Within the wonderful world of Erotic Fiction it seems a change is as good as a rest. And amidst the @StolenSweeties end-of-summer stocktake, it's been an unabashed evening delight to allow, Beau Beau to disappear into his cutting room, unsheathe my bone china tea set, and dedicate myself to 2013’s first autumnal Erotic Fiction Review and Cleis Press inaugural Sweetie says… publication, High Octane Heroes.
Edited by, Delilah Devilin, High Octane Heroes proclaims itself as “erotic romance for women”; thereby seducing yours truly with its promise of blossoming love, courtship and unbridled passion. And even before a single crease in its spine the glossy paperback kindly provided, expressed a sensual elegance and magnificent desirability.
Featuring a cute foreword by New York Times bestseller, Maya Banks and rousing introduction by the editor, it seemed clear to me (even before I’d consumed the fifteen fantasies) that a niche in the Erotic Fiction market had finally been cornered.
For it is only now, as we enter into the last quarter of the year that I have indubitably been treated to literary erotica in the Golden Age sense of the term.
Often in this cherished blog of mine have I referred to my erotic fiction heritage; drawn mainly from the legacy of, Mummy Seymour’s classic Mills & Boon collection and those illustrative Vintage Sleaze novels that circulated my 3rd year senior P.E class. There lingering essence, of which I still to this day crave, lay firmly in the strength of plot and depth of character so synonyms with the genre of the time.
Devlin’s spirited call to arms stimulated these cultural traditions of erotic fiction while offering the challenge of contemporary originality and demanding the emancipation of exclusive or specific gender roles. In doing so, the editor has harnessed the essential element of the Golden Age (and what is still so sorely lacking in current erotica), sensual romance.
Indeed, the jaded, cynical, 21st century, 24-hour-news, Erotic Novelist seems to have no time for the Hero and cares less for the Good Guy! The abuse of power and the destruction of innocence are currently key narratives; which is absolutely dandy. However, power without perception is spiritually useless and therefore of no true value.
In revisiting the Alpha Male Hero by combining Action Man with, Sergeant Johnson Gideon Beharry VC, this erotic anthology really gives a girl a male protagonist worth sinking her teeth into!
And by complementing these male heroes with equally heroic heroines the novels overall tone more closely resembles, Beau Beau’s Supergirl collection; in which the protagonist struggles with all of the trappings, temptations and jealousies of life before choosing to do the just thing, than his Vintage Superman comics in which the hero is almost too heroic, and two-dimensional in the sense that he is unaware of the impending doom into which he is all too happy to fling himself.
Tales that typify this treatise include, Brindle Chase’s Renegade in which courageous rookie Officer, Kara Brown has her cover blown by the deadly criminal gang she’s investigating, when they discover the wire she’s secreted between her ample bosom and tiny dress. With no hope of her back up arriving in time to affect her soon-to-be sordid and grizzly demise, all she can now do is pray that SWAT team, Sergeant Michael Delaney A.K.A Renegade comes to her rescue.
An interesting take on the classic “Damsel in Distress” formula, female protagonist, Kara Brown is far more, Clarice Starling, à la Silence of the Lambs (1991) than, Penelope Pitstop. While ass-kicking good guy, Sergeant Delaney is entirely reminiscent of; Clint Eastwood’s other archetypal role, Dirty Harry (1971).
Another notable account would be, Sharon Hamilton’s utterly plausible Seal Destiny where, Special Operator Chief Luke Paulsen lays buried in his Afghan dug out in the face on hostile enemy fire.
One can only describe this grippingly erotic saga as a completely original cocktail, mixed with equal parts of, Michael Powell’s A Matter of Life and Death (1946), Adrian Lyne’s Jacob’s Ladder (1990) and, Sam Mendes’ Jarhead (2005).
Lastly, it would be remiss of me to neglect to mention High Octane Heroes final erotic installment and, Delilah Devlin’s own offering Pitch Black; a multi-character driven, white-knuckle-ride casting Hero and Anti-Hero as Comrade.
During a terrible thunderstorm, which causes the maximum-security prison electricity generators to malfunction, Sergeant Danny Crisping races to the aid of, Officer Jenna Hurly who finds herself trapped in Hub One Wing along with hundreds of murderous criminals.
In order to make her way to safety in the pitch black and unusual surroundings, Officer Hurly must first place her trust in the menacing inmate, Draper and his convicted killer cronies.
With many marvelous twists and turn to this epic short story, Delvin delivers a sensually erotic drama, charged with a tremendous battle of wills between Good and Evil, comparable with such smash hit TV shows as Tom Fontana’s Oz (1997 - 2003).
In remaining completely faithful to her own foreword, the editor rounds off this fantastic erotic compilation in scintillating style.
I’ve so far been profoundly impressed by Cleis Press and my preference for the longer format narrative in no way hindered my enjoyment of this novel. On the contrary, the erotic short stories contained therein, held depth in plot and character unparalleled in my blog so far this year.
This Erotic Reviewer gives High Octane Heroes the highest possible recommendation and cannot wait to experience more of the publisher’s offerings…