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The Once and Future King #5
Book Of Merlyn
This magnificent fantasy of the last days of King Arthur, his faithful magician and his animal teachers, completes the tragedy and romance of The Once and Future King.
"And so the grand epic comes full circle, 'rounded and bright and done', as White had wished it would be."Boston Sunday Globe
193 pages, Mass Market Paperback
First published January 1, 1977
About the author
T.H. White
104 books1,576 followersBorn in Bombay to English parents, Terence Hanbury White was educated at Cambridge and taught for some time at Stowe before deciding to write full-time. White moved to Ireland in 1939 as a conscientious objector to WWII, and lived out his years there. White is best known for his sequence of Arthurian novels, The Once and Future King, first published together in 1958.
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Displaying 1 - 30 of 579 reviews
May 29, 2012
What's the point?
The Book of Merlyn, published posthumously, was T.H White's "True" ending to the otherwise beautiful Once and Future King. Having finished Once and Future King just a few days earlier, I was touched by the elegaic, bittersweet note upon which it ended. Once and Future King may be the finest fantasy novel ever written, and its final page is consequently one of the loveliest parting sentiments given to its eponymous hero.
The Book of Merlyn takes place during the night prior to Arthur's final confrontation with Mordred. Merlyn shows up, something like forty years too late, with his whole menagerie of animal-philosophers in order to drag the King through one last sermon on the nature of man, the inherent wickedness in the heart of man, the inevitability of war and the necessity of failure.
And Merlyn is a massive misanthrope. He comes off like Jean Paul Sartre and Nietzsche rolled into one cantankerous, bearded prat. He is professorial and crotchety, long-winded and without compassion. He isn't the Merlyn I remember, or the Merlyn Arthur remembers, that clumsy old man given to abstract idealism and pontification, the wise old mentor who hated violence and urged Arthur to follow his heart.
And this is what troubles me the most about The Book of Merlyn. That night belonged to Arthur. So little of Arthur's life belonged to him. As a child, he was dragged along the currents of his fate by Merlyn and Sir Ector and Morgause. As a King, he was devoted to his Table, to the ideals of Right over Might, to the virtue of Justice. He was a good friend to Lancelot, and a loving husband, and a forgiving king. And he was never given a moment's peace.
That night was to be his own. He'd done plenty of his own ruminations. Once and Future King describes Arthur in his silence, going over the familiar circles of his thoughts, contemplating war, and life, and love and misery and duty, and all these things that had been taught to him, these concepts with which he had grappled and struggled. Merlyn had always taught Arthur to think for himself--so what business now does Merlyn have, returning at the dusk of Arthur's life to give him some nihilist lecture on original sin and the futility of human effort?
Arthur deserved better. And the readers deserve better. I don't know what T.H White was thinking with this unfinished manuscript, but The Book of Merlyn is a wholly inappropriate ending to the Once and Future King.
The Once and Future King belongs to Arthur, and to Lancelot, and Guinevere and Mordred and the rest of the table. It is a story of humans doing their very best, and sometimes failing, and sometimes not, but trying nonetheless to be good and decent people. Arthur's lessons are his own. Life, experience and his own ambitions taught him more about humanity than Merlyn ever could.
The Once and Future King was a tragedy; The Book of Merlyn, a travesty. Skip it.
The Book of Merlyn, published posthumously, was T.H White's "True" ending to the otherwise beautiful Once and Future King. Having finished Once and Future King just a few days earlier, I was touched by the elegaic, bittersweet note upon which it ended. Once and Future King may be the finest fantasy novel ever written, and its final page is consequently one of the loveliest parting sentiments given to its eponymous hero.
The Book of Merlyn takes place during the night prior to Arthur's final confrontation with Mordred. Merlyn shows up, something like forty years too late, with his whole menagerie of animal-philosophers in order to drag the King through one last sermon on the nature of man, the inherent wickedness in the heart of man, the inevitability of war and the necessity of failure.
And Merlyn is a massive misanthrope. He comes off like Jean Paul Sartre and Nietzsche rolled into one cantankerous, bearded prat. He is professorial and crotchety, long-winded and without compassion. He isn't the Merlyn I remember, or the Merlyn Arthur remembers, that clumsy old man given to abstract idealism and pontification, the wise old mentor who hated violence and urged Arthur to follow his heart.
And this is what troubles me the most about The Book of Merlyn. That night belonged to Arthur. So little of Arthur's life belonged to him. As a child, he was dragged along the currents of his fate by Merlyn and Sir Ector and Morgause. As a King, he was devoted to his Table, to the ideals of Right over Might, to the virtue of Justice. He was a good friend to Lancelot, and a loving husband, and a forgiving king. And he was never given a moment's peace.
That night was to be his own. He'd done plenty of his own ruminations. Once and Future King describes Arthur in his silence, going over the familiar circles of his thoughts, contemplating war, and life, and love and misery and duty, and all these things that had been taught to him, these concepts with which he had grappled and struggled. Merlyn had always taught Arthur to think for himself--so what business now does Merlyn have, returning at the dusk of Arthur's life to give him some nihilist lecture on original sin and the futility of human effort?
Arthur deserved better. And the readers deserve better. I don't know what T.H White was thinking with this unfinished manuscript, but The Book of Merlyn is a wholly inappropriate ending to the Once and Future King.
The Once and Future King belongs to Arthur, and to Lancelot, and Guinevere and Mordred and the rest of the table. It is a story of humans doing their very best, and sometimes failing, and sometimes not, but trying nonetheless to be good and decent people. Arthur's lessons are his own. Life, experience and his own ambitions taught him more about humanity than Merlyn ever could.
The Once and Future King was a tragedy; The Book of Merlyn, a travesty. Skip it.
August 1, 2022
“It is a pity that there are no big creatures to prey on humanity. If there were enough dragons and rocs, perhaps mankind would turn its might against them. Unfortunately man is preyed upon by microbes, which are too small to be appreciated.”
The Book of Merlyn is a sort of epilogue or coda for T.H. White's epic The Once and Future King. As King Arthur comes to the end of his life, he wonders whether everything he has striven for was really worth it. He finds Merlyn in a sort of pocket universe, outside of time, and for one last time the two discuss war, peace and how to live a worthy life. It was an interesting way to provide closure for Arthur's life and the saga itself. However, I do have a couple of complaints. First, it rehashes a lot of what has already been covered in earlier parts of The Once and Future King. Secondly, in finding the best way for man to live, Merlyn uses the example of ants and geese to discuss capitalism and communism, fascism and anarchy. Needless to say, I didn't think assigning ideologies to animals worked. While this didn't decrease the enjoyment of reading The Once and Future King, this coda didn't add much to the experience. 3.25 stars
“I am an anarchist, like any other sensible person."
“Nobody can be saved from anything, unless they save themselves.”
