Unconvincing and superficial
My pleasant first experience with Melinda Leigh’s book Hour of Need encouraged me to choose Midnight Sacrifice, whose positive evaluation on Amazon and Goodreads seemed to confirm that I was going to be pleased with another high quality book. It did not take long into the reading for me to realize that this was far from being true.
At first, it seemed to be a book with likeable characters and a promising storyline, that it was only taking a while for me to get engaged. Sadly, I never got to the point of feeling involved with the plot and, my expectation of something promising, faded away as I went further in the story. There is not much of character development in this book. They all seem shallow, repetitive in their actions and responses, with not suitable behavior for their age. The author fails to flesh the characters out and turn them into real people. They are all flat, unreal, showing unconvincing feelings and emotions. The dialogues are mostly poor and obvious. The two main characters, two adults in their thirties, talk to each other and live their relationship like two young teenagers. Mandy, the female protagonist, never grows out of feeling sorry for herself, always trapped in an immature way of dealing with her life and problems. The characters, the plot and the emotional environment lack consistency, density and is too superficial.
Besides, on my way through the reading I felt growing inside me the strong and bad taste of déjà vu as I realized I was reading what seemed to be a worsened copy of Hours of Need. The same storyline structure: a man meets a woman, they fall in love, there is a threat and a secret related to this threat that keep them apart, the main male character is a war hero with PTSD recently released from the Army. Too many similarities and nothing to make it either different or more challenging.
The thriller aspect of the book presented at the very beginning grows weak very quickly, and kills itself due to lack of consistency, excitement and, more importantly, veracity. The mystery plot seemed so weird that I kept waiting that, eventually, some gap would be filled to give sense and reality to the villain and his crimes. But no elements were provided as solid background for this character and the changes he suffered into becoming the killer he turned out to be. In fact, as the story evolves, he seems so weak that he is like a secondary character, loose in the scenario and in his senseless actions, one that was there because the story needed a bad guy. This poorly developed character is dragged throughout the story evoking s neither interest nor fear. It sounded as a complete absurd that this guy was the threat that controlled the life of all characters, and being presented as such, it was difficult to understand how the police authorities could be so passive, not using their intelligence or legal resources to find him and solve the case. This weak mystery plot unfolds in an unbelievable Celtic Druid line, a laughable icing to the cake, and is resolved hurriedly and with no climax. The author tried to create a suspense in the story that did not seem credible, even for a far-fetched tale.
In my opinion, it is a book for girls or young ladies. I see it as fairy tale that lacks the depth of a fable. It should have started with “Once upon a time” and ended with “They lived happily ever after”.
It really surprises me that both books, Midnight Sacrifice and Hour of Need, were written by the same author. As I really liked Hour of Need, I won’t say that I will never read anything from this author anymore. But I really hope that the next one I choose will provide a more delightful experience, or it will be the last.