I am both pleased yet saddened to announce that I've reached the stage of my life where I read theory for fun. What have I become?
Trauma studies is a sector of literary studies that's always interested me, partially because Ateneo and Filipino academia in general seems to love the field and partially because my unhappy childhood has made anything with the word 'trauma' attatched to it immedieatly appeal to me. The idea is definitely yet another intersection where literature and psychology meet, but I believe it's the postcolonial turn some theorists push trauma studies that makes it so promising and fascinating; if you happen to be interested in the same combination moreso than the strictly psychoanalytical, then this book might be worth picking up.
(Admittedly, I only discovered it because my professor provided a free PDF copy, but isn't that how everybody discovers books these days?)
I'm pretty sure that this shouldn't be your first and only introduction to trauma studies or its overlap with post-colonialism, since it's a sparse 138 pages and it barely touches on the Global South, but the main concerns Stef Craps raises in response to how literary theorists analyze suffering and trauma are succintly explored by his examination of one specific question: Is the Holocaust truly universal? The topic is uncomfortable to approach, but as this books shows, skepticism over whether everybody truly understands the Holocaust the same way opens the floodgates for so many other possibilities - for better, or for worse.
Craps is apparently from Belgium, so it's not much of a surprise that this book tackles a particularly European, abeit Jewish, source of trauma. The fact that pretty much every educated individual knows what took place during the Holocaust (though if they regard its percieved gravity in a similar manner is, as Craps reveals, another question altogether) doesn't detract from how compelling it can get, either. Ironically, however, the Holocaust's supposedly encompassing nature is what enables this book to challenge the way we see tragedies that don't belong to us, and the way we talk about tragedies that do. Craps provides close readings of literature from South Africa to India to exhibit how trauma may not be shared according the models that we assume it to operate on, and how Western neoliberalism has set the boundaries of trauma for us for far too long. Collective and systematic trauma is a dark, subtle realm to tackle, but I believe Stef Craps handles its nuances with grace.
Postcolonial Witnessing might not be all that comprehensive, but despite its brievity, it succeeds at presenting the promise of redirecting trauma theory towards postcolonial audiences, and bringing the drastic implications of these new conceptualizations of trauma to light. It's definitely exciting, if harrowing, to imagine what deeper insights into colonial trauma might involve.