The Book of Merlyn is a sort of epilogue or coda for T.H. White's epic The Once and Future King. As King Arthur comes to the end of his life, he wonders whether everything he has striven for was really worth it. He finds Merlyn in a sort of pocket universe, outside of time, and for one last time the two discuss war, peace and how to live a worthy life. It was an interesting way to provide closure for Arthur's life and the saga itself. However, I do have a couple of complaints. First, it rehashes a lot of what has already been covered in earlier parts of The Once and Future King. Secondly, in finding the best way for man to live, Merlyn uses the example of ants and geese to discuss capitalism and communism, fascism and anarchy. Needless to say, I didn't think assigning ideologies to animals worked. While this didn't decrease the enjoyment of reading The Once and Future King, this coda didn't add much to the experience. 3.25 stars
“I am an anarchist, like any other sensible person."
“Nobody can be saved from anything, unless they save themselves.”
May 28, 2019
"One more try," [Merlyn] asked. "We are not quite done."
"What is the use of trying?"
"It is a thing which people do."
"People are dupes, then."
The old fellow replied frankly: "People are dupes, and wicked too. That is what makes it interesting to get them better."
A lovely conclusion to the circle of Arthur's life, and a worthy coda to The Once and Future King. The introduction from the publisher explaining the history of its publication is interesting as well, but the real value of course comes from White's gorgeous prose and tender sentimentality. He turns a critical eye to the end of Arthur's life, while the king wonders whether all he did was worth a damn. It was, White reassures him (and us). It certainly was. Because man is ever a noble animal, with vast stores of potential.
4.5 stars out of 5. An enchanting reminder to channel our work in service of the good in life, warts and all. Again, some beautiful and often breathtaking writing from White which makes even the passages that seem outdated or overtly political still treasured reading. The only fault I can find in this book is due to the publication challenges which prompted White to take two passages from here and present them in The Once and Future King instead, which makes it a bit odd to find yourself re-reading the Ants and the Geese passages again.
September 14, 2017
Merlyn's back, so everything's zany again, and we're talking to the representatives of the animal kingdom that in their turn represent various systems of belief and politic. He starts changing Arthur into various animals as an allegory for systems of government, all of which is an elaborate lead-in to Merlyn's final discourse at the end of the book, a long-winded wizardsplanation of how Hobbes was right, public property and an innate human desire for adrenaline are the cause of war, nationalism is the devil, fascism and socialism are indistinguishable in a closed system, and the only means of governance a thinking man can champion is anarchism since the state ruins everything.
Now, what's most unfortunate is I read this book for the first time in 4th grade, and these are my exact beliefs now, give or take all the optimistic idealism. Do you know how frustrating that is? To learn not only the exact origin of all the political views you thought you developed on your own, and to have it turn out they all came from a senile wizard who talks to badgers?
Now, what's most unfortunate is I read this book for the first time in 4th grade, and these are my exact beliefs now, give or take all the optimistic idealism. Do you know how frustrating that is? To learn not only the exact origin of all the political views you thought you developed on your own, and to have it turn out they all came from a senile wizard who talks to badgers?
November 15, 2009
This is a longer version of the last book in the collected The Once and Future King and also includes some material (the ant and goose segments) that was incorporated into The Sword in the Stone before this was published. If you've read both of those already what this adds is mostly, erm, depression. Sorry, Wart. Uneasy lies the head that wears a crown and all that.
December 30, 2020
Talán nem csak én vagyok úgy, hogy ha valamit túl nagy elánnal támadnak, akkor az szinte belekényszerít, hogy a védekező fél oldalára álljak. Ez a könyv pontosan ezt az ösztönös reakciót váltotta ki belőlem. Pedig White Arthur-sorozatának eddigi részeit szerettem, mi több, lenyűgözve bámultam a nyelvet, amin megszólaltak, az írói közvetlenséget és játékosságot, ami egyfajta józan paraszti bölcsességgel vegyülve pazar eleggyé gyurmázódott össze. De ez az ötödik kötet... mintha a méltóságos író úr eljutott volna odáig, hogy az emberiség meg sem érdemli a csodás irodalmi alkotásokat, fene a pofáját, adok neki inkább valami didaktikus vádbeszédet, az való neki, abból ért. No most mit tudom én, miből ért az emberiség, de hogy magam ezer didaktikus prózáért sem adnék oda egy közepes irodalmi produktumot (sőt: még egy lyukas mogyorót) se, az bizonyos. Bosszantó, hogy White nem tudta méltóképpen lezárni regényfolyamát: vannak ugyan elemek, amelyek jelzik, egyazon szerző munkája az egész (pl. a nyelvi közvetlenség, vagy az állatvilág iránt érzett megkapó szeretet), de túlságosan eluralkodott rajta a késztetés, hogy állatmesébe oltott lángoló pamfletet kerekítsen a bűnös emberiség bűnös háborúiról.
Valahol persze megértem White-ot: a mű megírásának pillanatában dúl a második világháború, ami a szerzőt páni félelemmel tölti el. Úgy fél tőle, hogy nem is érdekli igazán, ki miatt tört ki, a lényeg, hogy kitört, és ez az emberiség hibája. És hogy ezen az emberiségen belül esetleg vannak fokozatok, vannak például nácik és nem nácik, valahogy nem érinti meg. Ül az írországi remeteségében, és azon morfondírozik, hogy bezzeg a vadludak sose háborúznak, és a sünök is sokkal jobb fejek nálunk. (A nagyragadozók viszont megölik a más apától származó kölyköket, hogy a nőstény hamarabb kész legyen párzani velük. Az ausztrál bundásméhek hímjei pedig az utolsó példányig kiirtják egymás, miközben a nőstényekért küzdenek. Láttam David Attenborough-nál. De White még nem nézhetett ilyesmit.) Minek is vagyunk mi, jobb lenne, ha kilőnének minket az űrbe a háborúinkkal együtt. Mindez persze vállalható gondolat, ha megfelelő diverzifikáltsággal fejtik ki, abból akár jó regény is lehet. De a saját paranoiáiba zárt író kezében szélütött könyv válik belőle.
Valahol persze megértem White-ot: a mű megírásának pillanatában dúl a második világháború, ami a szerzőt páni félelemmel tölti el. Úgy fél tőle, hogy nem is érdekli igazán, ki miatt tört ki, a lényeg, hogy kitört, és ez az emberiség hibája. És hogy ezen az emberiségen belül esetleg vannak fokozatok, vannak például nácik és nem nácik, valahogy nem érinti meg. Ül az írországi remeteségében, és azon morfondírozik, hogy bezzeg a vadludak sose háborúznak, és a sünök is sokkal jobb fejek nálunk. (A nagyragadozók viszont megölik a más apától származó kölyköket, hogy a nőstény hamarabb kész legyen párzani velük. Az ausztrál bundásméhek hímjei pedig az utolsó példányig kiirtják egymás, miközben a nőstényekért küzdenek. Láttam David Attenborough-nál. De White még nem nézhetett ilyesmit.) Minek is vagyunk mi, jobb lenne, ha kilőnének minket az űrbe a háborúinkkal együtt. Mindez persze vállalható gondolat, ha megfelelő diverzifikáltsággal fejtik ki, abból akár jó regény is lehet. De a saját paranoiáiba zárt író kezében szélütött könyv válik belőle.
