Born in Vienna, Franz Wright is the author of fourteen collections of poetry. Walking to Martha's Vineyard (Knopf 2003) was awarded the Pulitzer Prize. His newest collections, God’s Silence, and Earlier Poems were published by Knopf in, 2006 & 2007. Wright’s other books include The Beforelife (2001), Ill Lit: New and Selected Poems (1998), Rorschach Test (1995), The Night World and the Word Night (1993), and Midnight Postscript (1993). Mr. Wright has also translated poems by René Char, Erica Pedretti, and Rainer Maria Rilke. He has received the PEN/Voelcker Award for Poetry, as well as grants and fellowships from the Guggenheim Foundation, the Whiting Foundation, and the National Endowment for the Arts. Wright has taught in many colleges and universities, including Emerson College and the University of Arkansas. He is currently the writer-in-residence at Brandeis. He has also worked in a mental health clinic in Lexington, Massachusetts, and as a volunteer at the Center for Grieving Children.
Franz Wright, son of the poet James Wright, began writing when he was very young. At 15, he sent one of his poems to his absentee father, who wrote back, “You’re a poet. Welcome to hell.” James and Franz Wright are the only father and son to have won the Pulitzer Prize for Poetry. In a short essay on writing, Franz writes, “Think of it: a writer actually possesses the power to alter his past, to change what was once experienced as defeat into victory and what was once experienced as speechless anguish into a stroke of great good fortune or even something approaching blessedness, depending upon what he does with that past, what he makes out of it.” Charles Simic has characterized Wright as a poetic miniaturist, whose "secret ambition is to write an epic on the inside of a matchbook cover." Time and again, Wright turns on a dime in a few brief lines, exposing the dark comedy and poignancy of his heightened perception.
Toward the end of November I dreamed that it snowed here
I dreamed that I rose from the couch where I had been napping for weeks with the lights on
I went to the window
*
As a child in Minneapolis I was warned at school not to eat the snow
As a child I was drilled to get my ass up and my head down under the desk where it would be safe when the glass shattered
*
It says in the newspaper airports are snowbound all over the country
A girl in Nebraska is found in a field frozen to death in her nightgown It will be 80 degrees
*
And I will close my eyes now and lean back in this chair and watch the snow blowing in from the north over the freeway over the emptied suburbs over the gray waves over the graves of the skyline over the university over the Mercedes-filled parking lots of the pale physicists
far from you
- Dream of Snow: Los Angeles
* * *
To quiet you the poet Places to his lips A finger Whose nail is torn off
*
Often I speak Only to you So the earth Will forget me
*
The peace of dusk Moves over each stone Dropping The anchor of grief
*
With complete sobriety I remain The mother Of distant cradles
*
Lightning and blood I learned Are one
*
I Who never walk But swim and soar Inside you
*
My future life Is your face when you sleep
- From René Char
* * *
It is still more light than glass.
*
Though it leans halfway into the invisible it has a seam,
like a dress; it sings when you blow into its lips.
*
Since it is so empty and clear it fills up the imagination, makes me want to bring some well water in a sieve after setting fire to the barn with a magnifying glass in the moon.
- Old Bottle Found in the Cellar of an Abandoned Farmhouse
* * *
You're thinking of the pilot in his glass cockpit 40,000 feet above the street you live on unseen except for the white line traced halfway across the darkening sky all at once it dawns on you the telephone is ringing for the first time in weeks and with equal suddenness it ceases as your hand goes to life the receiver in the next room so that when you return to your window the sky has grown empty the first star
One of the earliest books by my favorite poet. It's surprising how much of his voice was already there back in the early 1980s. It was also surprising to see prose poems, a form that he used a *lot* in the last few years of his life.
Quite a few of these poems were about or addressed to his younger brother Marshall. I wish I knew more about his life.