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Sceny z życia pozamałżeńskiego
Dwie historie miłości, namiętności i obsesji: w buddyjskim klasztorze na południu Francji i na warszawskim Ursynowie. W pierwszej flirt szybko zmienia się w perwersyjną namiętność, w drugiej romans to obsesyjna gra, w której liczy się tylko tu i teraz. Ucieczka od codzienności staje sie dla bohaterów Scen z życia pozamałżeńskiego zaskakującą podróżą w głąb siebie. Miłość okazuje się życiową próbą: to, kogo i jak kochamy, pokazuje, kim jesteśmy.
398 pages, Paperback
First published January 1, 2003
2 people are currently reading
42 people want to read
About the author
Manuela Gretkowska
41 books57 followersGretkowska studied philosophy at the Jagiellonian University in Kraków. In 1988 she left Poland to live in Paris, where she studied anthropology at École des hautes études en sciences sociales. It was France where she wrote her first short stories.
Gretkowska's literary debut was the novel We Are Immigrants Here (My zdies' emigranty) (1991), in which she ironically described the experiences of the young generation leaving Poland. Gretkowska's next three books described the life of a modern artistic-intellectual bohemian living in France: Paris Tarot (1993), Metaphysical Cabaret (1994), and Textbook for people. Skull: The First and Last Volume (1996) connects gnosis, kabbala, the character of Mary Magdalene and the skull motif in global culture. In this period, the writer earned the title of "scandalist" and "postmodernist." Manuela Gretkowska's prose eschewed grandiose language, more similar to the ease and austerity of the essay. In 1996, Gretkowska wrote a screenplay for the Andrzej Żuławski film Szamanka (She-Shaman).
In 1997, Gretkowska moved to Sweden, where she published several collected stories in the book Namiętnik (The Passionate One) (1998), notes from her world travels in Światowidz (World-View) (1998), and her columns, under the collective title Silikon (Silicon) (2000). She also co-wrote the screenplay for the first season of the TV series Miasteczko (Small Town) (2000).
Gretkowska's newest work is more personal, almost intimiate prose. Polka (Polish woman) (2001) was the writer's pregnancy journal, while Europejka (European Woman) (2004) presents a humorous view of a changing Poland through the eyes of Gretkowska the intellectual. In 2003 the author, together with her partner Piotr Pietucha wrote Scenes from Extramarital Life.
Gretkowska's literary debut was the novel We Are Immigrants Here (My zdies' emigranty) (1991), in which she ironically described the experiences of the young generation leaving Poland. Gretkowska's next three books described the life of a modern artistic-intellectual bohemian living in France: Paris Tarot (1993), Metaphysical Cabaret (1994), and Textbook for people. Skull: The First and Last Volume (1996) connects gnosis, kabbala, the character of Mary Magdalene and the skull motif in global culture. In this period, the writer earned the title of "scandalist" and "postmodernist." Manuela Gretkowska's prose eschewed grandiose language, more similar to the ease and austerity of the essay. In 1996, Gretkowska wrote a screenplay for the Andrzej Żuławski film Szamanka (She-Shaman).
In 1997, Gretkowska moved to Sweden, where she published several collected stories in the book Namiętnik (The Passionate One) (1998), notes from her world travels in Światowidz (World-View) (1998), and her columns, under the collective title Silikon (Silicon) (2000). She also co-wrote the screenplay for the first season of the TV series Miasteczko (Small Town) (2000).
Gretkowska's newest work is more personal, almost intimiate prose. Polka (Polish woman) (2001) was the writer's pregnancy journal, while Europejka (European Woman) (2004) presents a humorous view of a changing Poland through the eyes of Gretkowska the intellectual. In 2003 the author, together with her partner Piotr Pietucha wrote Scenes from Extramarital Life.
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Displaying 1 - 2 of 2 reviews
May 26, 2025
Można przeczytać od połowy. Praktyczna i empatyczna perspektywa romansu, polecam.
May 8, 2013
Rzecz traktujaca o zdradzie. Zarowno ' Beladonna' Gretkowskiej napisana dosadnym wręcz wulgarnym językiem jak i ' Sami sobie' Pietuchy ( która osobiście podobała mi się bardziej i dzięki temu dostała 2 gwiazdki)
Displaying 1 - 2 of 2 reviews