December 12, 2017
This is more a wandering philosophical addendum than a book. It is White adding an exclamation point and a flourish to his work, making clear just how much of a mess he thinks modern man at mid-20th century has made of the world. I don't blame him for his outlook at that juncture, but his way of communicating it is not compelling. There is very little action that makes the reader want to join the narrator on these little asides.
SECOND READING: To my more critical self, as quoted above, the other four volumes are so good that the author has earned the right to have the reader join him on these little asides.
SECOND READING: To my more critical self, as quoted above, the other four volumes are so good that the author has earned the right to have the reader join him on these little asides.
September 21, 2019
The Book of Merlyn uses two of my least favourite structural elements in fiction. First, it’s a story about a meeting. Second, it’s a dramatised essay about the human nature, might and war. However, it also contains some of T.H. White’s most delicious prose and is inescapably good reading.
I feel it is also the necessary end to The Once and Future King, wrapping up all the loose threads and bringing all the themes to a rounded conclusion. Even though the book lacks the dramatic tension of the previous four books (which White builds so well throughout), to omit The Book of Merlyn from the epic would be like omitting The Grey Havens from The Lord of the Rings. Like that final chapter to Tolkien’s masterpiece, The Book of Merlyn is the essential catharsis to Arthur’s doom (tragedy).
I think the book also shows us what a masterful writer White is too. Although it feels odd to reread the ‘Arthur transformed into various animals to gain wisdom from nature’ episodes (which were rewritten into The Sword in the Stone), they have a mature feel here. The episode with the ants feels darkly Orwellian here. The episode with the geese reads like a bittersweet love story.
Overall, I think it’s an imperfect book. White might agree as it was unpublished at the time of his death. He may have had further plans for it. We’ll never know. But what book is perfect? In measuring everything up, the quality of the writing wins out for this reader.
I feel it is also the necessary end to The Once and Future King, wrapping up all the loose threads and bringing all the themes to a rounded conclusion. Even though the book lacks the dramatic tension of the previous four books (which White builds so well throughout), to omit The Book of Merlyn from the epic would be like omitting The Grey Havens from The Lord of the Rings. Like that final chapter to Tolkien’s masterpiece, The Book of Merlyn is the essential catharsis to Arthur’s doom (tragedy).
I think the book also shows us what a masterful writer White is too. Although it feels odd to reread the ‘Arthur transformed into various animals to gain wisdom from nature’ episodes (which were rewritten into The Sword in the Stone), they have a mature feel here. The episode with the ants feels darkly Orwellian here. The episode with the geese reads like a bittersweet love story.
Overall, I think it’s an imperfect book. White might agree as it was unpublished at the time of his death. He may have had further plans for it. We’ll never know. But what book is perfect? In measuring everything up, the quality of the writing wins out for this reader.
June 26, 2009
I must admit some bias associated with this unfortunately short novel. Although it is a little weak when trying to read it independently of The Once & Future King, when you read it immediately after that greater work it is pure brilliance.
White's narrative tone draws you into a deceptive bedtime story world that swiftly moves with old/young Arthur through more metamorphic juxtapositions than a week's worth of "Wild Kingdom," as the fabled sorcerer returns on the night before Arthur's fateful confrontation with his bastard son with a singular goal in mind: to return the Wart to the various cultures of the animals to understand the final truth about man's distinction and a little bit more about right and wrong.
The adventure is extremely bittersweet, however, as Arthur learns of the mighty and the militant within the worlds of ants and geese, and unlike the earlier adventures of Arthur's youth under Merlin's tutelage, these world's are now cold and frightening in their comparison to man's distorted attempts to control everything for personal gain. As the conclusion of a complex and timeless saga, it's not as endearing or breathtaking as one might expect, but neither is it anticlimactic. It is, instead, a return visit by a wise old uncle you have not seen since you were 12, and now, 15 years later, you are ready for him to speak to you as one adult to another about the big, ugly realities of the world. A bedtime story it begins, but in the end is a much deeper and moving engagement.
White's narrative tone draws you into a deceptive bedtime story world that swiftly moves with old/young Arthur through more metamorphic juxtapositions than a week's worth of "Wild Kingdom," as the fabled sorcerer returns on the night before Arthur's fateful confrontation with his bastard son with a singular goal in mind: to return the Wart to the various cultures of the animals to understand the final truth about man's distinction and a little bit more about right and wrong.
The adventure is extremely bittersweet, however, as Arthur learns of the mighty and the militant within the worlds of ants and geese, and unlike the earlier adventures of Arthur's youth under Merlin's tutelage, these world's are now cold and frightening in their comparison to man's distorted attempts to control everything for personal gain. As the conclusion of a complex and timeless saga, it's not as endearing or breathtaking as one might expect, but neither is it anticlimactic. It is, instead, a return visit by a wise old uncle you have not seen since you were 12, and now, 15 years later, you are ready for him to speak to you as one adult to another about the big, ugly realities of the world. A bedtime story it begins, but in the end is a much deeper and moving engagement.
June 26, 2022
One word: YIKES!
The Book of Merlin was an unceremonious stumble at the finish-line that was published posthumously. Just, no.
I just read all of the "Once and Future King" series, including the timeless classics of The Sword in the Stone, the Ill Made Knight, etc. I'll give those a 5 star review to even this one-star review out. But man, this one should never been published.
Where to start? The entire thing is a long-winded, self-serving tirade where "Merlin" espouses his political philosophy to King Arthur. Merlin turns Arthur into a kid again (why?) and goes on a long, dry rant about Capitalism, Communism, and everything else that doesn't have anything to do with the Knights of the Round Table we know and love.
In the first book, the Sword in the Stone, Merlin was a benevolent teacher that used animals as a tasteful allegory-like nod to human behavior. It was fun, interesting, and didactic. In this book, there is a feeble attempt at wrapping political philosophy in allegory, but just devolves into an outright rant by Merlin about the world, war, humans, etc..
I read another review, and the word "Misanthrope" was used to describe Merlin. Totally agree! In the other books, he's a wise, loving and benevolent teacher. In this book, he's a crochety old man saying how bad the world is.
This manuscript should have never been published posthumously. I'm just going to go back and pretend that this never happened, and that The Candle in the Wind was the conclusion to the series.
