Les structures

by Jean Mitry

El segundo volumen esta consagrado al estudio de las formas cinematograficas, y en el se prosigue el estudio del ritmo, ejemplificando con las formas mas flexibles y agiles del cine contemporaneo. El tiempo, el espacio y lo real percibido reciben un amplio tratamiento, a la luz de la fenomenologia, de las percepciones y de las condiciones sociales y psicologicas del realismo en arte.

Genres: Art

Hardcover

First published January 1, 1986

About the author

Jean Mitry (7 November 1907, Soissons, Aisne – 18 January 1988, La Garenne-Colombes) was a French film theorist, critic and filmmaker, co-founder of France's first film society and later of the Cinémathèque Française in 1938.

The first lecturer of film aesthetics in France, Mitry was one of the first intellectuals responsible for, in the words of Dudley Andrew, "taking film studies out of the era of the film club and into that of the university". His definitive works are largely considered[according to whom?] to be The Aesthetics and Psychology of the Cinema and Semiotics and the Analysis of Film.

Mitry was one of few major film theorists who actually worked with film production. He was editor of Alexandre Astruc's short film Le Rideau Cramoisi (1953) and director of two films of his own, Pacific 231 (1949) set to Arthur Honegger's music and Images pour Debussy (1952) set to the music of Claude Debussy.