The term “game changer” has come to be rather overused. Yet its a phrase that perfectly describes the 1988 Doctor Who serial Remembrance of the Daleks, offering a relaunch of the series and Sylvester McCoy’s era as the Seventh Doctor after a rocky first season in the role. It can also be applied to its novelization, adapted into prose by its TV scriptwriter Ben Aaronovitch, which would set the tone for the next era of literary Doctor Who.
Much like its TV counterpart, Aaronovitch’s novelization blew away both cobwebs and assumptions about what Doctor Who could be in its respective medium. Like the series itself, it could be a genre-bender and mixer. There’s elements of science fiction, to be sure, including with the use of the Hand of Omega at the novel’s end some descriptive prose worthy of Arthur C Clarke. Something which is also true of the hard-SF descriptions of the Hand of Omega itself and the Daleks with their casings, battle armor, and battle computers. There’s also elements of the thriller and action novel, with some adrenaline pumping descriptions of sequences that take what was on TV and kick it up a notch. Indeed, much like the early novelizations of Terrance Dicks before he entered his “novelization a month” phase or Malcolm Hulk's novelizations, Aaronovitch feels keen to present essentially a “writer’s cut” of an already well-regarded TV serial. It would be a new standard and an influence felt on the closing years of the Target novelizations and beyond.
For Aaronovitch also delved, as few writers beyond Hulk had in the novelizations, more deeply into the characters and the emotional arcs. Something which could advantage of the medium’s ability to put readers into the mind of the characters (not to mention imagine things very differently than a BBC budget could manage). Aaronovitch expands particularly on Ace, again already a solid element of the serial, and exploring her backstory but also her actions within the serial in greater depth. The supporting cast, including Gilmore and Jensen, likewise benefit from the fleshing out, from their backstories to their thoughts showing what it’s like to live in the extraordinary world of Doctor Who where the everyday and the extraordinary exist so easily side by side. Elsewhere, reading Mike Smith’s thoughts and motivations, including how he came to be involved with Ratcliffe’s Association, makes for fascinating and unsettling reading in a time when the far-right has become resurgent and you’ve likely had a similar experience to what Ace has with him with someone you know. What Aaronovitch brings to the page is nothing short of a literary, but still genre, feel for what prose Doctor Who could be.
Indeed, that sense of forward looking might be the greatest legacy of the Remembrance novelization. The first presentation of the Other, the mysterious third founder of Time Lord society, would come within these pages and with it the first hints of the Doctor’s revised backstory. A throwaway reference from a fictional epigraph at the start of a chapter would introduce a recurring character who would appear numerous times alongside this Doctor in the years that would follow (including in novels by Aaronovitch). The subtle bits of characterization and world building around Gilmore, Jensen, and Alison Williams would serve as the basis for Big Finish’s later audio series Counter-Measures nearly a quarter-century later. Few other Doctor Who novelizations can claim to have had such a lasting influence.
All of which raises Remembrance into being (to paraphrase a cut line oddly missing even here) far more than just another novelization. One that more that makes for the occasional lack of physical descriptions that means, for example, in the first quarter to third of the novelization, you better have seen the TV serial to know what the Doctor, Ace, and the Counter-Measures team looked like. It’s no wonder that, alongside Marc Platt’s novelization of Ghost Light, this heady mixture would give birth in many ways to the New Adventures novels of the early-mid 1990s that would serve as Doctor Who’s torchbearer and eventual guiding light in the years to come.
That Aaronovitch packed all of that into 160 pages remains an extraordinary feat.