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A Far Country
From the bestselling author of The Piano Tuner , a stunning novel about a young girl’s journey through a vast, unnamed country in search of her brother.Fourteen-year-old Isabel was born in a remote village with the gift and curse of “seeing farther.” When drought and war grip the backlands, her brother Isaias joins a great exodus to a teeming city in the south. Soon Isabel must follow, forsaking the only home she’s ever known, her sole consolation the thought of being with her brother again.
267 pages, Paperback
First published January 1, 2007
83 people are currently reading
1325 people want to read
About the author
Daniel Mason
10 books2,311 followersDaniel Mason is a physician and author of The Piano Tuner (2002), A Far Country (2007), The Winter Soldier (2018), A Registry of My Passage Upon the Earth (2020)--a finalist for the Pulitzer Prize-- and North Woods (2023). His work has been translated into 28 languages, awarded a 2021 Guggenheim Fellowship, the Joyce Carol Oates Prize, the California Book Award, the Northern California Book Award, and a Fellowship from the National Endowment for the Arts. The Piano Tuner was produced as an opera by Music Theatre Wales for the Royal Opera House in London, and adapted to the stage by Lifeline Theatre in Chicago. His short stories and essays have appeared in The Atlantic, Harper’s, Zoetrope: All Story, Zyzzyva, Narrative, and Lapham’s Quarterly, and have been awarded a Pushcart Prize, a National Magazine Award and an O. Henry Prize. An assistant professor in the Stanford University Department of Psychiatry, his research and teaching interests include the subjective experience of mental illness and the influence of literature, history, and culture on the practice of medicine.
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Displaying 1 - 30 of 245 reviews
March 11, 2020
Daniel Mason Is a contemporary author to keep your eye on. He is talented. He writes extremely well, consistently fitting the prose to the theme and subject of a book. Each book is unique; none are repeats of earlier books. They differ in how they are written and in subject matter.
The setting, the backdrop of the tale told here, is not defined. You must guess. I guess Brazil. That the country where the story rolls out is not specified is, I believe, intentional. It is the book’s central theme that is to be focused upon rather than events in one particular country. And the central theme, what is that? The migration of people from rural communities to urban metropolises. This is my view; it is not spelled out clearly. When you close the book at its end, you ask yourself what the book is saying. I have given you my response.
The book is neither plot oriented nor focused upon character portrayal. The central character is and remains a detached, bland and faceless cipher. Stating this outright is bound to push many prospective readers away, but this book is not going to suit all readers!
Hang on a second. I have not yet told you what makes the book special.
The book’s descriptive details are marvelous. The details put you in a place, put your own feel there on the ground so you see what the characters are living and seeing. The story begins in a poor rural community where sugar cane is grown, but there is a severe drought. The land is plagued by long, extended droughts, not just once in a while but often. The droughts are a recurring hardship that must be borne by the people, a hardship over which they have no control. The land is being modernized—roads are being built, but for the country poor these bring only more problems. Political corruption and conflicts between different social classes and between old ways and the new throw life off kilter. There exists no longer any script for how life is to be lived. How do entrenched Catholic guidelines, mystical beliefs and old traditions fit in with the new?
The drought continues. A family’s subsistence level has been reached. Changes must be made. The family’s eldest son, Isaias, is sent south, south to the big city. His sister, Isabel, soon follows. She is a mere fourteen years of age. She is to live with her cousin already in the city, care for her cousin’s baby, get a job and find her brother. The setting shifts from the drought-ridden “backlands” in the north to the “Settlements”, the shanty town on the outskirts of a very large city in the south.
Tension mounts. The trip south is frightening. The address Isabel has been given is useless, but she does eventually find her cousin. What is really frightening is her smallness, her being a grain of sand among millions and millions of other grains of sand.
One senses impending doom. This is created by the author’s descriptive details and the lines. Tension mounts, then subsides only to mount again. Very little actually happens, but what does happen is frightening. At one point, Isabel . Isabel’s initial fear of just leaving the two room apartment where she lives with her cousin is felt by the reader. Her existence in this new world so utterly foreign, strange and threatening to her is palpably felt.
Does Isabel find her brother? Does she remain in the city or return north? You’ll see.
Isabel has psychic powers. They are realistically woven into the story. They are drawn more as intuitions than as pure magic.
Reading this book, you feel aloneness and helplessness. You feel as one small insignificant pinprick in a large mass of many. In the city danger arises when least expected, from you know not where, out of the blue. In the rural north hunger and the caprices of weather loom dark, but there at least exists a sense of community. That which is drawn for the reader are the vicissitudes coupled to urbanization. If readers are made to palpably feel Isabel’s situation this might push people to instigate change. Being made aware of problems is the first and vital step before change.
Kate Reading reads the audiobook. She does not intrude into the story. She reads it very well and so I have given the narration four stars. Her reading perfectly captures the atmosphere drawn by the author’s words.
This book is not going to fil all readers, but I like it a lot and so give it four stars.
*******************
The Piano Tuner 4 stars
The Winter Soldier 4 stars
A Far Country 4 stars
A related, non-fiction book:
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity 4 stars by Katherine Boo
The setting, the backdrop of the tale told here, is not defined. You must guess. I guess Brazil. That the country where the story rolls out is not specified is, I believe, intentional. It is the book’s central theme that is to be focused upon rather than events in one particular country. And the central theme, what is that? The migration of people from rural communities to urban metropolises. This is my view; it is not spelled out clearly. When you close the book at its end, you ask yourself what the book is saying. I have given you my response.
The book is neither plot oriented nor focused upon character portrayal. The central character is and remains a detached, bland and faceless cipher. Stating this outright is bound to push many prospective readers away, but this book is not going to suit all readers!
Hang on a second. I have not yet told you what makes the book special.
The book’s descriptive details are marvelous. The details put you in a place, put your own feel there on the ground so you see what the characters are living and seeing. The story begins in a poor rural community where sugar cane is grown, but there is a severe drought. The land is plagued by long, extended droughts, not just once in a while but often. The droughts are a recurring hardship that must be borne by the people, a hardship over which they have no control. The land is being modernized—roads are being built, but for the country poor these bring only more problems. Political corruption and conflicts between different social classes and between old ways and the new throw life off kilter. There exists no longer any script for how life is to be lived. How do entrenched Catholic guidelines, mystical beliefs and old traditions fit in with the new?
