Back when John Byrne rebooted Superman in the mid-80s, DC decided to shake up its longest running comic, Action Comics, by making it a double sized weekly. Poor ol' Superman was relegated to just the two page centerfold, with the idea of mimicking the old Sunday newspaper format.
To fill out the rest of the book, several other DC heroes were given eight or ten page stories: Green Lantern, Black Canary, Phantom Stranger, Wilddog, the Phantom Lady, and more. Nightwing was one of those features.
As Robin, Dick Grayson had had, of course, many solo stories, as backups in Detective Comics maybe, or in Batman Family. So it was nice to see Grayson back in the solo limelight. Except he wasn't solo for very long. His fellow Titan, Speedy, was as much the focus of these stories as Nightwing, and perhaps even more so as the series progressed.
Most of the book is written by Marv Wolfman, who was the writer of New Teen Titans, and therefore he gets Nightwing's voice consistent with how he was portrayed over in NTT. The story basically involves Nightwing and Speedy getting caught up in some international espionage and arms dealing, all tied to an Irish nationalist group (read IRA) in Northern Ireland. The last few stories are written by someone named Cherie Wilkerson.
Although the book starts off interesting enough, by the end, the story is flat and rather boring. By then, Wilkerson, who I don't think has written any other comics, was clearly out of her league as her tales are disjointed and inconsistent, and just downright insulting to Irishmen anywhere. It's an attempt to be relevant with the struggles in Northern Ireland at the time, but instead is cliched and maudlin.
The art is by a group of mid-80s DC stalwarts, and most of them are forgettable. Chuck Patton draws a number of them, and although his art is not terrible, it's uninspired and bland. Tom Mandrake drew the last few stories and although I love his work on the Spectre, Night Force, and other creepy tales which work well with his moody style, here it just looks distorted and the bright colors are garish when next to his heavy use of blacks.
The highlight of this books is the introduction of Lian, the child of Speedy and villain Cheshire. Although it's great seeing Speedy as a single dad, his fight scenes with Cheshire are tired and so full of Wolfman's melodrama it was almost laughable.
I really can't recommend this book to anyone but diehard Nightwing and Speedy fans. I feel it's misrepresented as a Nightwing book, as the focus ultimately is on Speedy. Even by mid-80s standards, it's rather poorly written and drawn. Get it and/or read it if you're a completist, but otherwise, I'd let this one slide by.