Now this is a blast from the past. A re-read of a series I’ve read many times before. I have to say right at the outset that I’ve never really liked Kevin J. Anderson’s additions to the Star Wars novel series, whereas I’ve much more enjoyed Tom Veitch’s work in the graphic novels over the years. Anderson is responsible for the Golden Age of the Sith story here, also known as the Great Hyperspace War, whilst Veitch wrote Ulic Qel-Droma and the Beast Wars of Onderon and The Saga of Nomi Sunrider. And one thing I definitely can’t complain about is the length of the story. This collated volume is lengthy enough to satisfy even the hungriest of comic book readers, and in actual fact was so weighty that I had to read it in short bursts at a time.
The Golden Age of the Sith is set 5000 years before the Battle of Yavin (BBY), and sees Force sensitive explorers Gav and Jori Daragon accidentally stumble across the Sith Empire as the descendants of exiled Dark Jedi fight to claim the title of new Dark Lord of the Sith. This has never been one of my favourite stories from the pre-movie era, but I wish it were. The first great conflict between the Republic and the Sith Empire in millennia, the power struggle between Ludo Kressh and Naga Sadow, the luckless explorer siblings Gav and Jori… this should be a good story. And yet I’ve always felt somewhat detached from it. The main problem is that the characters needed to be fleshed out more.
Ludo Kressh and Naga Sadow, and their rivalry, always felt like it could be an intriguing story, a struggle also bound up in their respective backgrounds – Sadow has a more direct bloodline from the original Dark Jedi, whilst Kressh’s ancestors interbred more with the native Sith population. Sadow in particular, as the eventual victor, seems to have the potential to be a really gripping character – sharply intelligent, treacherous, cruel. At least, that’s the Sadow I’ve always imagined. But in this story he comes off as not particularly clever and not particularly interesting. Yes, he does execute a few double-dealings, but they’re not especially ingenious, and they’re usually revealed without fanfare as they unfold, with all the characters somehow surprised that a Sith Lord tricked them. I’ve always wanted more from the character of Naga Sadow than this. He needs to be more intelligent for me to take him seriously as a threat, and he needs to have more personality in order to get me invested as a reader in rooting for him to win the Sith power struggle.
Another problem is that the rest of the Sith are virtually indistinguishable – none of the other Sith Lords seem to have anything that make them stand out at all, and the Sith warriors just throw themselves in waves upon the pikes of the Republic without question. I would really like to see a little more background for the Sith people to explain their fierce devotion to the Dark Lords – in my head I’m imagining a Spartan style upbringing in which children are taken out into the wild from a young age and relentlessly trained into elite warriors – but this needs to be shown or at least referenced in order for us to buy into it, because in most cases an antagonist comes up against resistance from an underling or two who questions their decisions, showing us as the audience that their followers aren’t completely evil or stupid and often giving a chance to show the antagonist’s ruthlessness by disposing of the dissenters. When we don’t see any questioning going on we have a harder time buying into the plausibility of these antagonists’ leadership – unless it can be established that there is a reason why they aren’t questioned, e.g. society of fear, society of martial training, or other.
Gav and Jori Daragon were reasonably well done, but I felt they needed a couple more quiet human moments to make them more sympathetic – I couldn’t care as much as I sensed Anderson wanted me to when Gav sacrificed himself, but maybe I could have if a little more time had been spent on showing the Daragons doing and feeling ordinary human things.
I’ve never been able to decide if the art style is something I dislike, or if I actually want to applaud the artistic genius of. It hearkens back to early-20th century with harsh, garish colours and little subtlety that I admit are not aesthetically pleasing to me. But this old style is also quite effective in evoking that sense of the past. By using a retro art style, the artists highlight the fact that the story itself is set 5000 years BBY, and it does actually succeed rather well in making me feel like this is a completely different time in the Star Wars universe, way in its past. Gav and Jori Daragon, despite being penniless, are garbed in these garish yellow-gold shoulder pads, bracers, and headdresses that are just so reminiscent of 1930s sci-fi Flash Gordon. Of course, this genius falls apart under logic – the Republic was founded in 25,053 BBY, so I would actually expect this kind of style and the job that the Daragons do, mapping out new hyperspace routes on the fringe of known space, circa 20,000 BBY, not c. 5000 BBY – in the following stories in the volume, set c. 4000 BBY, the atmosphere already feels a lot more modern and up to date with the film era.
Ulic Qel-Droma and the Beast Wars of Onderon is a story I’ve always enjoyed far more. It’s considerably shorter than the Golden Age of the Sith, which takes up about three quarters of this volume’s page count, but far more compelling. The cast is kept small, but they feel far more fleshed out, despite the shorter story. A certain degree of stock characters is resorted to – Ulic is brave but rash, Cay is tech-obsessed, Tott is quiet and slightly bookish – but they felt like they had more personality than the like of Naga Sadow, and it was easy to get a handle on their attitudes and motivations. Arca Jeth’s backstory set up was done well, I felt, delivered with suitable character and keeping the interest where often an information dump can be too dry and clumsily dropped into a story. The art style was more up to date than the previous story, but the colours are still somewhat restricted, emphasising that this story is closer in time than the previous one, but still maintaining a certain level of distance. I would have liked just a little more page space devoted to the unfolding Beast War, and Tott’s mastery of beast empathy was a little too convenient, but all in all given its compact nature the story was told well, the characters kept my interest, and it was a tale I enjoyed.
The Saga of Nomi Sunrider by far captured my attention and interest over the other stories – or, I should say, it still does, since this is a much re-read book in my collection. The first story tried to tell a tale of epic and historic proportions, but despite commanding a full 75% of the book simply didn’t have enough room to work with to develop a really thick plot or do more than roughly sketch out its characters. The Beast Wars of Onderon was more interesting, but at only 10% it felt too short; events seemed to happen around the three Jedi without their input, and they too did not have enough time to establish their characters. This story, however, at 15% of the book’s total length, did it best. It doesn’t try to tell a whole self-contained story in limited space. Rather it only attempts to tell an intriguing beginning to a much bigger story, and this is something at which it succeeds marvellously. It sets one character’s personal life struggles onto a background where there are a lot of other self-interested factions directing the action. This makes it feel like the main character is existing in a realistic universe of agency and consequence. And the real heart of the story is Nomi Sunrider’s struggles. In the two previous stories the Jedi characters were just kind of there. They waited for the Sith to come and then fought back, or, in the case of The Beast Wars of Onderon, they tried to unravel a mystery but were largely duped by others who truly controlled the action; but they didn’t grow in and of themselves. Nomi’s struggle feels more gritty and real. The story hits us early with a devastating consequence, which Nomi then has to deal with whilst continuing to be a parent to her child and deciding what path she now wants to take in her life. This is an internal life struggle that we can all empathise with, and what makes this particular story the most gripping and engaging. All the while, it builds up a subtle level of background tension as events far away in the galaxy begin to have a ripple effect and reach the remote planet where Nomi now lives. All praise to the writer and artists on this one – I have to say I liked the art styles best in this story also. There’s nice attention to detail and the environment really looks lived in.
I would give the Saga of Nomi Sunrider 8 out of 10, the Beast Wars of Onderon 7 out of 10, and the Golden Age of the Sith probably 5 out of 10, giving this omnibus as a whole an average combined score of 6.6 recurring out of 10.