The drought continues. A family’s subsistence level has been reached. Changes must be made. The family’s eldest son, Isaias, is sent south, south to the big city. His sister, Isabel, soon follows. She is a mere fourteen years of age. She is to live with her cousin already in the city, care for her cousin’s baby, get a job and find her brother. The setting shifts from the drought-ridden “backlands” in the north to the “Settlements”, the shanty town on the outskirts of a very large city in the south.
Tension mounts. The trip south is frightening. The address Isabel has been given is useless, but she does eventually find her cousin. What is really frightening is her smallness, her being a grain of sand among millions and millions of other grains of sand.
One senses impending doom. This is created by the author’s descriptive details and the lines. Tension mounts, then subsides only to mount again. Very little actually happens, but what does happen is frightening. At one point, Isabel . Isabel’s initial fear of just leaving the two room apartment where she lives with her cousin is felt by the reader. Her existence in this new world so utterly foreign, strange and threatening to her is palpably felt.
Does Isabel find her brother? Does she remain in the city or return north? You’ll see.
Isabel has psychic powers. They are realistically woven into the story. They are drawn more as intuitions than as pure magic.
Reading this book, you feel aloneness and helplessness. You feel as one small insignificant pinprick in a large mass of many. In the city danger arises when least expected, from you know not where, out of the blue. In the rural north hunger and the caprices of weather loom dark, but there at least exists a sense of community. That which is drawn for the reader are the vicissitudes coupled to urbanization. If readers are made to palpably feel Isabel’s situation this might push people to instigate change. Being made aware of problems is the first and vital step before change.
Kate Reading reads the audiobook. She does not intrude into the story. She reads it very well and so I have given the narration four stars. Her reading perfectly captures the atmosphere drawn by the author’s words.
This book is not going to fil all readers, but I like it a lot and so give it four stars.
*******************
The Piano Tuner 4 stars
The Winter Soldier 4 stars
A Far Country 4 stars
A related, non-fiction book:
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity 4 stars by Katherine Boo
June 25, 2023
This book tells the story of two siblings of a poor family of rural sugarcane farmers living in Brazil. The elder brother, Isaias, leaves home to travel to the big city to make his living by performing music. He and his younger sister, Isabel, have always had a close bond. After dealing with drought and a land-grabbing ploy, the family is facing starvation, so they send fourteen-year-old Isabel to the same megacity in hopes that she can forge a better life. She desperately wants to find her brother, but he has disappeared. She lives with a relative, takes care of their baby, and eventually finds work as a flag-waver for a political candidate.
There is not much of a plot, other than Isabel’s search for her brother. She encounters many hardships, con artists, and violence in the city. She is young and naïve, so it is even more difficult for her to determine whom to trust. Isabel has some form of “sixth sense” which includes the ability to “feel” what has happened to people on numerous “missing person” posters, but this concept is never fully formed or pursued. I had previously read and loved The Winter Soldier. This book is less immersive, and the pace is much slower. The only character developed to any degree is Isabel. The strength of this book lies in the beautifully descriptive prose. I liked it and plan to read more by this author.
There is not much of a plot, other than Isabel’s search for her brother. She encounters many hardships, con artists, and violence in the city. She is young and naïve, so it is even more difficult for her to determine whom to trust. Isabel has some form of “sixth sense” which includes the ability to “feel” what has happened to people on numerous “missing person” posters, but this concept is never fully formed or pursued. I had previously read and loved The Winter Soldier. This book is less immersive, and the pace is much slower. The only character developed to any degree is Isabel. The strength of this book lies in the beautifully descriptive prose. I liked it and plan to read more by this author.
August 9, 2008
A quiet but fierce novel. Set in Brazil (it's important to me to know WHERE I am as I read- I'm geographically-anal so I put together various clues- a severe drought in NE Brazil in the early 1980s, sugar cane industry, zebu cows, a great southern city, the Amazon. Then I read two 2002 interviews with Mason where he stated he was working on a novel set in Brazil...) Mason offer the mystical, mythology, a sense of fable- all swirling like feathery clouds through the stony reality of poverty, famine, drought, civil unrest, racism, slums and violence. Isabel leaves the protection of her family circle in a village stricken by drought and famine in the country's north to seek her beloved older brother, Isaias. Isaias ran off to find his fortune as a musician in the country's fabled city of gold and the family fears what has become of him.
Most of the book follows Isabel's quest to find her brother from her journey south to her life in the city, where she shares a one room flat in the projects with her cousin and minds the cousin's baby. The baby becomes her companion during her increasingly bold circuits through her neighborhood and eventually into the city in search of her cherished soulmate and kin. Isabel is barely a teen but carries the depressed and resigned soul of someone decades her elder. Her wanderings seem aimless and the plot vague, but it comes together with a rush of breath and a bittersweet resolution.
Mason's writing is beautiful, lyrical, full of vision, impression. This nearly gets in the way of plot development, but he is still a joy to read.
Most of the book follows Isabel's quest to find her brother from her journey south to her life in the city, where she shares a one room flat in the projects with her cousin and minds the cousin's baby. The baby becomes her companion during her increasingly bold circuits through her neighborhood and eventually into the city in search of her cherished soulmate and kin. Isabel is barely a teen but carries the depressed and resigned soul of someone decades her elder. Her wanderings seem aimless and the plot vague, but it comes together with a rush of breath and a bittersweet resolution.
Mason's writing is beautiful, lyrical, full of vision, impression. This nearly gets in the way of plot development, but he is still a joy to read.
July 24, 2011
I was disappointed in this novel from an obviously very accomplished writer. It read more like a year in the life of the protagonist, Isabel, with a series of incidents, rather than a story that builds towards a climax.
Isabel, a 14-year old girl, has a spiritual and symbiotic bond with her older brother Isaias, who has left their drought-ridden village to make it in the big city “down south” in this unnamed South American country that could be anything from Brazil to Peru to Argentina. Isabel follows in the path of her brother, undertaking a perilous journey on a flatbed that nearly kills her, partly to be reunited with him, and partly to escape being dependant on her parents who are eking out a living on the farm. She finds employment in the city slum caring for a cousin’s baby during the week and waving flags for a political candidate on weekends. Her quest for Isaias takes her into some dangerous situations but the imagined presence of her brother, who seems to be always around her, steers her out of trouble. The revelation in the end is anti-climactic, but the message, that out perceived greatness is not inherent and only comes from those who confer it upon us, is clear. The other inevitability: the drift from village to city, where the villagers end up in dead-end jobs, and that this cycle is perpetuated with every batch of new entrants, is more than clear too.
