by how good this was & wondering how something this good could be so unknown. But somewhere along the way things got way too crazy. I enjoy a good ghost story as much as the next person but this became too contrived, too unbelievable. The romance element was rushed, no real development. The supernatural element was just a bit too phony. By the time I reached the end, I really didn't care how it ended, as long as it did. Great classical gothic mystery type plot and a great start but it just didn't pan out.