Do It: The Compendium

by Hans Ulrich Obrist (Editor), Bruce Altshuler, Kate Fowle (Foreword)

Curated by Hans Ulrich Obrist, Do It began in Paris in 1993 as a conversation between the artists Christian Boltanski and Bertrand Lavier and Obrist himself, who was experimenting with how exhibition formats could be rendered more flexible and open-ended. The discussion led to the question of whether a show could take “scores” or written instructions by artists as a point of departure, which could be interpreted anew each time they were enacted. To test the idea, Obrist invited 13 artists to send instructions, which were then translated into nine different languages and circulated internationally as a book. Within two years, Do It exhibitions were being created all over the world by realizing the artists’ instructions. With every version of the exhibition new instructions were added, so that today more than 300 artists have contributed to the project. Constantly evolving and morphing into different versions of itself, Do It has grown to encompass “Do It (Museum),” “Do It (Home),” “Do It (TV),” “Do It (Seminar)” as well as some “Anti-Do Its”, a “Philosophy Do It” and, most recently, a “UNESCO Children’s Do It.” Nearly 20 years after the initial conversation took place, Do It has been featured in at least 50 different locations worldwide. To mark the twentieth anniversary of this landmark project, this new publication presents the history of this ambitious enterprise and gives new impetus to its future. It includes an archive of artists’ instructions, essays contextualizing Do It , documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken, Theaster Gates, Sarah Lucas, David Lynch, Rivane Neuenschwander and Ai Weiwei, among many others.

Genres: Art, Nonfiction

448 pages, Paperback

First published January 2, 1998

About the author

Hans Ulrich Obrist is co-director of the Serpentine Gallery in London. Prior to this, he was Curator of the Musée d'art moderne de la ville de Paris from 2000 to 2006, as well as curator of Museum in progress, Vienna, from 1993 to 2000. Obrist has co-curated over 250 exhibitions since his first exhibition, the Kitchen show (World Soup) in 1991: including 1st Berlin Biennale, 1998; Utopia Station, 2003; 1st & 2nd Moscow Biennale, 2005 and 2007; Lyon Biennale, 2007; and Indian Highway, 2008-2011.
Obrist is the editor of a series of conversation books published by Walther Koenig. He has also edited the writings of Gerhard Richter, Gilbert & George and Louise Bourgeois. He has contributed to over 200 book projects, his recent publications include A Brief History of Curating, dontstopdontstopdontstopdontstop, The future will be…with M/M (Paris), Interview with Hans-Peter Feldmann, and Ai Wei Wei Speaks, along with two volumes of his selected interviews (Interviews: Vol. 1 & 2). The Marathon series of public events was conceived by Hans Ulrich Obrist in Stuttgart in 2005. The first in the Serpentine series, the Interview Marathon in 2006, involved interviews with leading figures in contemporary culture over 24 hours, conducted by Obrist and architect Rem Koolhaas. This was followed by the Experiment Marathon, conceived by Obrist and artist Olafur Eliasson in 2007, the Manifesto Marathon in 2008, the Poetry Marathon in 2009, Map Marathon in 2010, and the Garden Marathon in 2011.
In 2009, Obrist was made an Honorary Fellow of the Royal Institute of British Architects (RIBA). In March 2011, he was awarded the Bard College Award for Curatorial Excellence.

Reviews

[Lee · Rating 2 out of 5]

...recently translated into Chinese by Hu Fang of the Vitamin Creative Space. A DIY art bathroom reader.

[Mills College Library]

700.4112 D6311 2013

[Anda · Rating 3 out of 5]

3.5 stars. One to keep around for fun referencing.

[Molly · Rating 5 out of 5]

i bought this at the strand when i lived down in the financial district in an nyu dorm. i read it back then too, and highlighted the activities i actually wanted to try to do. i never did them. but rereading it gave me a little glimpse into my college brain.

[Francine Fang · Rating 5 out of 5]

If there is a book collecting the outcomes of people following the instruction, it must be more interesting.