The writing is beautiful and this redeems the book somewhat, but the conflicts come in a series of little bumps which quickly resolve themselves and do not build upon each other. More could have been done with Isabel’s disastrous outing to the discotheque in the city, or when she lost baby Hugo on the bus. The author conjures the impression that everyone is waiting for something to happen, like Isabel waiting for Isaias to show up; alas, as a reader, I too was waiting but nothing happened for me to say “ah, ha!” in the end.
I liked the descriptions of village and city and they come across as if the writer spent considerable time in these locales and immersed himself in the life there.
I think more could have been done with this book given the writer’s gift for language, description and insight into character.
Isabel, a 14-year old girl, has a spiritual and symbiotic bond with her older brother Isaias, who has left their drought-ridden village to make it in the big city “down south” in this unnamed South American country that could be anything from Brazil to Peru to Argentina. Isabel follows in the path of her brother, undertaking a perilous journey on a flatbed that nearly kills her, partly to be reunited with him, and partly to escape being dependant on her parents who are eking out a living on the farm. She finds employment in the city slum caring for a cousin’s baby during the week and waving flags for a political candidate on weekends. Her quest for Isaias takes her into some dangerous situations but the imagined presence of her brother, who seems to be always around her, steers her out of trouble. The revelation in the end is anti-climactic, but the message, that out perceived greatness is not inherent and only comes from those who confer it upon us, is clear. The other inevitability: the drift from village to city, where the villagers end up in dead-end jobs, and that this cycle is perpetuated with every batch of new entrants, is more than clear too.
The writing is beautiful and this redeems the book somewhat, but the conflicts come in a series of little bumps which quickly resolve themselves and do not build upon each other. More could have been done with Isabel’s disastrous outing to the discotheque in the city, or when she lost baby Hugo on the bus. The author conjures the impression that everyone is waiting for something to happen, like Isabel waiting for Isaias to show up; alas, as a reader, I too was waiting but nothing happened for me to say “ah, ha!” in the end.
I liked the descriptions of village and city and they come across as if the writer spent considerable time in these locales and immersed himself in the life there.
I think more could have been done with this book given the writer’s gift for language, description and insight into character.
December 24, 2013
Daniel Mason's evocative first novel, The Piano Tuner, published in 2002 when he was still a medical student at the University of California, told the story of a musician traveling into the Burmese jungle to find a mysterious military officer. His new novel, A Far Country, is another story of searching for someone in a distant place, but this time the exotic locale is never named, the theme is reduced to numbing clarity, and the characters are meant to represent millions of people in similar circumstances.
The far country of the title is a desperately poor Catholic nation, where wealthy landowners murder squatters who have nowhere else to go and unrelenting drought pushes peasant farmers to eat insects. Mason's heroine is a shy, clairvoyant 14-year-old girl named Isabel. "Her body isn't closed," Mason tells us, which means "there was less of a barrier between this world and the other one." If you have a low tolerance for magical realism, don't worry: It quickly fades away here in favor of a flatter, rather static lament about the plight of The Poor (wherever they may be) at the hands of The Rich (you know who you are).
Isabel's father works in the sugarcane fields, but the older brother she idolizes dreams of making his living as a musician in the capital, a place of almost mythical promise: "In the city, families put their maid's children through school, babies are bigger. In the city, the poor are rich, minimum-wagers are kings. The men don't cheat you in the city, they aren't powerless, they don't drown themselves in drink, they don't hit. The women don't get old before their time. In the city, if you are thirsty there are fountains." (Spoiler alert for readers who have never been to a city: These peasants have a somewhat rosy impression of it.)
After several crippling seasons of drought, Isabel's musical brother defies their father and strikes out for this land of opportunity. During infrequent phone calls -- taken at the town's only telephone -- he reports that he's doing well. He even sends back some money. And so when her parents finally run out of hummingbird meat and cactus roots, they send Isabel on a perilous bus ride to live with a cousin in the vast and ghastly Settlement that has developed around the city.
While her cousin works as a maid during the week, Isabel takes care of her baby, watches street crimes and wanders around looking for her brother. "Mostly," though, "she lay on the bed and stared at the ceiling, watching the room fill with light and later with darkness." For about 200 pages. Oh, there are moments of potential plot development that may fool you into reading on -- a job as a campaign worker, a trip to the Department of Missing Persons, a budding romance with a photographer -- but they're all cheats; they never lead anywhere. Despite many passages of beautiful writing, the novel suffers from an aimless plot, characters almost as abstract as the setting, and languid moralizing about the tragedy of poverty.
Fans of The Piano Tuner, take note: This new novel strikes the same chord over and over again.
http://www.washingtonpost.com/wp-dyn/...
The far country of the title is a desperately poor Catholic nation, where wealthy landowners murder squatters who have nowhere else to go and unrelenting drought pushes peasant farmers to eat insects. Mason's heroine is a shy, clairvoyant 14-year-old girl named Isabel. "Her body isn't closed," Mason tells us, which means "there was less of a barrier between this world and the other one." If you have a low tolerance for magical realism, don't worry: It quickly fades away here in favor of a flatter, rather static lament about the plight of The Poor (wherever they may be) at the hands of The Rich (you know who you are).
Isabel's father works in the sugarcane fields, but the older brother she idolizes dreams of making his living as a musician in the capital, a place of almost mythical promise: "In the city, families put their maid's children through school, babies are bigger. In the city, the poor are rich, minimum-wagers are kings. The men don't cheat you in the city, they aren't powerless, they don't drown themselves in drink, they don't hit. The women don't get old before their time. In the city, if you are thirsty there are fountains." (Spoiler alert for readers who have never been to a city: These peasants have a somewhat rosy impression of it.)
After several crippling seasons of drought, Isabel's musical brother defies their father and strikes out for this land of opportunity. During infrequent phone calls -- taken at the town's only telephone -- he reports that he's doing well. He even sends back some money. And so when her parents finally run out of hummingbird meat and cactus roots, they send Isabel on a perilous bus ride to live with a cousin in the vast and ghastly Settlement that has developed around the city.
While her cousin works as a maid during the week, Isabel takes care of her baby, watches street crimes and wanders around looking for her brother. "Mostly," though, "she lay on the bed and stared at the ceiling, watching the room fill with light and later with darkness." For about 200 pages. Oh, there are moments of potential plot development that may fool you into reading on -- a job as a campaign worker, a trip to the Department of Missing Persons, a budding romance with a photographer -- but they're all cheats; they never lead anywhere. Despite many passages of beautiful writing, the novel suffers from an aimless plot, characters almost as abstract as the setting, and languid moralizing about the tragedy of poverty.
