Intertribal Native American Music in the United States: Experiencing Music, Expressing Culture

by John-Carlos Perea

Over time many Native American tribes have developed a shared musical culture that is prominently audible on local, national, and international stages. In Intertribal Native American Music in the United States , ethnomusicologist and GRAMMY® Award-winning musician Dr. John-Carlos Perea shows how traditional sounds, such as pow-wow and Native American flute songs, have developed in tandem with increasingly recognizable forms like Native jazz and rock. Perea provides an in-depth look at how Northern and Southern Plains pow-wow practices represent a singular performance encompassing disparate stories and sounds. The result is the only brief text that makes clear the interconnectedness of Native American music through a dynamic and thorough analysis of how it began and where it is headed.

Intertribal Native American Music in the United States is one of several case-study volumes that can be used along with Thinking Musically , the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present.

Genres: Music, School

160 pages, Paperback

First published March 1, 2013

Reviews

[Carol · Rating 4 out of 5]

This volume in the Global Music Series was very interesting, and was very effective at taking on huge issues. Perea covers pow-wow music, Native American protest music, and the participation of Native American musicians in jazz. He puts everything in the context of contemporary Native American experience and gives the reader a lot to think about.