“Hell and Back” is the eighteenth book in the “Longmire” mystery series, continuing the fictional adventures of Walt Longmire, Sheriff of Absaroka County, Wyoming; his daughter, Cady, the world’s greatest lawyer; his best friend, Henry Standing Bear; his loyal and outspoken deputy, Vic Moretti; his loyal and less outspoken deputy, and Dog, his faithful animal companion.
When we last left our fearless law enforcement officer at the end of the last book, “Daughter of the Morning Star”, we were left with a lot of unanswered questions and a pseudo ending that really left a lot of resolution to be continued into the next book. Although it was not a life-threatening cliffhanger ending, but more like a “to be continued” narrative that left little explained and a lot unresolved. Needless to say, it left me with a lot of unexpected and painful frustrations.
When “Hell and Back” starts, we find our hero, Walt Longmire, waking up at the top of a hill overlooking a two-lane road that led down into a small town. That’s only the first problem for Walt. The second comes shortly thereafter, when he realizes he doesn’t know who he is and has no memory of how he got to where he is. In addition, he as blood all over himself and a gun holstered to his hip, which is missing a bullet.
Walt has found himself in a bad place. A very bad place. Walt has found himself in the notorious town of Fort Pratt, Montana, where 31 native Indian boys died in a tragic fire that destroyed their boarding school back on New Year’s Eve, 1896. Coincidence or not? It just happens to be the same tragedy that was part of his investigating in his prior book, “The Daughter of the Morning Star”, which involved what may be Walt’s biggest and other-worldly enemy, Éveohtsé-heómėse, the Wandering Without, the Taker of Souls.
Things get worse for Walt as he walks into town. Everyone seems different and a bit strange. They also seem fleetingly familiar but he can’t place them (although the reader will recognize them if they are familiar with the series). Members of the town include highway patrolman, Bobby Womack; Bartender Thomas Bidarte; and even waitress/librarian, Martha Longmire. The only problem is they are supposed to be dead…
This is one of those novels that you really don’t want to describe too much of what happens, because it is best left up to the reader to experience the approach and style that the author, Craig Johnson, is using, by his own words in the acknowledgement – “to create-a Western gothic-romance with tinges of horror”. It is definitely that, and then some.
Up until his last book in this series, I would say that there are a lot of things to like about his books because I am a die-hard Longmire and Craig Johnson fan. However, I am bit a mixed about this one. The bad news is that I did not like the last one, part one-of-this-two-part story. I actually thought it was the weakest of all of the Longmire novels, primarily for reasons I already described in the beginning of this review. The good news is that book, part two of this story, is better. Not necessarily a whole lot better, but it is an improvement.
As Johnson intended, yes, this was definitely a different type of Longmire novel, and he deserves some serious kudos for attempting such a different approach to telling a story. The overall structure and idea were compelling and had real promise. For me, the first 20 – 30 pages started out pretty good, introducing a strange setting and mysterious characters, but then it became cyclical and repetitive. Unfortunately, the most enjoyable parts for me involved Henry Standing Bear and Vic Moretti working together to try and find Walt following his mysterious disappearance. They had some golden moments and classic exchanges.
I’ve spent the last two days reflecting on this one and why I was less emotionally involved in parts of Walt’s storyline. I am left with the impression that this was an interesting approach to take, but the execution, or delivery, of those ideas didn’t necessarily deliver as well as intended. Please don’t get me wrong. This wasn’t a bad novel, but it just wasn’t as good as I was hoping it would be. You would think having walt face many of the past people in his life would be a cool story to tell, but there was just something about this whole Éveohtsé-heómėse as a villain idea that didn’t work when it came to the details and connecting the dots in the plotlines. For example, how in the heck did our hero go back in time? That was never explained nor a clue as to how even hinted at. It wasn’t the villain himself, just how he was used didn’t seem to work for me. I am not opposed to spiritual and mystical aspects of Longmire’s world. They’ve played a bog part of his stories and I’ve enjoyed them greatly. I just think that this time it didn’t work as well as I hoped for.
Also, this is like the fifth book in a row that Walt has had the literal crap kicked out of him If you add up all his gunshot wounds, stabbings, and fighting injuries in those five books, he deserves his own super hero cape. I am not sure how much more physical wear and tear that he can take. It’s getting to be a bit too much, you think…
Overall, “Hell and Back” started out as a fairly interesting mystery in the beginning, but then turned repetitive and disjointed in some ways. An improvement over the last book and an interesting read, just not the usual excellent delivery that I am used to getting and enjoying each year. Maybe now that this two-part storyline is over, we can back to what makes Walt so great, more of a traditional based mystery and more character development (especially with Walt’s relationships with Cady and Vic). I am looking forward to that. Here’s to Longmire in 2023…