Jump to ratings and reviews
Rate this book

Stage, Stake, and Scaffold: Humans and Animals in Shakespeare's Theatre

Rate this book
The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-ready potential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often, indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Hofele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animal references to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Hofele argues that Shakespearean notions of humanity rely just as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable.

315 pages, Hardcover

First published June 15, 2011

Loading...
Loading...

About the author

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
1 (33%)
4 stars
2 (66%)
3 stars
0 (0%)
2 stars
0 (0%)
1 star
0 (0%)
Displaying 1 of 1 review
Profile Image for M.
102 reviews6 followers
April 30, 2015
This was genuinely some of the best Shakespeare criticism I've read. Modern, relevant, with attention to detail and the texture of language, employing convincing historical evidence - I only wish Hofele had leaned more towards the critical than towards the descriptive, because based on how this book is written, these hypothetical conclusions would've been superb.
Displaying 1 of 1 review