Fans of The Piano Tuner, take note: This new novel strikes the same chord over and over again.
http://www.washingtonpost.com/wp-dyn/...
May 12, 2016
Excellent second outing - I've yet to read anything I wasn't completely engrossed in from this author. Written from the perspective of a young South American girl, Mason crafts a perspective that is believable, poignant, and riveting in carrying the reader through Isabel's odyssey of seeking her brother Isaias, who has left the destitution of their agricultural life for greater promise in the city.
Interestingly, one of the most consistent criticisms this novel received was that the location was left a mystery to the reader. I don't understand why this was such a sticking point for the disgruntled; in fact, given the poverty and transience of the people of the backlands, it seemed entirely appropriate that the locations were as anonymous as the people. Mason's writing seems to urge the reader to ponder thoughts, actions, experiences, and perhaps to let go of the finite and specific for a bit.
Still one of my favorite modern fiction writers.
Interestingly, one of the most consistent criticisms this novel received was that the location was left a mystery to the reader. I don't understand why this was such a sticking point for the disgruntled; in fact, given the poverty and transience of the people of the backlands, it seemed entirely appropriate that the locations were as anonymous as the people. Mason's writing seems to urge the reader to ponder thoughts, actions, experiences, and perhaps to let go of the finite and specific for a bit.
Still one of my favorite modern fiction writers.
August 5, 2014
It took me two times to get all of the way through this book. It was not because it was badly done, or not an interesting story. Unfortunately, I am a moody reader, and the first time, I was just not in the mood to listen after I downloaded it and started listening, and it languished in my iPod until it expired and disappeared from my bookshelf back to library. Then I forgot about it.
The first time I downloaded it, I was drawn to the picture on the cover and the title of the book. That "something" was still there and it called to me again the second time I found it in the available books listing on Overdrive. As I started listening, it seemed soooo familiar. The names in the story, the lady's voice that was narrating, but I was not completely sure, until I got to a part in the story that I knew that I had heard before. It had not been a nice thing, and I instantly recalled the moment of horror again.
There parts in this book that are hard to accept that things like it really do happen, but I am not naive enough any more not to believe them. I know that they must be true. I know that they have happened. It makes me sad and angry, but it it does not make them go away.
On the surface of the story, this book is about a young girl waiting for her brother to come home from the city. The girl, Isabel, idolizes her older brother, Isaias. The story is told from her point of view from the time she was about four years old, when the story started.
I do not know where the story actually takes place. Somewhere that there is sugar cane grown and constant drought and people leaving home and moving to a very large city and back again, when and if possible. It is a story of hardship, constant hunger, pain, poverty and love. Isabel's love for her brother is the driving factor in everything that happens to her and where she goes and what she does to find him.
The story is beautifully written, but dragged at times and felt like it just went on too long. Then, it was over. It was not the ending I expected, but the abrupt stop was very jaring after going on for so long. It was a glimpse into a kind of poverty and powerless existance that I have never read about before and I was awed by the strength and endurance we humans can face up to in our environment, no matter what life throws at us. As long as there is love, we can go on.
It is a haunting story, and scenes still come back to me, weeks after I finished listening to it. The narrator was Kate Reading. Her voice was wonderful and she read beautifully.
The first time I downloaded it, I was drawn to the picture on the cover and the title of the book. That "something" was still there and it called to me again the second time I found it in the available books listing on Overdrive. As I started listening, it seemed soooo familiar. The names in the story, the lady's voice that was narrating, but I was not completely sure, until I got to a part in the story that I knew that I had heard before. It had not been a nice thing, and I instantly recalled the moment of horror again.
There parts in this book that are hard to accept that things like it really do happen, but I am not naive enough any more not to believe them. I know that they must be true. I know that they have happened. It makes me sad and angry, but it it does not make them go away.
On the surface of the story, this book is about a young girl waiting for her brother to come home from the city. The girl, Isabel, idolizes her older brother, Isaias. The story is told from her point of view from the time she was about four years old, when the story started.
I do not know where the story actually takes place. Somewhere that there is sugar cane grown and constant drought and people leaving home and moving to a very large city and back again, when and if possible. It is a story of hardship, constant hunger, pain, poverty and love. Isabel's love for her brother is the driving factor in everything that happens to her and where she goes and what she does to find him.
The story is beautifully written, but dragged at times and felt like it just went on too long. Then, it was over. It was not the ending I expected, but the abrupt stop was very jaring after going on for so long. It was a glimpse into a kind of poverty and powerless existance that I have never read about before and I was awed by the strength and endurance we humans can face up to in our environment, no matter what life throws at us. As long as there is love, we can go on.
It is a haunting story, and scenes still come back to me, weeks after I finished listening to it. The narrator was Kate Reading. Her voice was wonderful and she read beautifully.
November 28, 2010
This was a well written book in many ways, but I enjoyed the first half of it more than the second half, for the story didn't seem to progress much and the book just seem to stop rather than come to a satisfying end. I liked the descriptive writing, and I got a good impression of Isabelle, the central character, and the struggle she went through. But, still, I was disappointed that there was not more of a story.
I thought this was an interesting statement of Isabelle's thoughts: "She had never seen anyone as fat as Junior. At home, fat men were landowners or lenders and to be avoided. There is no fat man who didn't make another man thin, her uncle used to say" (1424-25).
I thought this was an interesting statement of Isabelle's thoughts: "She had never seen anyone as fat as Junior. At home, fat men were landowners or lenders and to be avoided. There is no fat man who didn't make another man thin, her uncle used to say" (1424-25).
January 5, 2020
A Far Country, once it sets its pace, tells a fairly straightforward tale of a sister trying to find her missing brother. What happens along the way is a series of compelling events, driven by this desire, that lead her through unfamiliar places and ideas.
Again and again, driven by the same mechanic, does she experience hope, fear, courage, disappointment, revelation. It's certainly engaging, but it also feels as though the drive of the narrative is diluted with each of these cycles. While every event and memory ties into this central idea, they feel as though they're discarded after they've run their course, forgotten in favour of the next set of events. Early on in the story the author employs some magical realism that I expected would be a major force in the novel, but it's almost pushed to the side, and only surfaces as a specter of what I believed it would be, yet another element to lead us into another self-contained moment.
When the story concludes, one definitely gets the sense of resolution, of a character who has learned and grown. The outcome might not be what we, or the characters, anticipated, but it's well wrapped up, and feels complete. The prose is vivid and enchanting, and invokes fear, pity and curiosity. Definitely enjoyed my time with the book, and only wish that it felt more whole, more connected throughout.
