Ecologies of the Moving Image: Cinema, Affect, Nature

by Adrian J. Ivakhiv

Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the an account of the moving image in relation to its lived ecologies―the material, social, and perceptual relations within which movies are produced, consumed, and incorporated into cultural life. Cinema, Adrian Ivakhiv argues, lures us into its worlds, but those worlds are grounded in a material and communicative Earth that supports them, even if that supporting materiality withdraws from visibility. Ivakhiv examines the geographies, visualities, and anthropologies―relations of here and there, seer and seen, us and them, human and inhuman―found across a range of styles and genres, from ethnographic and wildlife documentaries to westerns and road movies, and from sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Greenaway, Malick, Dash, and Brakhage as well as YouTube’s expanding audiovisual universe. Through its process-relational account of cinema, drawn from philosophers such as Whitehead, Peirce, and Deleuze, the book boldly enriches our understanding of film and visual media.

Genres: Film, Philosophy

435 pages, Paperback

First published January 1, 2013

Reviews

[Steen Ledet · Rating 4 out of 5]

Wonderful addition to the process-relational study of moving images (though really only film), Ivakhiv's book takes seriously the lack of useful distinction between humans and nonhumans and from this produces interests insights into landscapes, animals, and humans in film. Sometimes theoretically dense, the book is well worth the effort.