The Book of Merlin was an unceremonious stumble at the finish-line that was published posthumously. Just, no.
I just read all of the "Once and Future King" series, including the timeless classics of The Sword in the Stone, the Ill Made Knight, etc. I'll give those a 5 star review to even this one-star review out. But man, this one should never been published.
Where to start? The entire thing is a long-winded, self-serving tirade where "Merlin" espouses his political philosophy to King Arthur. Merlin turns Arthur into a kid again (why?) and goes on a long, dry rant about Capitalism, Communism, and everything else that doesn't have anything to do with the Knights of the Round Table we know and love.
In the first book, the Sword in the Stone, Merlin was a benevolent teacher that used animals as a tasteful allegory-like nod to human behavior. It was fun, interesting, and didactic. In this book, there is a feeble attempt at wrapping political philosophy in allegory, but just devolves into an outright rant by Merlin about the world, war, humans, etc..
I read another review, and the word "Misanthrope" was used to describe Merlin. Totally agree! In the other books, he's a wise, loving and benevolent teacher. In this book, he's a crochety old man saying how bad the world is.
This manuscript should have never been published posthumously. I'm just going to go back and pretend that this never happened, and that The Candle in the Wind was the conclusion to the series.
July 19, 2022
I'm not sure how I feel about this one...
August 26, 2012
The Book of Merlyn is a bit odd to read, particularly in the omnibus edition, because T.H. White cannibalised it for the version of the novels which were published together -- if I'm remembering the publishing history right, anyway. It's also not really much of a story: just an old Arthur reunited with Merlyn and the animals of his education, trying to puzzle out where things went wrong. It's all very political, with references to socialism, communism, capitalism, Karl Marx, anarchism, etc, and trying to relate them to the natural world.
There are still some beautiful parts, like the extended part where Arthur flies with the geese, so it is worth reading.
(But not for a dissertation on Sir Kay, who is not so much as mentioned. Still, I had to make sure.)
There are still some beautiful parts, like the extended part where Arthur flies with the geese, so it is worth reading.
(But not for a dissertation on Sir Kay, who is not so much as mentioned. Still, I had to make sure.)
July 23, 2022
Finally Merlyn appears in Book 5, The Once and Future King. When King Author was against Mordred at final battle, Camlan, he saw Merlyn at his battalion, in his dream, he set up to with Merlyn who took him to the conference that had Author's childhood companions. And again, King Author became Merlyn's pupil. Learning war, population, communist etc.. Also, Author was transformed into ant and goose to ruminate diverse Philosophies from animals and insects. (This part reminds me of The Sword in the Stone, Young Author was learning knowledge by being turned into animals! It seems that I was back to not just King Author's childhood, also mine.) Especially, Author was transformed into a goose, he experienced love again in his life. He learn how gooses migrate from one place to another, the leadership of gooses, what properties mean to goose. I really praise how T.H White portrayed each scenes from Author was being a goose, traversing upon the vista of plateaus from sky , gooses rest at margin of marsh, and gooses perch on pinnacle of edifices. The reading experience of those portrayed scenes are like watching TV documentaries, that are transmitted images into my brain. T.H White has sublime and visualized writing skill to depict ecosystem of animals.
This book isn't about Merlyn saving Author's kingdoms. In the end, Author tried to negotiate a truce in order to bring peace to the British people however, a unknown wizard or sorcery sabotaged the truce and lead the story to the end. on the context just a few sentences about the man who devastated the truce but doesn't have any clue about the man. Still Author's death is still a myth in The Book Of Merlyn as in other books about king Author's legend.
In summary, King Author is one of legendary heroes in human's histories and I'm rejoiced to read T.H White wrote a excellent version of King Author's story as final installment of The Once and Future King series.
This book isn't about Merlyn saving Author's kingdoms. In the end, Author tried to negotiate a truce in order to bring peace to the British people however, a unknown wizard or sorcery sabotaged the truce and lead the story to the end. on the context just a few sentences about the man who devastated the truce but doesn't have any clue about the man. Still Author's death is still a myth in The Book Of Merlyn as in other books about king Author's legend.
In summary, King Author is one of legendary heroes in human's histories and I'm rejoiced to read T.H White wrote a excellent version of King Author's story as final installment of The Once and Future King series.
March 20, 2018
It's a shame that White never got the chance to edit this one, because it would have been just perfect.
A lot of this book is dialogue; a political and philosophical diatribe about how mankind should live. In a lot of ways it goes on too long and is rough around the edges, but I'm glad I read it. It's full of White's charm (with some fun fourth-wall breaks!) and it was lovely to see the story come full-circle back to the good times of Wart's adventures in The Sword in the Stone, though tinged with the inevitable coming of Arthur's death. The ant scene was something out of Kafka and the geese scene was written so beautifully that it felt like i was there. It really feels over now which makes me quite sad. The ending was well-written too and supplied answers to what happens to our beloved heroes whose journeys we followed all this way. If only White's publisher had given him a chance to round it off before he died, this would've been the perfect ending to the series.
A lot of this book is dialogue; a political and philosophical diatribe about how mankind should live. In a lot of ways it goes on too long and is rough around the edges, but I'm glad I read it. It's full of White's charm (with some fun fourth-wall breaks!) and it was lovely to see the story come full-circle back to the good times of Wart's adventures in The Sword in the Stone, though tinged with the inevitable coming of Arthur's death. The ant scene was something out of Kafka and the geese scene was written so beautifully that it felt like i was there. It really feels over now which makes me quite sad. The ending was well-written too and supplied answers to what happens to our beloved heroes whose journeys we followed all this way. If only White's publisher had given him a chance to round it off before he died, this would've been the perfect ending to the series.
September 21, 2014
The titular end of 'The Once and Future King'. This book was refused publication originally. Paper rationing during WWII and the anti-war tone were probably equally responsible for its refusal. It sat, unmolested in T.H. White's papers at UT - Austin. Why Texas ended up getting T.H. White's papers is a mystery to me.
Anyway, it was discovered in the late 70s and published excitedly by University of Texas Press. While I loved The Once and Future King, and rather enjoyed The Book of Merlyn, the book is more of an expositiion on war and human nature, mixed with a bunch of geese and ants. OK, so that is too cheeky, but still, it wasn't as good as the first four books, and ended up probably being an unnecessary capstone on an almost perfect series, IMHO. But, anyway, it was still enjoyable.
________________
- Robert Farwell / Edward Jones library / Mesa, AZ 2014
Anyway, it was discovered in the late 70s and published excitedly by University of Texas Press. While I loved The Once and Future King, and rather enjoyed The Book of Merlyn, the book is more of an expositiion on war and human nature, mixed with a bunch of geese and ants. OK, so that is too cheeky, but still, it wasn't as good as the first four books, and ended up probably being an unnecessary capstone on an almost perfect series, IMHO. But, anyway, it was still enjoyable.