Again and again, driven by the same mechanic, does she experience hope, fear, courage, disappointment, revelation. It's certainly engaging, but it also feels as though the drive of the narrative is diluted with each of these cycles. While every event and memory ties into this central idea, they feel as though they're discarded after they've run their course, forgotten in favour of the next set of events. Early on in the story the author employs some magical realism that I expected would be a major force in the novel, but it's almost pushed to the side, and only surfaces as a specter of what I believed it would be, yet another element to lead us into another self-contained moment.
When the story concludes, one definitely gets the sense of resolution, of a character who has learned and grown. The outcome might not be what we, or the characters, anticipated, but it's well wrapped up, and feels complete. The prose is vivid and enchanting, and invokes fear, pity and curiosity. Definitely enjoyed my time with the book, and only wish that it felt more whole, more connected throughout.
March 12, 2025
A Far Country takes the reader on a journey through an unnamed country (closely resembling Brazil), but never ventures beyond the perspective of Isabel, a young teenage girl. Isabel must leave her impoverished village in the drought-stricken interior to take care of a cousin's infant son in the impoverished slums of a sprawling city. She also wants to find her older brother, Isias, who maybe has gone missing. Though the author includes a phantom-like flirtation with magical realism, this closely observed coming-of-age story is firmly set in a bleak real world. Indeed, at times it feels claustrophobic; disaster or tragedy at the hands of the mobs, the police, the city, random men, and the weather are always looming. And as Isabel learns to navigate this strange city and come to grips with her brother's disappearance, she takes more and more chances.
The writing here is beautiful, the sense of place palpable — and the ending is curious. As much happens in the three-page final chapter/epilogue as in the rest of the book, and it feels to me like a late addendum, a request from an editor who needed closure, a little uplift, a breath of life.
The prior chapter is more in keeping with the rest of the book: unflinching and enigmatic. I daresay the editor was right, but it makes for an interesting conversation.
The writing here is beautiful, the sense of place palpable — and the ending is curious. As much happens in the three-page final chapter/epilogue as in the rest of the book, and it feels to me like a late addendum, a request from an editor who needed closure, a little uplift, a breath of life.
The prior chapter is more in keeping with the rest of the book: unflinching and enigmatic. I daresay the editor was right, but it makes for an interesting conversation.
May 3, 2024
This was a book about wandering, losing and finding a place in the world.
The descriptive quality of the writing was outstanding. The sounds echo, and the visions are vibrant. The writer has a talent for creating the scene, the motion and action, without resorting to cliche. If anything, the narration far exceeded the dialogue, of which there really is not much.
The story itself propelled me forward. I found it easy to turn page after page as I followed Isabel on her experiences and to the end of her quest to find Isaias. Her character has something of a spiritual, almost magical, quality which makes her compelling.
My only dissatisfaction was probably more with my own personal desire to see a closed circle, an ending that ties with the beginning, than it was about the quality of the book. As a reader, I suffered drought with Isabel and her family, violence at the hand of criminals trying to steal their land, and starvation, but like Isabel, I never saw them in the happier times when rain and relief arrives. Isabel's life moves on without them, and I felt the loss.
I don't want to mislead, however. The ending does offer its own kind of satisfaction, its own closure. It's just not the complete ending I wanted. Great read and worthy of the time.
The descriptive quality of the writing was outstanding. The sounds echo, and the visions are vibrant. The writer has a talent for creating the scene, the motion and action, without resorting to cliche. If anything, the narration far exceeded the dialogue, of which there really is not much.
The story itself propelled me forward. I found it easy to turn page after page as I followed Isabel on her experiences and to the end of her quest to find Isaias. Her character has something of a spiritual, almost magical, quality which makes her compelling.
My only dissatisfaction was probably more with my own personal desire to see a closed circle, an ending that ties with the beginning, than it was about the quality of the book. As a reader, I suffered drought with Isabel and her family, violence at the hand of criminals trying to steal their land, and starvation, but like Isabel, I never saw them in the happier times when rain and relief arrives. Isabel's life moves on without them, and I felt the loss.
I don't want to mislead, however. The ending does offer its own kind of satisfaction, its own closure. It's just not the complete ending I wanted. Great read and worthy of the time.
April 24, 2020
I love Daniel Mason's writing and this book did not disappoint there.
Isabella is from a poor family in the hills of an unnamed country. Her older, adored brother, Isaias leaves the family and the drought stricken sugar cane fields to try his hand at a musical career in the big city.
At first he calls and sends money back home. Then, nothing.
Isabella is sent to live with a cousin in the city who needs a babysitter for her child so that she can return to her work. Isabella searches the city, with the baby on her hip.
The book is slim and I went along for the ride feeling joy when she makes friends, apprehension when she asks a strange woman on a bus to watch something, and then...
It all ended. Quickly. We reached the finish line and don't even get to catch our breath and the book is over. I could have put up with several more chapters to bring all to a considerate resolution.
I'll still read Mason's next book (this is his sophomore volume) and have already read and thoroughly enjoyed his third publication.
Isabella is from a poor family in the hills of an unnamed country. Her older, adored brother, Isaias leaves the family and the drought stricken sugar cane fields to try his hand at a musical career in the big city.
At first he calls and sends money back home. Then, nothing.
Isabella is sent to live with a cousin in the city who needs a babysitter for her child so that she can return to her work. Isabella searches the city, with the baby on her hip.
The book is slim and I went along for the ride feeling joy when she makes friends, apprehension when she asks a strange woman on a bus to watch something, and then...
It all ended. Quickly. We reached the finish line and don't even get to catch our breath and the book is over. I could have put up with several more chapters to bring all to a considerate resolution.
I'll still read Mason's next book (this is his sophomore volume) and have already read and thoroughly enjoyed his third publication.
April 14, 2020
En este segundo libro de Daniel Mason, la historia es algo lenta y cuesta enganchar, pero al avanzar uno se va integrando al relato y logra capturarte. Si se supera este primer escollo, el libro termina siendo de muy rápida lectura, con un zig zag de emociones, hasta llegar a un final intrépido con la característica del autor de ser un narrador muy elegante y sensible. Aún así, me quedo con “El afinador de pianos”, su primer libro.
September 11, 2020
A sad but beautifully written story of the resilience of the human spirit.
"That you are the single person in the world who makes me more than what everyone else sees: that you created me, that in your mind lives the person I wish to be." Beautiful words...and thought~
"That you are the single person in the world who makes me more than what everyone else sees: that you created me, that in your mind lives the person I wish to be." Beautiful words...and thought~
February 4, 2025
2.5, really. Loved all his books I've read so far, but this one didn't grab me.
abandoned
October 5, 2024Beautifully written and compelling but just too bleak for right now.
