Cendrillon

by Joël Pommerat

« Je vais vous raconter une histoire d’il y a très longtemps… »

Cette histoire, c’est celle de Cendrillon, qui accepte sans ciller les corvées et les brimades qu’on lui inflige.

Tenant cette gentillesse pour suspecte, Joël Pommerat relit le parcours de la jeune fille pour le comprendre. Née de la scène et s’inspirant des surprises de plateau, sa réécriture fait voler en éclats tous les morceaux du vieux conte.

La pièce, qui mêle noirceur et dérision, joue avec nos représentations et interroge notre désir d’histoires.

Genres: School

192 pages, Mass Market Paperback

Published June 7, 2013

About the author

Joël Pommerat was born in 1963. As a Playwright-director, he has devoted himself exclusively to writing for the theatre since 1986, after acting for several years. Seeking to bring his writing to the stage, he founded the Compagnie Louis Brouillard in 1990 and created his first shows at Théâtre de la Main d’Or in Paris (Le Chemin de Dakar, Le Théâtre, Vingt cinq années, Des suées, Les Evénements). In 1995, he wrote Pôles which was originally produced at the Théâtre des Fédérés in Montluçon and then reprised at Théâtre de la Main d’Or. In 1996, a workshop with about 30 actors resulted in the creation of Présences which was performed in Hublot. The next year, after a residency at Montluçon, he went back to work on the same play which became Treize étroites têtes, perfomed at Théâtre des Fédérés, at Théâtre Paris-Villette, at Théâtre Brétigny, and at the Saarbrücken festival. Since 1997, Théâtre Brétigny and the Théâtre Paris-Villette have financed and hosted one or several productions by his company every year. Since 1998, his company’s residency at Brétigny-sur-Orge has been the occasion to develop various projects (writing residencies, writing workshops, collaborative video projects involving the people of the region, workshops, banquet-readings, tasting-readings directed at young audiences, various encounters…)

A network of loyal support has developed around the company (co-productions, residencies, pre-paid productions, invitations): La Ferme de Bel Ebat (Guyancourt), le Centre d’art et de création de Mont-Saint-Aignan, les Ateliers du Rhin (Colmar), le Centre Dramatique national de Normandie – Comédie de Caen, le Centre Dramatique national d’Orléans, le Centre Dramatique de Tours, le Théâtre National de Strasbourg, le Centre Dramatique de Thionville-Lorraine, la Scène nationale de Chambéry…

Joël Pommerat is also interested in the moving image and film. He has made several short films, including a film entitled Visages with Marguerite Bordat, bringing 800 faces in front of the camera.

Joël Pommerat and la Compagnie Louis Brouillard were invited to the Festival D’avignon in July 2006, with Le Petit Chaperon Rouge, Au monde and Les marchands and in July 2008 with Je tremble (1et2).

In 2005, he became an Associate Artist for three years at the Espace Malraux-Scène nationale de Chambéry et de la Savoie. Joël Pommerat and the Compagnie Louis Brouillard have been in residency at the Théâtre des Bouffes du Nord since 2007 (2007-2010). He is an Associate Artist at the Odéon-Théâtre of Europe at the Ateliers Berthier for three seasons (2010-2013) and at the Théâtre National de Bruxelles

Reviews

[kristen tan · Rating 3 out of 5]

lu pour fre211
un peu intéressant ! je sais pas exactement le but de la texte mais c’est ok

[lola · Rating 2 out of 5]

jetais high jcrois pcq j’ai rien compris et rien retenu

[Cathy · Rating 4 out of 5]

Une réécriture touchante qui explore des thèmes omis par sa version originale. Le deuil et la difficulté de la compréhension du langage incorporés dans ce conte populaire qui aspire à la guérison de soi.