________________
- Robert Farwell / Edward Jones library / Mesa, AZ 2014
October 9, 2011
Too easily overlooked and very underrated, T.H. White's The Book of Merlyn is the keystone and fitting conclusion to the Once and Future King collection. Published posthumously, The Book of Merlyn serves as the resounding epilogue to first four books: the Round Table is no more, the kingdom is well-nigh collapsed, and the once innocent and naive young Wart is now an aged, broken, decrepid King Arthur, waiting alone in his tent, fully expecting to die in the next morning's battle. To this defeated figure appears the wizard Merlyn, with the news that there are still one or two points in the education of the king that need to be reviewed.
As is suitable for an epilogue, the Book of Merlyn changes tone considerably from the rest of the series. Most of the book is spent in philosophical ramblings, with Merlyn and his troupe of intellectual animal friends (yes, you read that right) discussing the human condition, the merits of mankind, and the relationship between Might and Right (which has been the guiding theme of the series). Those readers who find themselves bored by all this chatter completely miss the point of the book: now that the epic story of Arthur is nearly finished, it is time to review and reconsider the epic struggle to which he (and all of humankind) has devoted his life.
The Book of Merlyn sums up the grand lessons of the series. Arthur, feeling utterly defeated in his quest to bring peace to humanity, is brought face to face with the best and worst within human capabilities. He must bring himself to find some form of meaning to his life, and readers who have read the first four books of the series cannot help but do the same.
This book is about us: humans. Are we wicked things? Are we no better than the animals? Are we worse? If even the best among us can make horrifying mistakes, should anyone try to do good at all?
All of these questions are addressed in this simple, fictional setting dreamed up by T.H. White, and mystically hidden within what seems like a fictional situation: Has all of Arthur's grand history been a waste?
If Arthur can find an answer to his question, then we can find an answer to ours.
In this book, he succeeds... and so do we.
As is suitable for an epilogue, the Book of Merlyn changes tone considerably from the rest of the series. Most of the book is spent in philosophical ramblings, with Merlyn and his troupe of intellectual animal friends (yes, you read that right) discussing the human condition, the merits of mankind, and the relationship between Might and Right (which has been the guiding theme of the series). Those readers who find themselves bored by all this chatter completely miss the point of the book: now that the epic story of Arthur is nearly finished, it is time to review and reconsider the epic struggle to which he (and all of humankind) has devoted his life.
The Book of Merlyn sums up the grand lessons of the series. Arthur, feeling utterly defeated in his quest to bring peace to humanity, is brought face to face with the best and worst within human capabilities. He must bring himself to find some form of meaning to his life, and readers who have read the first four books of the series cannot help but do the same.
This book is about us: humans. Are we wicked things? Are we no better than the animals? Are we worse? If even the best among us can make horrifying mistakes, should anyone try to do good at all?
All of these questions are addressed in this simple, fictional setting dreamed up by T.H. White, and mystically hidden within what seems like a fictional situation: Has all of Arthur's grand history been a waste?
If Arthur can find an answer to his question, then we can find an answer to ours.
In this book, he succeeds... and so do we.
May 4, 2019
I am deep in love with The Sword in the Stone, the classic in which T.H. White imagines how Merlyn and the animals educated the young Wart. In The Book of Merlyn, Merlyn returns to an old and despairing King Arthur, his armies massed against Mordred. With the help of the beloved Committee -- Archimedes the owl, Cafall the greyhound, Balin the hawk, T. natrix the snake, Goat, Badger, and the hedgepig -- the King faces the temptation and hopelessness of the end of his reign.
Writing in 1940, White is concerned with the morality of war and the moral nature of humanity. Regrettably, ruminations on these questions take over long passages of the book. In England in the middle of World War II, this preoccupation was surely unavoidable, but in our current age of endless war, it seems awkward or naive.
Still, I found many moments of great beauty here, including a climax so boldly sentimental as to risk childishness, as Arthur learns how to bear his duty to his kingdom and to those he loves.
Writing in 1940, White is concerned with the morality of war and the moral nature of humanity. Regrettably, ruminations on these questions take over long passages of the book. In England in the middle of World War II, this preoccupation was surely unavoidable, but in our current age of endless war, it seems awkward or naive.
Still, I found many moments of great beauty here, including a climax so boldly sentimental as to risk childishness, as Arthur learns how to bear his duty to his kingdom and to those he loves.
July 25, 2025
By far and away the weakest of the series - honestly I would recommend giving it a skip unless you’re deeply invested in hearing Merlin navel gaze about war and the nature of man for more than half the page count. I enjoyed the scenes with the geese and Arthur’s walk with the hedgehog, but other than that - my God was this a boring book.
October 19, 2020
I was eager to read this book after I’d finished The Once and Future King, because in my ignorance I thought it might offer some more background on Merlyn’s life and origins. One of the things intriguing me in The Once and Future King was White’s description of Merlyn as living backwards in time, implying that Merlyn had his origin in the 20th or a later century. Merlyn’s knowledge of 20th-century history (adverted to in the majority of Merlyn’s anachronistic allusions/similes in The Once and Future King) indicates his presence in that century, maybe even that he was born in that century. Twentieth-century history was significant to Merlyn, likely because it was the background of his formative development, just as we most strongly/vividly recall events from our first two decades.
Sadly, my curiosity about Merlyn’s origins—how he could live as if each century was a decade—got no happiness from The Book of Merlyn, nor was there any further discussion of what it meant to live each new day with companions (eg, Arthur) unaware of the previous day’s events (which for them are still to come).
Instead, The Book of Merlyn is an interlude, almost a dream (which alternative Arthur grasps at, but Merlyn denies)—the lacuna in the dark hours just before a final battle with Mordred. Pace Merlyn, what supports events in The Book of Merlyn as being a dream are the fantastical aspects of communing in a vast burrow with a variety of animals and the fact that Arthur’s transformations into an ant and a goose are the very same he’d experienced in The Sword and Stone, the first part of The Once and Future King. [In reality, of course, this repetition of events in the first and last books of Arthur’s life was White re-working his five novels into a single volume of four novel-length parts, abandoning The Book of Merlyn’s pre-battle interlude and the cranky and didactic fulmination on the singularity of humankind as a warring creature.]
Merlyn whisks Arthur to a confab with the animals in order to relieve Arthur of pre-battle anxieties, to give him some perspective on what seems a horrible, botched outcome to his life’s goals. Instead of consolation, Merlyn largely impresses on Arthur the folly of trying to remedy humankind’s instinct to war. Merlyn lectures on humanity’s inability to live instinctually, how human intelligence actually thwarts instinctive social harmony. Merlyn forces Arthur to (re)live the experience of ants and geese to observe how different styles of social cohesion/governance best suit humankind. Merlyn lectures that anarchy best suits humanity, as it is founded on the individual. (In contemporary terms, “anarchy” is invoked to suggest chaos and disorder, and to remedy this negative prejudice we now speak of “libertarianism”.)