December 11, 2023
3,5. Stark känsla av övergivenhet och förtvivlan
August 6, 2007
After having read Daniel Mason's first novel, The Piano Tuner, I eagerly anticipated the release of his second book. However, I was sadly disappointed in it. A Far Country is written with the same beautiful, fluid, lyrical prose that made The Piano Tuner so attractive to me, but in this novel, the language doesn't seem to serve as a vehicle for an engaging story - rather, it is the mask which hides the fact that there is not much of a story at all.
A Far Country is about a teenage girl named Isabel, who lives in the drought-ravaged interior an unnamed Central or South American country. Isabel is prone to visions of some sort, and when her brother goes off to the distant city to make money, she goes in search of him - dreaming of his whereabouts. It sounds like it could be an interesting story, but the truth is that nothing much happens. Isabel arrives at her cousin's home in the slums on the outskirts of the city, and she just remains there, taking care of her cousin's baby, and walking around town. She does very little proactive searching, which in my mind would make the novel much more interesting. Mason writes Isabel with great psychological depth, but this can only carry him so far without a plot, and all the exploration of her psyche becomes a little ponderous after a while.
I am incredibly sad not to give rave reviews to this novel, since I love Mason for The Piano Tuner, but other than his intoxicating prose style, there is little to recommend.
A Far Country is about a teenage girl named Isabel, who lives in the drought-ravaged interior an unnamed Central or South American country. Isabel is prone to visions of some sort, and when her brother goes off to the distant city to make money, she goes in search of him - dreaming of his whereabouts. It sounds like it could be an interesting story, but the truth is that nothing much happens. Isabel arrives at her cousin's home in the slums on the outskirts of the city, and she just remains there, taking care of her cousin's baby, and walking around town. She does very little proactive searching, which in my mind would make the novel much more interesting. Mason writes Isabel with great psychological depth, but this can only carry him so far without a plot, and all the exploration of her psyche becomes a little ponderous after a while.
I am incredibly sad not to give rave reviews to this novel, since I love Mason for The Piano Tuner, but other than his intoxicating prose style, there is little to recommend.
August 12, 2007
Here's my review from Amazon.ca:
Since I loved the Piano Tuner, I couldn't wait to read Daniel Mason's new book A Far Country. It's a meditative story of class, migration, isolation, and poverty. Mason again writes in beautiful lyrical prose. This is a more simple story than Piano Tuner, but important in it's message. At times I found the story drag and a bit flat. We know it takes place in an undisclosed South American country, but we don't know for sure when it was. It was either in the present or near future, from what I could interpret; however I would have liked Mason to let us know. His ideas were great, just not as fully developed, as I would have liked.
That said, I found this novel worthwhile and look forward to seeing where Daniel Mason will take us next. If Amazon had given the option, I would rate this 3.5 stars, rather than 3.
Since I loved the Piano Tuner, I couldn't wait to read Daniel Mason's new book A Far Country. It's a meditative story of class, migration, isolation, and poverty. Mason again writes in beautiful lyrical prose. This is a more simple story than Piano Tuner, but important in it's message. At times I found the story drag and a bit flat. We know it takes place in an undisclosed South American country, but we don't know for sure when it was. It was either in the present or near future, from what I could interpret; however I would have liked Mason to let us know. His ideas were great, just not as fully developed, as I would have liked.
That said, I found this novel worthwhile and look forward to seeing where Daniel Mason will take us next. If Amazon had given the option, I would rate this 3.5 stars, rather than 3.
December 27, 2020
Well, it's a novel that's very well written; its characters are believable and quite alive; and yet, against The Piano Tuner and The Winter Soldier it is, in my opinion, a much less gripping book. Probably because nothing much happens there; I was constantly reminded of the 'magical realism' novels which I had read in my youth; thank God, there was no magical realism of any kind; and still, this uncertainly of time (possibly 1970s?) and place (possibly Latin America?) made me uneasy, which was certainly the author's intention; but it was counterproductive in my case.
January 5, 2015
Beautifully written story takes you into Burma's fascinating towns along the Irrawaddy River. It's about a piano tuner traveling into regions of subsistence farming in Burma.
Loved it as a great book.... not because our daughter, Ariela and the book's author, Daniel Mason, are in the same medical residency program at Stanford.
Loved it as a great book.... not because our daughter, Ariela and the book's author, Daniel Mason, are in the same medical residency program at Stanford.
October 15, 2017
I am not even sure what to say about this book other than thank goodness I am done. This whole book is about Isabel searching for her brother and when she finally finds him....nothing that's it...she finds him. Nothing more...BORING!
August 12, 2016
A poignant tale about a girl's journey to find her brother. Very descriptive with heart wrenching details in places. A sensitive narration.
November 27, 2019
Yawn --- Slow paced story about a girl, her poor family, her lost bother... in some poor country in the world. Still not sure exactly when or where story takes place --- maybe it doesn't matter.
March 27, 2024
Other readers say this story is set in Brazil, and one defends that claim convincingly. I'd assumed at first the location was in Africa (because of a nearby town called Prince Leopold), but admit my error. The author avoids specific clues. As Robert Heinlein wrote, "Throughout history, poverty is the normal condition of man;" so I suppose the story need not be tied to any particular country.
What is clear at the beginning, however, is the author's very effective depiction of severe drought and a most precarious existence. Those of us with the leisure to read fiction and comment about it online should acknowledge, with gratitude, the good fortune that put us where we are on this earth. The opening passage is astonishing and eloquent, despite the grim subject matter. The prose calls attention to the characters' dire circumstances and demands respect for them. The only objection a reader might have is that this is mere prologue. Relief will not be just around the corner.
One reader complains of a sense that "everyone is waiting for something to happen." When sustained past a point, that sense may well create discomfort, but I think it's a big part of the story for anyone in a truly bad situation. You want change. You need it desperately. But whether it comes is often out of your control. And if very little happens over a long period of time—well, that may create a challenge for story-tellers and readers but it's reality for people like Isabel.
My impulse during the depiction of Isabel's childhood was to think of her as being in a jam, i.e., a predicament to be solved. That's because, if I were reduced to comparable circumstances, I'd be putting my mind to figuring out an escape. But such thinking is probably alien to someone born into it, who knows nothing else. And, again, a true escape is not in the cards.
