Ibu Adalah Pentafsir memaparkan ketabahan dan kecekalan seorang wanita yang dipanggil ibu. Dia telah dibebankan dengan tanggungjawab sebagai ketua keluarga walaupun masih bersuami. Kekuatan fizikal dan kegigihan semangatnya berkorban demi keluarga tetap terpahat teguh di sanubarinya walaupun dalam keadaannya yang lumpuh sehingga ke akhir hayatnya.
Manakala Sungai, sebuah autobiografi membicarakan tentang 'penderitaannya' akibat pencemaran. Ini bersebab daripada kerakusan manusia serta kemajuan sains dan teknologi. Ini membuat sungai membulatkan tekadnya untuk membalas dendam terhadap manusia yang tidak bertanggungjawab. Sungai telah bersekongkol dengan angin, hujan, guruh, halilintar dan bumi untuk melaksanakan dendamnya terhadap manusia.
Dato' Haji Shahnon bin Ahmad (born 1933 in Sik, Kedah) is a Malaysian writer, a National Laureate, and a former Member of Parliament. He was awarded with the National Literary Award in 1982. He is also a Professor Emeritus at Universiti Sains Malaysia in Penang.
Shahnon has written a number books, one of the most notable being Shit @ PukiMak @ PM (1999), a controversial political satire. The book makes allegorical references to the ruling coalition government, Barisan Nasional (BN), its major component party, United Malays National Organisation (UMNO), and former Malaysian Prime Minister Mahathir bin Mohamed. There were attempts by the government to ban this book and to strip Shahnon of his literary title.
Some novels written by Shahnon include Ranjau Sepanjang Jalan (1966)—which has been adapted into a film called Rice People directed by Cambodian film director Rithy Panh, Rentong (1965), Srengenge (1973)—which won the Malaysian Novel of the Year in 1970, and Terdedah (1965).
Shahnon is also a member of opposition political party PAS. In the 1999 general election, he contested in the Parliamentary constituency of Sik (P.13) in which he won. He did not contest in the 2004 general election which saw PAS losing that seat to BN.
Seperti RSJ, untuk menamatkan naskah ini agak melelahkan. Novella pertama sangat meruntun perasaan. Kita akanmenjadi sedih dan hiba bila watak dalam cerita iti kerap memutarkan memori tentang ibunya, ayahnya yang malas, kesusahan hidup dan membandingkannya dengan isu feminisme yang melanda negara. Cerita novella kedua agak sukar untuk diteruskan pembacaan. Bayangkan ianya semacam monolog sebatang sungai, rungutan dan rintihan.