There are some good dramatic moments in The Book of Merlyn, ones which jibe with the spirit and content of The Once and Future King (especially in the final pages, when the battle on the Salisbury plain is recounted and the fates of Lancelot and Gwenever are summarized), but the general thrust of the book is a queer, cranky sermon. Sylvia Townsend Warner’s amiably readable introduction to White’s final installment on King Arthur and Merlyn communicates the book’s genesis and its final exclusion from the larger corpus. While Warner appears to regret The Book of Merlyn’s exclusion, my view is that it is largely redundant (episodes are repeated), superfluous (too explicit interpretation given to events), and anti-climactic (signals a conclusion to the anxious darkness of Arthur’s pre-battle anxieties and regrets).
Sadly, my curiosity about Merlyn’s origins—how he could live as if each century was a decade—got no happiness from The Book of Merlyn, nor was there any further discussion of what it meant to live each new day with companions (eg, Arthur) unaware of the previous day’s events (which for them are still to come).
Instead, The Book of Merlyn is an interlude, almost a dream (which alternative Arthur grasps at, but Merlyn denies)—the lacuna in the dark hours just before a final battle with Mordred. Pace Merlyn, what supports events in The Book of Merlyn as being a dream are the fantastical aspects of communing in a vast burrow with a variety of animals and the fact that Arthur’s transformations into an ant and a goose are the very same he’d experienced in The Sword and Stone, the first part of The Once and Future King. [In reality, of course, this repetition of events in the first and last books of Arthur’s life was White re-working his five novels into a single volume of four novel-length parts, abandoning The Book of Merlyn’s pre-battle interlude and the cranky and didactic fulmination on the singularity of humankind as a warring creature.]
Merlyn whisks Arthur to a confab with the animals in order to relieve Arthur of pre-battle anxieties, to give him some perspective on what seems a horrible, botched outcome to his life’s goals. Instead of consolation, Merlyn largely impresses on Arthur the folly of trying to remedy humankind’s instinct to war. Merlyn lectures on humanity’s inability to live instinctually, how human intelligence actually thwarts instinctive social harmony. Merlyn forces Arthur to (re)live the experience of ants and geese to observe how different styles of social cohesion/governance best suit humankind. Merlyn lectures that anarchy best suits humanity, as it is founded on the individual. (In contemporary terms, “anarchy” is invoked to suggest chaos and disorder, and to remedy this negative prejudice we now speak of “libertarianism”.)
There are some good dramatic moments in The Book of Merlyn, ones which jibe with the spirit and content of The Once and Future King (especially in the final pages, when the battle on the Salisbury plain is recounted and the fates of Lancelot and Gwenever are summarized), but the general thrust of the book is a queer, cranky sermon. Sylvia Townsend Warner’s amiably readable introduction to White’s final installment on King Arthur and Merlyn communicates the book’s genesis and its final exclusion from the larger corpus. While Warner appears to regret The Book of Merlyn’s exclusion, my view is that it is largely redundant (episodes are repeated), superfluous (too explicit interpretation given to events), and anti-climactic (signals a conclusion to the anxious darkness of Arthur’s pre-battle anxieties and regrets).
March 20, 2026
This book was unnecessary and underwhelming. T. H. White at this point had a sermon to preach and, rather than craft a good story that embodied the ideas he wanted to convey, he set about putting long, didactic speeches in the mouths of his characters to tell the readers what they were supposed to get from the previous books.
The thing is, there is nothing new being conveyed that wasn't already better portrayed in The Sword in the Stone, which was a fantastic book. All his ideas about might, force, war, government, etc. were already perfectly captured in the lessons that Wart learned from Merlyn. Books 2-4 in the series didn't really open up new political or philosophical ground that The Sword in the Stone didn't already cover, but I didn't mind because the characters were so humanely written that I loved reading about them, and as a fan of Malory's great work, I enjoyed seeing how White reworked it for his purposes.
This last book, however, was ham-fisted and mostly unpleasant. It seems like White was worried that some readers might just read his stories for fun and miss out on the Very Important Message that he wanted them to get. Sometimes fiction books do contain Very Important Message, but rarely does a writer who sets out primarily to convey a Very Important Message end up writing a good work of fiction. If you're going to read through the Once and Future King, just skip this one.
The thing is, there is nothing new being conveyed that wasn't already better portrayed in The Sword in the Stone, which was a fantastic book. All his ideas about might, force, war, government, etc. were already perfectly captured in the lessons that Wart learned from Merlyn. Books 2-4 in the series didn't really open up new political or philosophical ground that The Sword in the Stone didn't already cover, but I didn't mind because the characters were so humanely written that I loved reading about them, and as a fan of Malory's great work, I enjoyed seeing how White reworked it for his purposes.
This last book, however, was ham-fisted and mostly unpleasant. It seems like White was worried that some readers might just read his stories for fun and miss out on the Very Important Message that he wanted them to get. Sometimes fiction books do contain Very Important Message, but rarely does a writer who sets out primarily to convey a Very Important Message end up writing a good work of fiction. If you're going to read through the Once and Future King, just skip this one.
October 3, 2019
“Actualmente la raza humana se divide desde el punto de vista político de la siguiente forma: de cada cien hombres hay uno que es sabio, nueve bribones y noventa tontos. Este es un cálculo optimista.”
Lo primero que debería comentar es que, pese al título del libro y que este pertenezca a la saga del Rey Arturo narrada por T.H.White, es una lectura un tanto diferente.
¿Fantasía? Sí, pero aprovechada para hacer una reflexión sobre los conflictos emocionales del ser humano y su interacción con la naturaleza. El autor, sirviéndose de Merlín, también critica las terribles consecuencias de la guerra.
Personalmente, me ha gustado, seguramente porque después de leer Camelot ya conocía a los personajes, estaba familiarizado con la pluma del autor y quería saber cómo terminaba todo. En muchos capítulos, te hace pensar y darle vueltas a los temas que trata, algo que siempre valoro positivamente.
Lo recomendaría, si se quiere leer algo distinto, más cerca de la crítica social que de la literatura fantástica tal y como la conocemos.
Lo primero que debería comentar es que, pese al título del libro y que este pertenezca a la saga del Rey Arturo narrada por T.H.White, es una lectura un tanto diferente.
¿Fantasía? Sí, pero aprovechada para hacer una reflexión sobre los conflictos emocionales del ser humano y su interacción con la naturaleza. El autor, sirviéndose de Merlín, también critica las terribles consecuencias de la guerra.
