FICTION Caleb Crain - The Letter Rachel B. Glaser - Dead Woman James Lasdun - Helen Juliana Leite - My Good Friend Diane Oliver - “No Brown Sugar in Anybody’s Milk” Jamie Quatro - Little House
INTERVIEW John Keene - The Art of Fiction No. 259 Sharon Olds - The Art of Poetry No. 114
POETRY Leopoldine Core - Ex-Stewardess Richie Hofmann - Armed Cavalier Imani Elizabeth Jackson - from “Flag” Jessica Laser - Kings Lewis Meyers - Summer Letters Mirta Rosenberg - Cat in Portrait Jonathan Thirkield - Antwerp (2)
PORTFOLIO Margot Bergman - Cups Jameson Green - Writers
COVER Emilie Louise Gossiaux - Issue No. 243 Cover
JOURNAL Lydia Davis - Selections from Journal, 1996
I've read this book sporadically throughout the summer, and now it is autumn and I have only just finished reading. With that in mind, I don't remember much of the stories and snippets I read prior to the last short story. But this last story I've just read was so amazing. The prose was so inspiring (by this I mean inspiring to my own writing). I understood all of the little sentiment in each certain word or phrase or short sentence. For some reason, I thought of Patti Smith reading "Dead Woman" by Glaser. Truly truly amazing work. Of course they had to end it with this story.
This one wasn’t as good for me as some other issues. Of the stories, I liked Dead Woman best (really liked), then My Good Friend (subtle, emotional), then Helen, which was funny but I was let down by the ending a little. The Diane Oliver story was great (old and masterful) and I had to look her up later. I unfortunately did not get any of the poetry. Too bad for me. Although Kings did stand out as easier to connect with.
standouts: absolutely LOVED the last short story, “Dead Woman.” “Helen” was also interesting, along with “Little House.” As usual, the interviews are gold.
I didn’t connect with or understand the majority of the poetry, and I thought the Lydia Davis journal fragments were primarily uninspiring aside from a few snippets.
Why did the publish a bunch of Lydia Davis's journal fragments - are they so enamored with her that they'll take a heap of disconnected scraps from her? And why do they publish Caleb Crain at all? 'Helen' is an incredible story at least.
I had the pleasure of reading this on the beach, in the sun. It was the perfect place to read it. The threads of queerness and love lost tied this collection together beautifully. All the stories, poems, and interview with Olds were 10/10, except the diary extracts. They seemed out of place. Maybe it's just the experience of reading someone else's half-formed experiments; they jangle next to the other complete ideas. Not to say the diary excerpts don't have value, but they were comparatively less satisfying.