This collection of essays explores the lives and roles of women in antiquity. A recurring theme is the relationship between private and public, and many of the essays find that women's public roles develop as a result of their private lives, specifically their family relationships.
Essays on Hellenistic queens and Spartan and Roman women document how women exerted political power--usually, but not always, through their relationship to male leaders--and show how political upheaval created opportunities for them to exercise powers previously reserved for men. Essays on the writings of Sappho and Nossis focus on the interaction between women's public and private discourses. The collection also includes discussion of Athenian and Roman marriage and the intrusion of the state into the sexual lives of Greek, Roman, and Jewish women as well as an investigation of scientific opinion about female physiology.
The contributors are Sarah B. Pomeroy, Jane McIntosh Snyder, Marilyn M. Skinner, Cynthia B. Patterson, Ann Ellis Hanson, Lesley Dean-Jones, Natalie Boymel Kampen, Mary Taliaferro Boatwright, and Shaye J.D. Cohen.
Sarah B. Pomeroy, Professor of Classics and History, Emerita, at Hunter College and the Graduate School of the City University of New York. She was born in New York City (1938) and earned her B.A. from Barnard College in 1957. She received her M.A. in 1959 and her Ph.D. in 1961, both from Columbia University. Pomeroy has been recognized as a leading authority on ancient Greek and Roman women since her book Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity was first published in 1975. Her other publications include Xenophon, Oeconomicus: A Social and Historical Commentary (1994), Families in Classical and Hellenistic Greece: Representations and Realities (1998), Spartan Women (2002), and, with Stanley M. Burstein, Walter Donlan, and Jennifer Tolbert Roberts, the textbooks Ancient Greece: a Political, Social, and Cultural History (4th edition, 2017) and A Brief History of Ancient Greece: Politics, Society, and Culture (3rd edition, 2011).[i]
Opening this with a studio on Sappho's poetic form to showcase how some of her poems were made for the intimacy of womanhood was a 10/10 choice. It was banger after banger.