Personalmente, me ha gustado, seguramente porque después de leer Camelot ya conocía a los personajes, estaba familiarizado con la pluma del autor y quería saber cómo terminaba todo. En muchos capítulos, te hace pensar y darle vueltas a los temas que trata, algo que siempre valoro positivamente.
Lo recomendaría, si se quiere leer algo distinto, más cerca de la crítica social que de la literatura fantástica tal y como la conocemos.
January 11, 2026
The final part of the Once and Future King.
Merlyn returns.
Following on from 'Candle in the Wind', this book opens as Arthur prepares himself for his final battle against Mordered.
Merlyn is just in time to complete Arthur's education and discover the cause of wars. Merlyn again demonstrates ethics and politics to Arthur by transforming him into animals.
After everything he has learned, Arthur no longer wishes to fight and makes an agreement with Mordred to split England in half. Mordred accepts.
Unfortunately, during the making of this deal, a snake comes upon one of Mordred's soldiers. The soldier draws his sword...and you probably know the rest.
Merlyn returns.
Following on from 'Candle in the Wind', this book opens as Arthur prepares himself for his final battle against Mordered.
Merlyn is just in time to complete Arthur's education and discover the cause of wars. Merlyn again demonstrates ethics and politics to Arthur by transforming him into animals.
After everything he has learned, Arthur no longer wishes to fight and makes an agreement with Mordred to split England in half. Mordred accepts.
Unfortunately, during the making of this deal, a snake comes upon one of Mordred's soldiers. The soldier draws his sword...and you probably know the rest.
December 31, 2024
What the second epilogue is to War and Peace. Disappointing until the final three pages, which filled me with awe and joy for the whole pentalogy. White explores, in those final pages, all the iterations and ideas that surround King Arthur and how he has prevailed all this time. And he continues to prevail, whether he returns or not.
September 25, 2025
So probably about 45 years ago, one year for Christmas Dad gave me a copy of this hardcover book that I'm pretty sure he'd picked up from a remainder table at the local K-Mart or Waldenbooks or some such.
And I thanked him for it, put it on my shelf, and never got around to reading it; and now that copy is long since lost to the ages, but I've finally gotten around to actually reading it.
And I can see why I didn't make any headway with it when I was young, and it's probably just as well that I didn't read it back then, but now I'm very glad to have done so.
This is a sort of brief coda or finale to White's The Once and Future King; but apparently it was never completed to his satisfaction and wasn't published until the 1970s, a full decade and more after his death; and, importantly, I don't think it stands alone.
Events in this book overlap the events in the final section of Once & Future King -- Arthur and his surviving knights are preparing to fight Mordred and his supporters (as per the end of Once & Future King) when Merlyn (who'd been seduced and imprisoned by Nimue many years ago) reappears to have another series of chats with Arthur about the duties & responsibilities of kingship, and again sends him off to learn from animals by being transformed to join them.
And if parts of this book -- Arthur's time with the ants and with the geese -- seem familiar, it's because White ended up repurposing them into The Sword in the Stone when he was dissatisfied with how Book of Merlyn was turning out. And honestly, those sojourns in particular might be more impactful when they take place at the end of Arthur's reign (and in the aftermath of Guinevere's infidelity with Lancelot) rather than preceding it.
And while it's a shame that White never managed to hammer this into the shape he wanted, I'm glad that it's available to be read.
And I thanked him for it, put it on my shelf, and never got around to reading it; and now that copy is long since lost to the ages, but I've finally gotten around to actually reading it.
And I can see why I didn't make any headway with it when I was young, and it's probably just as well that I didn't read it back then, but now I'm very glad to have done so.
This is a sort of brief coda or finale to White's The Once and Future King; but apparently it was never completed to his satisfaction and wasn't published until the 1970s, a full decade and more after his death; and, importantly, I don't think it stands alone.
Events in this book overlap the events in the final section of Once & Future King -- Arthur and his surviving knights are preparing to fight Mordred and his supporters (as per the end of Once & Future King) when Merlyn (who'd been seduced and imprisoned by Nimue many years ago) reappears to have another series of chats with Arthur about the duties & responsibilities of kingship, and again sends him off to learn from animals by being transformed to join them.
And if parts of this book -- Arthur's time with the ants and with the geese -- seem familiar, it's because White ended up repurposing them into The Sword in the Stone when he was dissatisfied with how Book of Merlyn was turning out. And honestly, those sojourns in particular might be more impactful when they take place at the end of Arthur's reign (and in the aftermath of Guinevere's infidelity with Lancelot) rather than preceding it.
And while it's a shame that White never managed to hammer this into the shape he wanted, I'm glad that it's available to be read.
January 10, 2009
"Even the Greek definition anthropos, He Who Looks Up, is inaccurate. Man seldom looks up above his own height after adolescence."
Page 53
"He knew suddenly that nobody, living upon the remotest, most barren crag in the ocean, could complain of a dull landscape so long as he would lift his eyes. In the sky there was a new landscape every minute, in every pool of the sea rocks, a new world. He wanted time off, to live."
Page 99
"There is nothing so wonderful as to be out on a spring night in the country; but really in the latest part of night, and, best of all, if you can be alone. Then, when you can hear the wild world scamper, and the cows chewing just before you tumble over them, and the leaves living secretly, and the nibblings and grass pluckings and the blood's tide in your own veins; when you can see the loom of the trees and hills in deeper darkness and the stars twirling in their oiled grooves for yourself; when there is one light in one cottage far away, marking a sickness or an early riser upon a mysterious errand; when the horse hoofs with squeaking cart behind plod to an unknown market, dragging their bundled man, in sacks, asleep; when the dogs' chains rattle at the farms, and the vixen yelps once, and the owls have fallen silent: then is a grand time to be alive and vastly conscious, when all else human is unconscious, homebound, bed-sprawled, at the mercy of the midnight mind.
The wind had dropped to rest. The powdery stars expanded and contracted in the serene, making a sight which would have jingled, if it had been a sound. The great tor which they were climbing rose against the sky, a mire of majesty, like a horizon which aspired."
Page 149
"That was it, to mean well! He caught a glimpse of that extraordinary faculty in man, that strange, altruistic, rare and obstinate decency which will make writers or scientists maintain their truths at the risk of death. Eppur si muove, Galileo was to say; it moves all the same. They were to be in a position to burn him if he would go on with it, with his preposterous nonsense about the earth moving round the sun, but he was to continue with the sublime assertion because there was something which he valued more than himself. The Truth. To recognise and to acknowledge What Is."
