Down With Entropy!
If you remember the screech of a modem's handshake signal or falling in love to "Miracles" by Marty Balin (The Jefferson Airplane/Starship's other lead singer), you need to read Pepperland. If you don't (but want to know what it was like), you need to read it, too.
It’s May 4, 1970, and Martin Alan (call me Pepper) Porter is skulking through a computer lab at the University of Michigan in search of the Holy Grail…a bootleg password that gives unlimited access to the school’s mainframe computer. It will allow him to immerse himself in the great whirring beast unfettered from the onerous time restrictions imposed on students. It is a love of Pepper’s surpassed only by his passion for music.
Pepper’s quest leads him to Susan Frommer, a computer whiz who has crashed “The Smart Boys Club” and is a Keeper of the Grail. Sooz, as she prefers to be called, is convinced she’s found the key to Universal Enlightenment in her vision of decentralized, unregulated computer networks accessible by the masses and outside the control of oppressors in warmongering governments and the capitalist elite. She’s committed to making her digital fantasy world a reality and solicits a reluctant and confused Pepper to join the cause as a condition of possessing the password. Seduced by her charm and beauty, Pepper signs on tentatively, unsure where it may lead, but convinced that wherever Sooz is, he wants to be.
These are heady times in both the world of computing and the world of politics. The Vietnam war is raging and a whole lot of people are unhappy about it, especially on college campuses. While the flames of revolution are being fanned by Ramparts magazine, Soul on Ice, Kent State, and the Port Huron Statement, these same campuses house legions of nerds and grinders churning out commands by the millions in new languages with exotic names like FORTRAN and COBOL—languages understood only by very large and expensive machines and the subculture that surrounds them.
When these galaxies meld in the predawn hours of Ann Arbor, tentatively at first and passionately later, a new landscape emerges—Pepperland—a countryside full of fear, uncertainty, and doubt but nourished by the kind of ardor only possible during such yeasty times.
After a summer of romance and indoctrination, Sooz informs Pepper that she won't be returning to school that fall, choosing instead to join The Weather Underground, a radical anti-war, anti-establishment cabal that believes no crime is unjustified when it comes to “bringing down the man.” She asks him to join her; he says he can’t. She disappears into the bus station as Pepper’s ticket takes him home to Chicago to get ready for the school year.
Three years later, still unable to shake thoughts of Sooze, her passion, and her allure, Pepper is at a crossroad. Does he take an attractive offer from IBM, or does he chase his dream of changing the world with his music?
Music wins out, and after a few months of disastrous gigs and intense songwriting, Pepper snatches his younger brother Dave away from college and a soul-crushing breakup and convinces him to help start a new band. They find a down-and-out record producer named Creech in Chicago to back them and things begin to take off.
And the postcards keep coming. For the past three years they've shown up every few months with postmarks from all parts of the country. They carry cryptic messages and are unsigned, but Pepper knows they're from Sooz. Sooz, in deep hiding after a counterculture bank robbery gone bad, reaching out to let him know she’s OK and reminding him that she hasn't abandoned her dream, either. Subtly saying she still wants him to be part of it.
When Sooz reappears in Chicago, she invites Pepper to meet her in a most unlikely spot where she works under an assumed identity at an even more unlikely job. The smoldering embers reignite their passion, both visionary and amorous, and the two begin a journey through the dawning of an era. It’s a time populated with long-forgotten names like Stokely Carmichael, Tom Hayden, and H. Rap Brown. It’s a world full of supercharged acronyms—SDS, SNCC, CREEP, NSA, ARPA, and a mysterious quasi-governmental spy outfit called SNARB. Hugh Hefner even makes a couple of cameos.
Haunted by a Dark Stranger and the guilt-ridden memory of a long-dead brother, Pepper, Dave, and their band roll through the Midwestern countryside in a VW van called Otto playing transcendent gigs led by Pepper’s ancient, magical Felix the Cat guitar and sweeping audiences off their feet.
Between gigs and meetings with fawning agents and enthusiastic deejays, Sooz drags Peeper to the home of the mysterious Dr. Flarb to be her front man on a pitch for her digital vision of the world. This eventually leads to dinner with the even more enigmatic investor Fletcher Engel, the man Sooz hopes will bring her dream to reality.
Dodging SNARB agents and fighting extortion by a treacherous band member, Sooz and Pepper are snatched from disaster’s maw on several occasions by Creech, now Pepper’s producer/manager/guardian angel, as the story spins to its conclusion at a fork in a concourse at Chicago’s O’Hare Airport.
••••••••
When musicians choose to write on word processors instead of treble clefs, the results can be unpredictable. The phrases can grate like a Jimi Hendrix riff or they can flow like a Lennon/McCartney classic. Fortunately for readers, computer veteran/fiction editor/guitar player Barry Wightman’s first venture into novel-writing is more Abbey Road than Purple Haze—but the wa-wa pedal is there when he wants it.
Pepperland is an 8-sided four-disc rock-and-roll collection with a 9-track EP bonus that ends with the hopeful plea of Jefferson Airplane’s “We Can Be Together” playing in the background—Tear down the walls. Won’t you try?
It’s Sooz’s entreaty to Pepper throughout the book.
Enjoy the music while you learn if she succeeds.