2012 marks the centenary of the death of the author Bram Stoker, whose most famous creation, Dracula, has not only endured but increased in popularity to the point where more than 200 movies have adapted Stoker's gothic tale.
Dracula has been imitated, parodied and "reimagined"... Now, a century after Stoker's death, new Scottish author Xander Buchan has taken this classic tale and written a direct sequel, Dracula Rekindled.
It is only fair that I set out my own stance before embarking on this review in earnest. I would consider myself a near lifelong fan of Stoker's vampiric villain. From my first time watching late night Hammer House of Horror films when I was a kid, to reading the source material repeatedly before my teenage years, to the academic paper I wrote, critiquing the book; it's an understatement to say that I am an aficionado of what many consider to be the best known archetype within the genre.
Against that background, I was wary about starting to read a book which purported to be a direct sequel to Stoker's classic tale of horror; and one that came with its own low-budget youtube trailer that used Wojciech Kilar's memorable score from Francis Ford Coppola's Dracula...
Xander Buchan, as a first time author, can in no way be faulted for being so ambitious as to take on a project of such magnitude. To my mind, the most successful adaptations of the Dracula tale have come from Kim Newman and C.C.Humphries, who both adopted wildly different takes on their fictitious accounts, one focused on Stoker's creation and the other on developing a tale of fiction based on what was known of the real Dracula. Buchan, as stated, has chosen to create a direct sequel to Dracula and so, adopts the characters created by Stoker and advances matters further, following not only their plight but the fate of their descendants also.
Buchan has heeded the advice given to many authors and has written both what he knows (setting much of the proceedings in Aberdeenshire) and what he loves, since the man is clearly a fan of Dracula. The author has taken the epistolary style used in Stoker's original tale and used it, I would suggest, quite faithfully and incorporated not only diary entries and newspaper articles but also Facebook posts and emails, in keeping with the time in which proceedings are set.
However, Dracula Rekindled is not without its problems. The author has literally been a one-man-band and written, edited and tackled every facet of this project alone. As admirable as this is, I would suggest that the resultant typos and mistakes were to be expected. Similarly, the pacing of the book is at times quite off and difficult to gauge. I felt it settled down considerably when events that mirror those of Harker's visit to Transylvania in Dracula occurred but this did not occur until around halfway through the book. Overuse of certain words and turns of phrase were commonplace and the final chapter, I felt, ought to have been more properly absorbed into the body of the text rather than utilised as the closing stanza.
The main critique that I have of Dracula Rekindled is ultimately, one passage. A knowing refereence to the Twilight saga by Dracula himself was an attempt at light humour that was entirely blunt and not in keeping with the tone of the book at all.
These problems, although more than trivial, did not detract from my enjoyment of the book. Dracula Rekindled, unlike many of its contemporaries, has heart and soul, no doubt as a result of the passion of the author. Buchan has created a believable Dracula for the 21st Century while still staying true to Stoker's creation and even adding some flourishes that I would suggest, add credibility to the character, given its origin in historical fact. Notably for me, Buchan has this incarnation of Dracula feeding the flesh and blood of those who would transgress against him to his guests; and impaling others.
I would have thought that with the inclusion of impalement and cannibalism, the gore factor speaks for itself. For those not satisfied with that, there's also the sacrifice of babies, mutilation and the full gamut of debauchery expected of such a tale. That's not to say that Buchan's story is simply a gorefest, far from it. He has developed an intricate storyline spanning, and indeed pre-dating, the hundred and odd years where Stoker's Dracula left off.
Dracula Rekindled is not flawless. The book could undoubtedly use the services of an editor in order to create a far sharper read with significantly improved pacing and planning. Ultimately however, I very much enjoyed reading this tale and I'm intrigued as to what Buchan next has in store for the characters in his updated tale of gothic horror.