In the main part of the story, she's 14 years old. She's highly observant of the details in her environment. We take note of all those details with her, and wonder if any might serve as a clue. Until quite recently she had lived with her family in the mostly bone-dry far north of her country, where in good times people could earn a paltry income by harvesting sugarcane. Now, to avoid starvation, she has made the perilous journey south to an unnamed metropolis, riding with a crowd of strangers on the back of a flatbed truck. Fortunately, she manages to locate a cousin who is among multitudes who've preceded her to the city and created a vast shanty town. However, the one longed-for person she feels she absolutely must find is the older brother, Isaias, with whom she has always had a special connection. He also came this way, but disappeared before her arrival.
Once she's in the city, there is a passage told not from Isabel's point of view but rather by an omniscient narrator summarizing the situations of the other people trying to survive in this scary new place: factory workers, waitresses, prostitutes, security guards. This broader perspective adds context, and I guess it's information she gradually absorbs. For me, that brief narrative switch felt like a minor hiccup. But Isabel meanwhile continues grappling with issues that are far from minor, e.g., a scripturally literate high-society woman who treats her with profound contempt (prompting rage she's never before known), a sweep through the neighborhood by riot police when the government decides it can no longer ignore their existence, and a life-threatening experience when she attempts to go partying with a coworker.
Repeatedly, she finds herself in situations so dire that I was already grieving for her before the hammer fell. The fact that she dodges ruin so many times may indeed be, as she thinks it is, to the credit of St. Jude, patron of lost causes.
On the rare occasions when she encounters human kindness—say, from the police inspector she hopes will help find her brother—she's incapable of acknowledging it. That may be the clearest indication of the mental state into which she's falling.
And I was right there with her. For example, I was driving in traffic while listening to the dreamlike passage in which she's running after someone who may be her brother and trying not to lose him in the crowd. For a fleeting moment, I actually thought I was trying to catch up with somebody.
It comes as a relief when Isabel enjoys an exceedingly rare excursion to the beach, with its novel scenery and the pleasant sensations of salt spray and sun-warmed sand. I will say, having now read three of Daniel Mason's novels, that I appreciate his somewhat benevolent treatment of his characters. They tend to survive, and in Isabel's case that is not nothing. It's even victory.
What is clear at the beginning, however, is the author's very effective depiction of severe drought and a most precarious existence. Those of us with the leisure to read fiction and comment about it online should acknowledge, with gratitude, the good fortune that put us where we are on this earth. The opening passage is astonishing and eloquent, despite the grim subject matter. The prose calls attention to the characters' dire circumstances and demands respect for them. The only objection a reader might have is that this is mere prologue. Relief will not be just around the corner.
One reader complains of a sense that "everyone is waiting for something to happen." When sustained past a point, that sense may well create discomfort, but I think it's a big part of the story for anyone in a truly bad situation. You want change. You need it desperately. But whether it comes is often out of your control. And if very little happens over a long period of time—well, that may create a challenge for story-tellers and readers but it's reality for people like Isabel.
My impulse during the depiction of Isabel's childhood was to think of her as being in a jam, i.e., a predicament to be solved. That's because, if I were reduced to comparable circumstances, I'd be putting my mind to figuring out an escape. But such thinking is probably alien to someone born into it, who knows nothing else. And, again, a true escape is not in the cards.
In the main part of the story, she's 14 years old. She's highly observant of the details in her environment. We take note of all those details with her, and wonder if any might serve as a clue. Until quite recently she had lived with her family in the mostly bone-dry far north of her country, where in good times people could earn a paltry income by harvesting sugarcane. Now, to avoid starvation, she has made the perilous journey south to an unnamed metropolis, riding with a crowd of strangers on the back of a flatbed truck. Fortunately, she manages to locate a cousin who is among multitudes who've preceded her to the city and created a vast shanty town. However, the one longed-for person she feels she absolutely must find is the older brother, Isaias, with whom she has always had a special connection. He also came this way, but disappeared before her arrival.
Once she's in the city, there is a passage told not from Isabel's point of view but rather by an omniscient narrator summarizing the situations of the other people trying to survive in this scary new place: factory workers, waitresses, prostitutes, security guards. This broader perspective adds context, and I guess it's information she gradually absorbs. For me, that brief narrative switch felt like a minor hiccup. But Isabel meanwhile continues grappling with issues that are far from minor, e.g., a scripturally literate high-society woman who treats her with profound contempt (prompting rage she's never before known), a sweep through the neighborhood by riot police when the government decides it can no longer ignore their existence, and a life-threatening experience when she attempts to go partying with a coworker.
Repeatedly, she finds herself in situations so dire that I was already grieving for her before the hammer fell. The fact that she dodges ruin so many times may indeed be, as she thinks it is, to the credit of St. Jude, patron of lost causes.
On the rare occasions when she encounters human kindness—say, from the police inspector she hopes will help find her brother—she's incapable of acknowledging it. That may be the clearest indication of the mental state into which she's falling.
And I was right there with her. For example, I was driving in traffic while listening to the dreamlike passage in which she's running after someone who may be her brother and trying not to lose him in the crowd. For a fleeting moment, I actually thought I was trying to catch up with somebody.
It comes as a relief when Isabel enjoys an exceedingly rare excursion to the beach, with its novel scenery and the pleasant sensations of salt spray and sun-warmed sand. I will say, having now read three of Daniel Mason's novels, that I appreciate his somewhat benevolent treatment of his characters. They tend to survive, and in Isabel's case that is not nothing. It's even victory.
September 4, 2025
A Far Country by Daniel Mason is a slow-moving novel in which Isabel, a young girl in a drought-ridden, remote village of an unnamed country, journeys to the city to find her missing brother, Isaias. The novel unfolds from Isabel’s perspective. Only fourteen years old, Isabel navigates the hazardous trip alone, arriving at her cousin’s home in the “settlements.” She is the care-giver of her cousin’s baby during the week while her cousin works as a maid. Eventually, Isabel finds work during the weekends as a flag waver. But all the while, she thinks of finding Isaias.
The novel’s strength lies in its descriptive details. Mason immerses the reader in the sights, sounds, and smells of the drought-ridden village. He shows the desperation and hunger of the villagers who resort to eating earth to quell hunger. He depicts Isabel’s journey to the city in palpable detail. And from there he describes the sights, sounds, and smells of the settlement of New Eden, which is little more than a shanty town on the outskirts of the city. Here Isabel is exposed to exploitation, harassment, violent crime, and a different type of poverty.
