Milton is certainly one of the main pillars of English poetry. Paradise Lost, Paradise Regained and Samson Agoniste rightly belong to the canon of great Western Literaure. (I'm less enamored of his short poems. And I can't speak for his extensive Latin poetry.) His Satan is one of the most lively characters ever created in literature.
His prose? He is one of the most dense and convoluted writers of prose I ever read. (Only George Washington is more opaque.)
This is a very good, well footnoted edition of his works and one that I recommend. An understanding of Milton's political, historical, literary and religious environment are critical to a full appreciation of his works.
Paradise Lost **** -- Like Dante’s Divine Comedy, Milton’s world is a joyless place lacking compassion. God is a stern dictator, allowing no rebuke and meting out grotesquely disproportionate punishments. Lacking is any acknowledgment of the difficulties of day-to-day life, the sufferings or the heartaches (except as punishments). No relief is offered to the living who are in pain, no succor to those in grief. Obedience, subservience and obsequious behavior are demanded and required under dire threat.
Like The Divine Comedy, don’t look for moral lessons – feeding the hungry, giving shelter to the homeless, clothes to the naked. Forgiveness, charity and spiritual solace have no place. The other world isn’t really interested in those things. That world is all about unquestioning faith, discipline, service and harsh justice. It’s about the punishment of pride and the bending of the spirit.
Like the Divine Comedy, Paradise Lost is built upon some highly speculative notions of Christianity that are hardly mentioned in the Bible (if mentioned at all). Heaven and Hell are barely discussed in the Bible, and purgatory and limbo never broached. If you stand on your head, squint and look at the Bible sideways, you might see something about the order of angels and the fall of Satan.
I say all of this to justify the general trend of people admiring Satan. We moderns tend to dislike authoritarians who rigidly demand obedience to a narrow set of beliefs (most of which are about worshipping the authoritarian). We tend to side with the plucky rebel who stands up to the authoritarian.
It is Satan, too, that makes Paradise Lost live in a way that The Divine Comedy does not. Although a work of great genius, The Divine Comedy is the work of 13th century Italy and the Catholic Church. The Inferno is the most interesting section not because of the horrendous tortures, but because the people are more real. Like Satan.
Without Satan, Paradise Lost is a clever portrayal of 17th century Christian Protestantism. While beautiful, it would have had offered no insight to 21st century mankind. Satan stirs our personal sense of compassion, justice, pity and horror unlike any other character.
An additional note: From my current reading, it is clear that the fault for man’s fall belongs not to Eve, nor Adam, nor even Satan. The culprit is one who failed miserably at his job, whose job was protect the Garden of Eden, whose job was to keep out Lucifer: Gabriel. If he had been able to do his job as assigned, Satan never would have gotten into Eden, Satan never would have tempted Eve, she never would have bitten the forbidden fruit, and mankind would not have been tossed out. Our woes are clearly the fault of the archangel Gabriel. The bungling, inept, incompetent bastard. This is a clear example of criminal negligence enforceable in any court in the country. I judge for the defendant, Eve, mother of mankind, and thereby declare her innocent of eating the forbidden apple due to the negligence of the defendant, Gabriel. As a result, I hereby order god to restore Eden to humankind. Case closed. (Books I-IV 06/2018)