Page 154
I got T.H. White's The Book of Merlyn in my Christmas box, along with Sophie's World and six present-books. It was White's intended ending for the Once and Future King series, and his intent should not be ignored in this case. The book includes many aspects that were later edited back into the first four books to soften its absence, but it is important to read in its own right despite this. White does most everything he did in the first four books, but better: more beautifully, with a deeper sense of melancholy and resignation, a more thorough look at his problem in general (war and the future of man), and a more centered and charming portrait of the various animal characters (The Committee).
Page 53
"He knew suddenly that nobody, living upon the remotest, most barren crag in the ocean, could complain of a dull landscape so long as he would lift his eyes. In the sky there was a new landscape every minute, in every pool of the sea rocks, a new world. He wanted time off, to live."
Page 99
"There is nothing so wonderful as to be out on a spring night in the country; but really in the latest part of night, and, best of all, if you can be alone. Then, when you can hear the wild world scamper, and the cows chewing just before you tumble over them, and the leaves living secretly, and the nibblings and grass pluckings and the blood's tide in your own veins; when you can see the loom of the trees and hills in deeper darkness and the stars twirling in their oiled grooves for yourself; when there is one light in one cottage far away, marking a sickness or an early riser upon a mysterious errand; when the horse hoofs with squeaking cart behind plod to an unknown market, dragging their bundled man, in sacks, asleep; when the dogs' chains rattle at the farms, and the vixen yelps once, and the owls have fallen silent: then is a grand time to be alive and vastly conscious, when all else human is unconscious, homebound, bed-sprawled, at the mercy of the midnight mind.
The wind had dropped to rest. The powdery stars expanded and contracted in the serene, making a sight which would have jingled, if it had been a sound. The great tor which they were climbing rose against the sky, a mire of majesty, like a horizon which aspired."
Page 149
"That was it, to mean well! He caught a glimpse of that extraordinary faculty in man, that strange, altruistic, rare and obstinate decency which will make writers or scientists maintain their truths at the risk of death. Eppur si muove, Galileo was to say; it moves all the same. They were to be in a position to burn him if he would go on with it, with his preposterous nonsense about the earth moving round the sun, but he was to continue with the sublime assertion because there was something which he valued more than himself. The Truth. To recognise and to acknowledge What Is."
Page 154
I got T.H. White's The Book of Merlyn in my Christmas box, along with Sophie's World and six present-books. It was White's intended ending for the Once and Future King series, and his intent should not be ignored in this case. The book includes many aspects that were later edited back into the first four books to soften its absence, but it is important to read in its own right despite this. White does most everything he did in the first four books, but better: more beautifully, with a deeper sense of melancholy and resignation, a more thorough look at his problem in general (war and the future of man), and a more centered and charming portrait of the various animal characters (The Committee).
February 10, 2014
Intended as the final part of The Once and Future King, this tale of King Arthur and his wizardly tutor wasn't published until 1977, after White's death. Arthur, now old and faced with Mordred's rebellion, is taken by Merlyn to pay a visit to a council of animals. These include Archimedes the owl and the philosophical badger who played a role in Arthur's education. I've always liked White's version of Merlyn, a brilliant old man who is somewhat absent-minded due to his living backwards in time. On the other hand, his ability to remember the future allows him to converse on topics that had not yet occurred in Arthur's time. He's also used for meta-humor, pointing out the flaws in some takes on the Arthurian legend and even making fun of White's own anachronistic take on the story. The king, the wizard, and the committee of animals converse on politics, economics, war, and the nature of humankind. Most of their ideas are rather misanthropic, but Arthur eventually realizes that his love for England makes it necessary for him to confront Mordred. Two episodes from this book, in which Arthur is turned into an ant and a goose, were eventually edited in the first part of Once and Future King, replacing such incidents as the duel with Madame Mim and the encounter with the giant Galapas. While the ant part works fine in both places, the flight with the geese is better suited for the end of Arthur's life. While a goose, he learns of a society without nations and where mating is for life, in sharp contrast to his war-torn England and wife having a long-standing affair with his best friend. As a review blurb on the back of the copy I read points out, it brings White's story of Arthur "full circle, 'rounded and bright and done."
November 8, 2022
And this is my 100th book in 2022!
This is a wonderful conclusion to the whole series.
I really liked the evolution between the books, starting from Book 1, clearly a children's book, with importance of magic and animals talking, to this final volume where there's a lot about society and political models. WWII is important in the background.
Animals are still present, like a loop with book 1, mostly with ants and geese.
This volume was actually published posthumously in 1977.
My review of previous volumes is here: https://wordsandpeace.com/2022/09/18/...
This is a wonderful conclusion to the whole series.
I really liked the evolution between the books, starting from Book 1, clearly a children's book, with importance of magic and animals talking, to this final volume where there's a lot about society and political models. WWII is important in the background.
Animals are still present, like a loop with book 1, mostly with ants and geese.
This volume was actually published posthumously in 1977.
My review of previous volumes is here: https://wordsandpeace.com/2022/09/18/...
May 7, 2018
The final installment in The Once and Future King is a delightful journey through the mind of T.H. White. The book consists mostly of dialogue on human nature (In a seemingly Socratic manner). It is a thought-provoking and beautiful ending to White's rendition of the Arthurian legend.
I initially read the first four books in the series in rapid succession, so upon finishing The Candle in the Wind I decided to take a break from the series and return to The Book of Merlyn at a later time. Having finished this rather short novel I now regret this decision..... but not really because it gives me an excellent excuse to reread the series in its entirety back to back very soon.
I initially read the first four books in the series in rapid succession, so upon finishing The Candle in the Wind I decided to take a break from the series and return to The Book of Merlyn at a later time. Having finished this rather short novel I now regret this decision..... but not really because it gives me an excellent excuse to reread the series in its entirety back to back very soon.
April 17, 2015
I’m not going to say a lot about this book because this book was somewhat unnecessary, in my opinion. The 4th book was the perfect ending. This book seems to rehash many things from the earlier books as well as mentioning how Guinevere went on to live and die in a covent. Lancelot lived as a hermit. His last miracle to the world releasing a scent of Heaven upon his death. Mostly, though this book seemed to be a philosophical look at the recurring theme that might isn’t always right as once believed by the kings and lords. If there’s anything that I can praise this book for is that it does take a more philosophical look at war and Arthur’s moral standings.
December 25, 2018
The best word for this really is 'superfluous'. TOAFK ended perfectly, and there was no need for anything to be tacked on. It isn't ruinous to TOAFK, but it is wholly unnecessary. This is really a three star read; but I am a weak bitch and gave it four because there's the beautiful writing to be expected from White, plus some meditations on War and the human beast that made me feel something in the cold black space where my heart is supposed to be.
Honestly, read it only if you're a die-hard fan of T.H. White. Let TOAFK stand alone, on that aching final line.
Honestly, read it only if you're a die-hard fan of T.H. White. Let TOAFK stand alone, on that aching final line.
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