Although Mason is successful in establishing atmosphere and recording details, the novel has a distinctly allegorical feel. There is an abstract quality to it which extends to the characters, none of whom emerge as fully realized or authentic. Isabel becomes a type, a sort of “everygirl.” She represents the poor, the disenfranchised, the rural populations who leave their villages and are forced to navigate unfamiliar territory in an urban environment that is at once frightening and alien. What potential conflicts or tensions she encounters fizzle out and disappear with no follow-up. She alternates between searching for Isaias or passively waiting for him to appear at the doorstep.
The slow narrative pace, the under developed characters, and the distancing effect of the style are a departure for Mason which makes this novel not as rewarding a read as his other novels.
My book reviews are also available at www.tamaraaghajaffar.com
The novel’s strength lies in its descriptive details. Mason immerses the reader in the sights, sounds, and smells of the drought-ridden village. He shows the desperation and hunger of the villagers who resort to eating earth to quell hunger. He depicts Isabel’s journey to the city in palpable detail. And from there he describes the sights, sounds, and smells of the settlement of New Eden, which is little more than a shanty town on the outskirts of the city. Here Isabel is exposed to exploitation, harassment, violent crime, and a different type of poverty.
Although Mason is successful in establishing atmosphere and recording details, the novel has a distinctly allegorical feel. There is an abstract quality to it which extends to the characters, none of whom emerge as fully realized or authentic. Isabel becomes a type, a sort of “everygirl.” She represents the poor, the disenfranchised, the rural populations who leave their villages and are forced to navigate unfamiliar territory in an urban environment that is at once frightening and alien. What potential conflicts or tensions she encounters fizzle out and disappear with no follow-up. She alternates between searching for Isaias or passively waiting for him to appear at the doorstep.
The slow narrative pace, the under developed characters, and the distancing effect of the style are a departure for Mason which makes this novel not as rewarding a read as his other novels.
My book reviews are also available at www.tamaraaghajaffar.com
November 30, 2025
I really wished I had enjoyed this read more because I loved The Piano Tuner, which is another book by Daniel Mason. The story is about a young girl, who is born into a community of sugar cane farmers. She travels from the drought savaged backlands and moves to the city in search of her brother who had left for the city earlier. Isabel has the gift of seeing into the future and the writing is quite magical and imaginative when describing her feelings/intuition. Sadly, I just didn’t feel like it was a story that was able to capture my interest. I enjoyed this quote which describes how Isabel when she first moves to the city….”I don't know the city, this isn't like home. In the north, it was easy to look for someone's presence; dust gathered quickly and smells were everywhere. She knew when a hammock had last been slept in by the stretch in the cotton, the presence of dried insects in its concavity, whether grit had settled on the hammock hook and eyehole.
By the moisture in the surface of the cornmeal or the gleam on a mango pit, she knew when someone had last eaten. She could pinch the hanging clothes to see how stiff they were, look for faint changes in the color of the dirt outside to judge when someone had washed, smell the air by the latrine, look on the clothesline for dust that settled in dashes or at the trails for fresh-broken fragments of twigs. Then there was something else she didn't have words for: like ripples, or an echo, or a shadow that remains, like the lingering presence of someone who has already left, the thin line of smoke rising from a candle that's just been blown out.” I also enjoyed this particular description of absence….”So this is what absence means. I never thought it was something that came so quietly. That you only really notice it later, when you go to look for someone and it isn't there.”
By the moisture in the surface of the cornmeal or the gleam on a mango pit, she knew when someone had last eaten. She could pinch the hanging clothes to see how stiff they were, look for faint changes in the color of the dirt outside to judge when someone had washed, smell the air by the latrine, look on the clothesline for dust that settled in dashes or at the trails for fresh-broken fragments of twigs. Then there was something else she didn't have words for: like ripples, or an echo, or a shadow that remains, like the lingering presence of someone who has already left, the thin line of smoke rising from a candle that's just been blown out.” I also enjoyed this particular description of absence….”So this is what absence means. I never thought it was something that came so quietly. That you only really notice it later, when you go to look for someone and it isn't there.”
February 7, 2024
" Empty, she later thought, empty , not as a quality, but as a movement, to empty , to abandon, to go. To go away."
I fell involve with this author Daniel Mason when I found The Piano Tuner . I very rarely find a book where I savour each page and dread finishing the book because it was so beautifully written and the way he uses imagery to describe all the senses in a simple yet effective way is amazing. So naturally I was very excited to come across another book of his in a second hand book shop ( I live for discovering gems of authors in second hand shops) A Far Country . This book although not as amazing, was equally beautifully written which is what kept me captivated. It also struck a cord with me on a personal level, because I see so many humans moving in from other African countries to come work in a bigger city to make a 'living' and send what little they have home to the "backlands" as called in the book. It Really was a sobering story for me.
I fell involve with this author Daniel Mason when I found The Piano Tuner . I very rarely find a book where I savour each page and dread finishing the book because it was so beautifully written and the way he uses imagery to describe all the senses in a simple yet effective way is amazing. So naturally I was very excited to come across another book of his in a second hand book shop ( I live for discovering gems of authors in second hand shops) A Far Country . This book although not as amazing, was equally beautifully written which is what kept me captivated. It also struck a cord with me on a personal level, because I see so many humans moving in from other African countries to come work in a bigger city to make a 'living' and send what little they have home to the "backlands" as called in the book. It Really was a sobering story for me.
January 25, 2020
To say that this book was disappointing would be a gross understatement. I’ve read this author’s two other books and enjoyed them both a great deal although neither of those were feel good, happy ending type of books, either. They, at least, had some degree of warm bloodedness in the characters. This book didn’t have that. It was depressing from the get go, and, with the author’s skill for writing such descriptive passages, the sad hopelessness and futility of Isabel’s existence and experiences, seeped into my being. I don’t recommend reading this if one is suffering from SAD or simply the January blues; it’ll definitely make it worse. I can’t say I didn’t learn anything. Again, as this author is such a skilled word artist, I did get insight into the plight of people affected by severe weather events, the extreme poverty that can result, and the desperate lives lived as a result of searching for better ones by migrating to cities. Very sad all around.
I felt frustrated by the fact that the setting was intentionally vague and unnamed, and I’m not sure what the purpose of that was. In summary, although I didn’t enjoy this book, I’ve been thinking about it a lot, and I doubt that I’ll ever forget it.
I felt frustrated by the fact that the setting was intentionally vague and unnamed, and I’m not sure what the purpose of that was. In summary, although I didn’t enjoy this book, I’ve been thinking about it a lot, and I doubt that I’ll ever forget it.
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