Marvella Payne is twenty-seven, works as a secretary for British Rail and has pledged to the congregation of the Church of the Holy Spirit that she will abstain from sex before marriage. When she repulses the groping hands of the trainee-deacon, Carlton Springle, she resigns herself to growing old with her mother, father and Bible-soaked aunts. But Aunt Julie has other ideas and finds Marvella a penfriend from her native Guyana. When good fortune allows the couple to meet, Marvella awakens to new possibilities as she realises how bound she has been by the voices of her dependent, cossetted childhood. But will marriage be another entrapment, another loss of self? " Gather the Faces has a happy ending and is written with Gilroy's characteristic clarity of description and fluency of language. Its optimism shimmers, its spirituality glows in the beautiful verses quoted from the Biblical Song of Songs, and the reader is revivified as faith in love is restored." Phyllis Briggs-Emmanuel, The Caribbean Writer Beryl Gilroy came to London over fifty years ago from Guyana. She wrote six novels, two autobiographical books and was a pioneering teacher and psychotherapist. Sadly, she died in 2000 at the age of 76.
Beryl Agatha Gilroy (née Answick) (30 August 1924 – 4 April 2001) was a novelist and teacher, and "one of Britain's most significant post-war Caribbean migrants". Born in what was then British Guiana (now Guyana), she moved in the 1950s to the United Kingdom, where she became the first black headteacher in London. She was the mother of academic Paul Gilroy.
Gilroy's creative writing began in childhood, as a teacher for children and then in the 1960s when she began writing what was later published by Peepal Tree Press as In Praise of Love and Children. Between 1970 and 1975 she wrote the pioneering children’s series Nippers, which contain probably the first reflection of the Black British presence in UK writing for children.
It was not until 1986 that her first novel, the award-winning Frangipani House was published (Heinemann). It won a GLC Creative Writing Prize in 1982. Set in an old person’s home in Guyana, it reflects one of her professional concerns: the position of ethnic minority elders and her persistent emphasis on the drive for human freedom. Boy Sandwich (Heinemann) was published in 1989, followed by Stedman and Joanna: A Love in Bondage (Vantage, 1991), and a collection of poems, Echoes and Voices (Vantage, 1991). Then came Sunlight and Sweet Water (Peepal Tree, 1994), Gather the Faces, In Praise of Love and Children and Inkle and Yarico (all Peepal Tree, 1994). Her last novel, The Green Grass Tango (Peepal Tree) was published in 2001, sadly after Beryl Gilroy’s death in April of that year.
Gilroy's early work examined the impact of life in Britain on West Indian families and her later work explored issues of African and Caribbean diaspora and slavery.
In 1998, a collection of her non-fiction writing, entitled Leaves in the Wind, came out from Mango Publishing. It included her lectures, notes, essays, dissertations and personal reviews.