At the beginning of the prologue in this crossover novel between Jance’s Joanna Brady series and her J. P. Beaumont series, we meet a talented female artist, Rochelle Baxter, who is on the eve of her first-ever showing. This inaugural event just so happens to be scheduled at a gallery in Brady’s town of Bisbee, Arizona. And, by the end of that prologue, the woman is dead, murdered in a most ghastly and painful manner.
In the course of notifying the next of kin identified in the woman’s DMV records, the listed phone number leads straight to the Washington State Attorney General’s Office. That next-of-kin identity is actually a code name that alerts the Attorney General himself that one of their ops has gone horribly and irreversibly south.
For two days, the Attorney General’s office ignores Brady’s detective’s request for information. When Brady herself makes the request, that office stonewalls her for two more days, saying that the information is classified, must come physically by courier from Washington State and that the courier will be required to supervise the use of said information until the case is resolved. And J. P. Beaumont will be that courier and watchdog.
Beaumont is chosen because he’s new to the state investigative team and prefers to work without a partner. However, he is primarily chosen because he was briefly married to the infamous and deceased Anne Corley, a vigilante-type serial killer originally from Brady’s county. And the fact that Beaumont himself was forced to kill his own wife in a shoot-out makes the Attorney General confident that the detective can easily control some young, backwoods, Annie Oakley-type figurehead of a county sheriff.
Unfortunately for both Beaumont and the Attorney General, what you presume to be true, as opposed to what is actually true, can come back to bite you and bite you badly.
Cross-over novel or not, this book is primarily an entry for the Joanna Brady series. Beaumont’s scenes, while crucial to the ongoing storyline within his own series, only occupy about a quarter of this book. The rest is all Joanna Brady and that “rest” turns into a real mess by the end of the book.
Now, don’t mistake that sentence to mean that the murder investigation is handled sloppily by the author or that a cliffhanger has graced the final page. Neither of these are true. Nevertheless, the only reason I rated this book as high as a 3 is because of the excellent manner in which the murder and its subsequent investigation is written.
In my opinion - and without providing any spoilers as justification - the sharp decline of the book is caused by the last scene that includes both Brady and Beaumont (which, by the way, is not the final scene of the book). In that scene, J. A. Jance creates a heretofore unwritten and never before implied aspect to Joanna Brady’s character. Not in nine previous entries has this critically negative aspect surfaced and no explanation or justification for its appearance is provided after the scene transpires.
Now, over the last several books, Jance has written Brady as becoming more of a workaholic. She is also being portrayed as becoming more selfish and irresponsible towards her family responsibilities. And we are seeing more and more passive-aggressive actions taken by her husband and daughter in order to adapt to and counter Joanna’s selfishness. None of this has been pretty to read, but it has been understandable, particularly since Joanna has gone from being an insurance agency’s office manager to being the widow of a county sheriff’s deputy killed in the line of duty to being the top cop in that same county, as well as being a new wife, in the space of only 3 years.
But the actions in the aforementioned scene go well beyond selfishness, irresponsibility or being a workaholic. These actions even transcend being hypocritical, particularly in light of a specific and nasty subplot in the previous book.
To have J. A. Jance write a flawed character is one thing. Having her suddenly change a relatively normal main character into someone who, for no visible reason, is on the edge of becoming unrepentantly irredeemable is something else entirely. And that makes me think twice about spending either the time or money to read the remaining novels in the series.
If Jance’s point in that scene between Brady and Beaumont is to shock the reader, she certainly achieved her goal with me. To be fair, Beaumont’s part in the scene comes off cleanly in character. It is Brady’s part that left the taste of ashes in my mouth.